My Oscar Picks for This Year

Okay, first off, yes, I have been lax this year with The Oscars. I am hesitant to admit this, but I really haven’t even taken a good look at the nominees until earlier this week. Nevertheless, I will take a shot a predicting the Academy Awards – both what will win, as well as what should win. And just to remind all you other latecomers, check out the nominees here.

Best original Screenplay – I want Woody Allen for Midnight in Paris which I thought was brilliant, but it will probably go to The Artist.

Best Original Song – Of the choices, it’s “Man or Muppet.” Only two songs nominated? Really?? And only one from The Muppets??? What about the songs in Captain America or Bunraku?

Best Animated Film – Nothing deserving was nominated, and the three I saw were abysmal. For the first time in quite a few years, I don’t care about this category.

Best Supporting Actor – Is it time for Nick Nolte to win this year? Plummer and von Sydow deserve it, but I think it’ll go to Nolte, just a hunch.

Best Supporting Actress – I looove Janet McTeer, and would love to see her get this, but I think one of the ladies from The Help will take this one.

Best Actor – I only saw Clooney and DuJardin, but I’m still going to say the latter.

Best Actress – Meryl Streep in The Iron Lady. It’s her turn again.

Best Director – If Martin Scorsese doesn’t get this for Hugo, it will be a crime. Not only will the Academy admit they know nothing about direction, they nothing about film either.

Best Picture – The Help and Midnight in Paris were my favorite movies of the year in this batch, The Artist and Hugo are wonderful love letters to film itself, but I’m going to say they give it to The Help.

Check back later and see how I did. What are your picks?

Luck

I’ll watch any drama on HBO. There is simply a level of quality that is always present. And it doesn’t matter what a given television series is about, there is always amazing writing, direction, and performance, always.

My mother-in-law notoriously dislikes science fiction, fantasy, and horror. That genre stuff just turns her off. It’s too ‘creepy’ to use her word. Yet last summer she was sucked into the fantasy world of George R.R. Martin’s “A Game of Thrones.” She even watched several episodes one right after the other to catch up. That is the magic of HBO drama. It doesn’t matter what it’s about, it matters how it’s done, and the quality and care with which it is done.

That brings us to “Luck.” I really couldn’t care less about horse racing. It does less for me than genre television does for the mom-in-law, but the HBO drama rule pulled me in. The sneak peek of the pilot back in December hooked me and made me wait with baited breath for the series debut a few weeks back. This show is fabulous.

The HBO drama rule is not all it has going for it though. Oh there is a slight “Sopranos” vibe going on, but that’s not the kicker. What drives this show is the acting. You’ve got some heavy hitters here with Dustin Hoffman, Nick Nolte, and Dennis Farina, as well as an ensemble of some of the best character actors around. Most notable are Kevin Dunn, Richard Kind, and one of my faves, from the much missed “Dirt,” Ian Hart.

The series, created by writer David Milch who also worked on the network’s terrific and also missed “Deadwood,” follows the events and characters tied to a particular race track, and it’s all done with class and in the slick style of executive producer Michael Mann. These two allow the big three actors to be as big as they want on the small screen and it’s a good thing – all are at their best here.

There are only nine episodes in this first season, and with the fourth coming this Sunday, there’s plenty of time to catch up. This is yet another HBO show you should not miss.

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Just a reminder, The Virtual Book Tour for THE HUNGRY HEART STORIES is featured today at Shelley Szajner’s blog with an interview with the author Fran Metzman, and continues tomorrow on Becca Butcher’s blog. Don’t miss it!