Doctor Who: The Pandorica Opens

I can’t believe it’s almost over. Here we are at the final story of the fifth season (series for you Brits) of “Doctor Who.” As the title “The Pandorica Opens” implies, we’re going to get some answers finally, and man, are they something! Beware, there be spoilers ahead…

The Steven Moffet scripted episode opens with various characters from throughout the series – Vincent van Gogh, Winston Churchill, Prof. Riversong and Queen Liz all working to get a message routed through time via a painting and the TARDIS. The painting, by van Gogh is called “The Pandorica Opens” and depicts the TARDIS exploding.

Somehow we end up back two thousands years in the past with the Roman legions of Julius Caesar, with Riversong as Cleopatra. Don’t worry, it comes together. The Doctor, Amy and Riversong track the Pandorica to Stonehenge, and I half-expected an appearance of the Ogri from “The Stones of Blood,” one of my favorite old school stories. No luck, but there is a very cool Raiders going on when they discover the Pandorica, which appears to be some sort of prison cell.

This is when things get very bad. The Pandorica is sending out a signal, and apparently calling various alien races to Earth, and not good ones – all ones with a hatred for the Doctor. First the Daleks, then the Cybermen, and as if that’s not enough, it seems they are all converging on Earth – the Sontarans, the Judoon, the Silurians, the Sycorax, the Slitheen, the Atraxi, and the Autons among others.

Yeah, it’s the final battle with all the baddies with fanboy giddiness. You can almost feel Steven Moffet grinning as he wrote this.

Just as I was starting to like Karen Gillan as Amy unhindered by Rory, the old boy makes a reappearance, believe it or not as one of the Romans. And she still doesn’t remember him. And just when you might think it just can’t can’t get any worse … it does. Rory is an Auton.

Meanwhile Matt Smith’s arrogant promise-breaking Doctor has problems of his own with almost every one of his worst enemies in the skies. He momentarily holds off the warring alien races with smack talk, which would have been much cooler had it not been the same smack talk and the same trick he pulled at the end of “The Eleventh Hour.” It definitely seems like arrogance is going to bite Matt in the ass just like it did David Tennant last season.

And then the Pandorica opens. Wow. Once all of the elements of this season come together, it makes sense, and man, is it nasty…

So until next time… “Hello sweetie” … or should that be “Goodbye sweetie?”

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About Glenn Walker

Glenn Walker is a professional writer, and editor-in-chief and contributing writer at Biff Bam Pop!. A blogger, podcaster, and reviewer of pop culture in all its forms, he's done stints in radio, journalism and video retail. Ask him anything about movies, television, music, or especially comics or French fries, and you’ll be hard pressed to stump him or shut him up.

Posted on June 26, 2010, in bbc, david tennant, doctor who, karen gillan, matt smith, raiders, steven moffet. Bookmark the permalink. 1 Comment.

  1. I don't watch much TV drama, so I can say, without fear of contradcting myself in 5 minutes time, that The Pandorica Opens was the greatest hour of TV drama broadcast anywhere in the world in 2010.

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