Monthly Archives: October 2013
I have only recently caught up with the world technology-wise. I have only had my iPad Mini a few months, and I’m still learning. And it’s also only been a short time since I have been reading digital comics the, um, shall we say, the legal way.
ComiXology is my friend, my reding device, and the bane of my wallet, but it has been a new way for me to experience not only comics, but comics in a new way as well. It has also been a way for me to explore comics I might not have read otherwise or catch up on stuff I haven’t read in a while. In other words, I do a lot of exploring on ComiXology.
Imagine my surprise when I discovered an old friend and his work there, and I purchased it right away. I’m talking about Doris Danger by the talented Chris Wisnia. Chris has been doing comics for a while now and I have been following him and cheering him on for most of that time, whether it’s Tabloia, or Dr. DeBunko, or even Doris Danger, it is always a fun time reading comics. And really, aren’t comics supposed to be fun?
Currently only Chris Wisnia’s Doris Danger Giant Monster Adventures is available digitally, and some of the stories included are even specially formatted for optimal e-reading. I had read all the stories in the collection before, but still I was happy to not only have them all in one place, but also in electronic form.
This terrific e-comic is ninety-six pages of tales of giant monsters in the Atlas Comics tradition of the legendary Jack Kirby. Yes, Kirby homage is kinda old hat these days, but Chris was not only doing it before it was cool, he was (and is) doing it better than all the other guys. He’s found that elusive groove between respect and humor with falling into insult or mockery. Each page is lovingly rendered and showing what was so cool about 1950s giant monster comics, both good and bad.
The book is described thusly: “As a teen, Doris Danger was abducted by a giant monster. Ever since, she’s had a burning desire to prove the existence of giant monsters, but has been unable to prove her beliefs by snapping an indisputable photograph. While she has convinced many, she has also met many who doubt, who try to disprove, or even lie, manipulate, and cover up evidence. Doris Danger crosses the X-Files with the classic Lee/Kirby giant monster comics, with a little bit of Godzilla thrown in for good measure.”
Chris Wisnia rocks these comics, that also feature fabulous pin-ups by artists you have definitely heard of like Russ Heath, Steve Rude, and Mike Mignola among others; and great letters columns and text pieces detailing the history of these amazing comics, both real and fictional.
I love these books, and whether you have or haven’t experienced them before, you should definitely check out Doris Danger Giant Monster Adventures in electronic or hard copy form, and also stop by Chris’ website to see all the other creative stuff he has going on, and Follow him on Twitter as well.
The Frankenstein Theory ~ Shot similarly to The Blair Witch Project, a documentary crew follows the obsessed Professor John Venkenheim to the Arctic where he intends to prove that Frankenstein was not only true, but about his ancestor, and to vindicate his reputation once and for all. He believes he can find the Frankenstein monster.
This is a fascinating concept, and the film moves between actual movie and shaky cam documentary style well. Writer/director Andrew Weiner’s background is in Troma and low budget horror, but this is a step above. I liked it.
Kris Lemche plays Venkenheim with perfect obsessive creepiness, but just enough compassion that you care about him. It’s just this side of pity, but you do care for the buggy little fella. Joe Egender does him one better as the antsy paranoid meth-head and witness to the monster’s present day shenanigans.
Tiny role, but camera crewman Brian Henderson made me laugh doing a funnier Dane Cook than Dane Cook. Timothy V. Murphy playing the wilderness guide who channels Robert Shaw in Jaws wonderfully is pretty entertaining too. I absolutely love him and his campfire story. Beautiful.
Granted, the film does fall apart a bit toward the last act, but there are enough good parts here to push it above say, Sharknado. I really kinda dug it, recommended for horror fans.
Our recent vacation included a short stay at the newest resort in Walt Disney World – Art of Animation. Originally it was to be called Legendary Years, a sister resort to Pop Century. As Pop Century was a tribute to the decades of the last half of the twentieth century, Legendary Years would cover the first half, 1900-1950. After 9-11 however, for whatever reason, construction halted for several years.
If you like to see a video of what it looked like during those non-construction years, my friend John Corigliano, of the Your Ear to the World podcast, did a walk-through with his camera. You can see that here. Thankfully construction started again, but with a new objective and name, Art of Animation, with each building dedicated to a different recent animated feature.
The family suites are in the Lion King, Cars, and Finding Nemo buildings, with the single suites in the Little Mermaid buildings. For our time at Art of Animation, we stayed in the Lion King suites, the buildings being surrounded by giant statues of the various characters and scenes from the movie. Outside of our building was Pride Rock, the Elephant Graveyard, the “Hakuna Matata” log, and Rafiki’s home, with giant statues of all the favorites in and around. It was something.
Our suite rocked. Not only was it fairly big, almost colossal compared to our cabin on board the Disney Fantasy, the room was literally bursting with iconic Lion King jungle décor. The carpeting, the bedspreads, the furniture – it was all jungle themed. The TVs were large flat screens with an electronics deck under them to both recharge your phones and other devices, but you could also hook up your video equipment to watch on the big screen.
Our dining room table collapsed into the extra Murphy bed for a fun twist, and came with stackable chairs. The suite even had a small, but almost complete kitchen. The bathroom even got into the act, with a cavernous shower stall in a beautiful orange sunset as shown in the movie. This came complete with orange smelling soap and shampoo. What a terrific extra accent! This was a great suite, right down to the bathroom. And in the hotel itself, even the elevators were jungle-like in motif and temperature, almost lush.
The doors were unlocked by our Magic Bands, which also allowed us access to the parks, and we could purchase items in the hotel and in the parks as well with them, including FastPasses. The lobby, staffed by the usual wonderful customer service folks, is decorated by animation sketches from the films featured there, from original ideas to final products, almost like evolutionary stages.
The food court, Landscape of Flavors, is reputed so good that folks from Pop Century will walk over to have breakfast, lunch, and dinner there. Some of it was okay, and some really good. I’ll be talking about some of their offerings over at French Fry Diary in the near future, so keep an eye out.
Also, if you’d like a more personal look at Disney’s Art of Animation Resort, The Bride and I talk about it on the newest episode of our new Make Mine Magic Podcast. You can hear it here. Check it out.
This is the superb first novel from author Johnny Worthen, a man whose knowledge of the occult bleeds into his work, educating and illuminating.
It is also a tale of love and horror, refreshingly set against a modern day background of the American Northwest.
This is a horror romance that manages to inform as well as entertain, worth reading. You can buy the book here.