True Blood: I Got a Right to Sing the Blues

Sookie’s first line in this episode, “Eric, what the f**k?” says so much. It describes accurately my thoughts on the season so far, and is also the perfect commentary on this opening scene, a very tense situation in the royal court of Mississippi. Russell is a very deadly foe indeed, and not a vampire king to be trifled with, or tricked.

This is an Alan Ball script and it shows. His care and respect of the characters is plain when compared to the cartooniness of previous episodes. Under the pen of Ball, everything rolls much better. No pun intended. And under his pen, it looks like Jason has left cartoonland and entered into his initiation as a shapeshifter, just like in the books. And by the way, speaking of the books – those of you who have read them, stop telling those of us who haven’t what’s going to happen. Puh -leeze. Thank you.

The title of this episode is derived from the Billie Holiday song that plays as Lorena tried to kill Bill, as instructed. It’s a reminder of their jazz age romance/partnership, nicely played. Bill is certainly a sly one when he wants to be. Speaking of sly, Tara is quite the bitch, but then, Franklin does deserve it.

Everyone is sly in this episode. Eric does some startling and amazing face changes, his chameleonic performance is one of the prizes this night. The charisma bubbles from the interrogation of Sookie by Russell and later in the evil ride with Russell and Eric. It’s disturbing to see that Russell (a Southern stereotype unfortunately) is also a racist, and not just against the human race. Great tension, great secrets, juicy stuff.

Other things I liked this time include the secret of Sam’s family taking an exciting and unexpected turn, making all the puns of past episodes make complete sense. I also loved Jessica manipulating and glamoring (and eating) the customers at Merlotte’s. I loved the slice of Lafayette’s love life despite how it ended. More please, Lafayette is criminally underused.

All good stuff, all going to show it’s good for a series when the creator takes the reins, even if for just an episode or two. Another great cliffhanger ensures I will be here next time. Can’t wait.

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About Glenn Walker

Glenn Walker is a professional writer, and editor-in-chief and contributing writer at Biff Bam Pop!. A blogger, podcaster, and reviewer of pop culture in all its forms, he's done stints in radio, journalism and video retail. Ask him anything about movies, television, music, or especially comics or French fries, and you’ll be hard pressed to stump him or shut him up.

Posted on August 2, 2010, in alan ball, book to film, charlaine harris, hbo, jazz, true blood, vampires, werewolves. Bookmark the permalink. Leave a comment.

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