Monthly Archives: September 2012
The All Things Fun! New Comics Vidcast is shot live every week at All Things Fun! – the South Jersey/Philadelphia area’s best comics and gaming store, located in West Berlin, NJ.
Co-hosts Ed (Silky Smooth) Evans, Allison (Amethyst) Eckel, and Glenn (Shazam) Walker discuss the new comics out this week in wicked high definition video, and also available on the YouTube. See it here!
Discussion featured in this week’s special creepy old man episode includes: Ed’s silky smooth radio voice, Green Lantern Corps: New Guardians #0, Sword of Sorcery #0 featuring Amethyst, sooo much Allison love for Amethyst, Beowulf, Wonder Woman #0, Justice League #0 featuring the little bastich, The Super Cool Secret Word Contest, the rest of the DC zeroes, rushing through Marvels, New Mutants #49, Ultimates United We Stand, The Walking Dead #102, Ed’s indies, Ghost #0, Star Treks and red shirts, Allison’s kids comics, and Ed’s trades.
Be sure to check out the wild new All Things Fun! website, and the All Things Fun! Blogs, by Allison and Glenn, now featuring The Vidcast Drinking Game so you can play along at home, and ATF! on YouTube (don’t forget to subscribe to the channel while you’re there, and leave a comment or two on the Vidcast as well!).
And be back here every Wednesday (or Tuesdays at midnight) to watch the new broadcast, and thereafter throughout the week!
Don’t forget to get your secret word in to email@example.com by Friday!
They Might Be Giants ~ In the wake of other recent successful updates of Sherlock Holmes; “Sherlock” and “Elementary” (don’t forget to check out my review of “Elementary” at Biff Bam Pop! this week) placing him in present day and the cinematic version with Robert Downey Jr. Giving him a steampunk makeover, I thought it might be time to give They Might Be Giants from 1971 a second look.
The film, based on the play of the same name, is set in present day United States. George C. Scott plays Justin Playfair, a judge deluded into believing he’s Sherlock Holmes after the loss of his wife. While Playfair demonstrates an unbelievable mastery and skill set as the Holmes identity, and remaining relatively harmless despite some paranoid delusions about his mythical enemy Moriarty, his brother tries to have him committed to gain his fortune.
Enter Doctor Mildred Watson, played by Joanne Woodward, originally signed on to commit Playfair, but is quickly drawn into his world by virtue of her name and an interest in the case. The two proceed on adventure after adventure as Playfair attempts to piece together ridiculous clues sent by his enemy Moriarty.
While an enjoyable farce with these two Oscar winning masters of the screen having good chemistry, this is so not their best work. I would single them both out for calling this one in. Still better than most performances of most actors, They Might Be Giants is only adequate for Scott and Woodward in my opinion. Not helping this is the fact they’re surrounded by a who’s who of 1970s and 60s sitcom actors who are nowhere in their league. Worth a watch, but don’t hunt it down, you’ve seen this before.
The recent nonsense in the Middle East with the murders, attacks, and protests against American Embassies is not the normal fodder for content here on Welcome to Hell, but it kinda is when it’s caused by a film. The film, and I use the word loosely, is called Innocence of Muslims by filmmaker, once again a term I’m using loosely, Sam Bacile, who we have since learned is an alias for Nakoula Basseley Nakoula.
Based on what I’ve seen of the man, and the film, he is a hate criminal, and responsible for the deaths so far in our embassies. And that’s not just because it’s a bad movie. It’s more and less than a bad movie. Horrible acting, sets, and writing, and created specifically to incite the Islam world to violence. This is something even Uwe Boll never did.
Notably this is not the first time film has been used as a mind weapon. The gangster films of the 1930s were said to bring about, among other things, juvenile delinquency. Violent movies have always been said to make kids more violent. The trend continues today. I think the documentaries of Michael Moore have fanned the fires, if not lit them initially, of the bipartisanism that threatens to tear our nation apart.
I think this will be a first. We’ve had music and videogames supposedly make people kill, we’ve had books do it, most notably with “The Satanic Verses” by Salman Rushdie, now I guess, it’s film’s turn. Still these things bother me.
While I do wonder what Ozzy song was Genghis Khan’s favorite, and what Call of Duty game Hitler played the most, this movie was a deliberate assault on a faith, in my opinion. I hope this furor dies down soon, and people realize that this was just a bad movie…
I recently had the chance to view the pilot episode of “Revolution” via OnDemand. Apparently it’s also on Hulu and NBC.com, so I have to wonder if anyone will watch this when it airs Monday night. After the last few television projects from J.J. Abrams, I was prepared to be unimpressed, but I gotta say, I might give this a shot. It actually seems like it might be fun, conditionally, that is.
The concept of “Revolution” is a world where all the power has gone off. Logic dictates some sort of electromagnetic pulse possibly, but who knows really what it could be in a J.J. Abrams show? Didn’t he make up that island you could drive on “Lost”? So the power goes off, and our story begins fifteen years later. America has devolved into small villages of folks living off the land and warring militia states. Still, nobody has gotten the power back on, or even had the know-how to build a simple generator. Did no one pay attention in high school science class?
Logic aside, it does have its moments that set it slightly above other scifi fare currently on TV. I like our reluctant hero Miles, played by Billy Burke, who is like a mild-mannered badass with a sword. I also like our middle management villain Neville, played by Giancarlo Esposito, Fring from “Breaking Bad.” He plays the baddie with the same quiet deadly charisma of The Operative in Serenity.
“Revolution,” created by Abrams, and with this pilot episode directed by Jon Favreau, also depends a lot on its potential genre nerd cred. One of the best moments in the pilot is when Charlie, played by Tracy Spiridakos, and someone who has lived most of her life without power, reveals her secret stash – in an Empire Strikes Back lunchbox, and we hear a few notes of John Williams movie score. Moments like that elevate this show, and make me want to keep watching.
The only thing that would keep me from watching, and it’s the condition I spoke up at the beginning of this review, is that plot device that the show revolves around. What caused the black out? If that will be the carrot on a stick, that keeps viewers watching, yet never gets revealed, I think I’m out. I don’t want another “Lost,” and I certainly don’t want another “Flash Forward” or “Journeyman” where we never find out what happened.
Now watch the following preview at your own risk. It’s one of those that pretty much tells you everything that happens in the pilot, right in the preview. Stupid television executives…
Sucker Punch ~ At first glance, and from previews, this appears to be an explosion of imagination. Writer/director Zack Snyder makes it seem as if he has constructed a film around the concept that with motion capture, green screen and CGI nothing is impossible. I mean, come on, you can’t get any more genre chill than hot chick samurais and steampunk Nazi zombies. And at first glance, you might be right.
The problem is that only about twenty minutes of the film’s one hundred and ten minutes takes place in the hyper-reality of the story’s fantasy world. The rest happens in a dreary, depressing and relentlessly violent mental hospital reality that makes the end of One Flew Over the Cuckoo’s Nest seem like a house party. Nothing good happens in the hospital. It is painful to sit through, even worse if you watch. In the theater, I hated this majority of the flick, and at home, fast forward was my friend.
The fantasy scenes are amazing, truly stunning – I could watch them over and over again – and alone well worth the price of admission/rental. The sexy actresses and killer soundtrack are also formidable as well. I fully recommend the movie just for those reasons, but there’s a lot more going on.
On further viewings and discussions with other film fans I have discovered a whole different level to this flick. Pay close attention to the dialogue and the visuals as well, as everything is a metaphor. If you don’t want to get that deep, there is also the Pink Floyd factor. Much like The Wizard of Oz, if you play Dark Side of the Moon parallel to watching Sucker Punch, it lines up much the same way.
So no matter how you watch Sucker Punch, I recommend you give it a second chance, finger on the fast forward button or not.