Monthly Archives: November 2013

Man of Steel – My Take

Man of Steel ~ We’ve been on this ride before, a new Superman movie. I remember the thrill and awe of the first two movies with Christopher Reeve, and the disappointment of the following two as well. And then two decades later we got Superman Returns, and while I had huge issues with the ‘super stalker’ and ‘deadbeat dad’ subplots, Brandon Routh wasn’t bad as the man of steel, Kevin Spacey was brilliant as Lex Luthor, and the plane rescue had to have been the single greatest superhero special effects scene filmed up until that point. I enjoyed quite a bit of it. And if I enjoyed it… you know what Hollywood has to do, change it.

I have talked before about how I feel about origin stories, no need to chew on that again. But the fact is they (writer David Goyer and director Zack Snyder) have changed Superman’s origin. If not for the fact that everyone knows Superman’s origin I wouldn’t have a problem with it. It’s the Moses story, the Jesus story, the immigrant story, the perfect origin for a perfect hero, and they had to tamper with it.

In this new version, there is no requisite scene of Jor-El and Lara holding each other as krypton explodes and their son rockets away to safety and his destiny. It reminded me of the latest movie version of Spider-Man where Uncle Ben never says, “With great power comes great responsibility.” Why? If it’s not broke, don’t fix it. Some traditions should stand.

Instead of a tender tragic moment, Man of Steel delivers the Kryptonian Civil War, General Zod murdering Jor-El, and Lara on the stuffy Science Council (although unnamed as such in this flick). At the last minute, almost as an afterthought, they go, oh by the way, Krypton is doomed, and about to go boom. We spend a good twenty minutes or so on Krypton, not a frozen crystalline weirdness that it’s been on film for decades, but almost something resembling the comics Krypton. I loved the wing machine, Kelex, and the jungles and cities. I would have squeeed if we’d gotten the actual Scarlet Jungle or a thought beast.

Zod here is a military leader who attempts a coup on the council, and with his underlings (the also unnamed Black Zero terrorists, a name only learned from movie affiliated toys), is sentenced to do time in a space singularity. Again, we don’t hear the words ‘Phantom Zone’ until much much later. What is Goyer’s resistance to using correct terms for people and things?

We did get a few little tidbits in the flick. No after credits scene or cameos or even mentions of other DC characters really. We did see a LexCorp truck at one point. I was thrilled seeing the names of real Phantom Zone character names in the credits – had I heard them out loud in the film, I would have loved this movie a lot more. Jax-Ur! Dev-Em! Nadira! We’re talking fanboy heaven here. Comics fans like Easter eggs, why not give us a few?

The cast was surprising, both good and bad. Amy Adams as Lois Lane is the plucky reporter from the 1940s Fleischer cartoons, wonderfully updated not to a 2013 standard but to a respectful current version. She won’t seem dated to audiences a few decades from now as Margot Kidder does in her then highly acclaimed tour as Lane. Watching her performances now just scream 1970s so loud. Adams is amazing for the most part, only briefly falling into annoying mode once or twice.

Henry Cavill, in my opinion, and I know many friends who disagree, is only just adequate. He is suitable alien, and distant, and anti-social. Superman is an alien, yes, but he’s not any of those other things. He is sensitive, and caring. Remember in Superman II when the three Phantom Zone villains discover his true weakness? He cares. Cavill’s Superman never gives me that impression ever. In Man of Steel, when Zod demands that Kal-El be delivered to him, if it was Christopher Reeve, or even Brandon Routh, the Superman/Zod confrontation would have happened in the next few seconds, or however long it would take super speed to get our hero to the villain’s lair. Goyer’s Cavill takes his damned time.

Henry Cavill as Superman lacks heart, he lacks love. Superman loves the human race, he believes in the human race, and he wants to make them better, to inspire them to greatness. I never believed Cavill in the role except for one or two brief moments. Let’s face it, and I’m not saying this to be old school – put Christopher Reeve in this exact film, in this same role, with the same dialogue and direction, and I would believe him, Cavill I would not, and do not.

Kevin Costner will hopefully be remembered come Oscar time because he deserves it for his performance as Jonathan Kent. That said, I hated the character of Pa Kent in this movie. Just the concept that he would tell his son maybe he should have let people die rather than reveal his powers just aggravates the hell out of me, and is so against his character. And his death, his sacrifice that forces young Clark not to save him when he easily could have… I wanted to scream at the screen. Who is this man? Because it sure as hell isn’t Jonathan Kent.

Speaking of fathers, Russell Crowe’s Jor-El leaves the movie early, as I mentioned, a victim of General Zod. He returns later in a method similar to the earlier Superman films, as a hologram, or more accurately an interactive artificial intelligence. What boggled my mind is the fact that Crowe as Jor-El had more chemistry with Adams as Lois than Cavill’s Superman did.

I was a bit iffy about Michael Shannon’s Zod at first. He can be brilliant but sometimes he’s a one note actor. If we’re judging Shannon as if he was playing Terrence Stamp’s general Zod, he fails miserably, but the thing is he’s not. This is a different Zod. He is almost a heroic figure. He is commissioned with the responsibility of continuing the Kryptonian race, and Kal-El actually stands in his way, a war criminal of sorts, the one keeping krypton from flourishing again. Really, how can we root against a man with that new MO and motivation? Despite his methods, this is one of the good guys, right? Shannon’s portrayal is good, only falling into cartoon mode once or twice.

As long as we’re talking about Zod, we come to two of my biggest problems with Man of Steel. Here be spoilers, be warned. Superman has to murder Zod to stop him. At the climax of the film, Zod gets desperate and starts to heat vision a family so Superman breaks his neck. The powers that be behind this flick, Goyer and Snyder, among others, have defended this move, saying that Superman has to learn not to kill by having experienced it.

Hello? Bullshit. I call shenanigans, as they say on “South Park.” I don’t have to kill someone to know it’s wrong. You don’t have to kill someone to know it’s wrong. Why does Superman, the pinnacle of all that is good and right in the world, not already know this like you and me? Superman, the real Superman, would have found a way to stop Zod without killing him. That’s what makes him freaking Superman!

Yes, something similar happened in the comics. John Byrne had Superman execute Zod and two other Phantom Zone villains in the post-Crisis continuity, and I hated it then as I hate it now. With over seventy-five years of source material it hurts me deeply that the hero’s darkest hour is what some people think should be brought to the screen. There are much better stories, people, probably hundreds, if not more.

One thing that superhero movies have brought to the screen recently, especially the billion dollar blockbuster, Marvel’s The Avengers, is the level of destruction. Well, super powers, the wrath of gods, can bring wholesale destruction down on us all, and now with the special effects available and the popularity of superheroes, we can now show combat on a scale similar to what is sometimes shown in comics.

Listen to me carefully. It does not translate to the big screen. I want to see these big smash-ups and slugfests as much as the next guy, but when it happens in ‘real life’ in a movie, it just does not work. We live in a post-9/11 world, and even over a decade later, those images have a blood curdling effect. To borrow the words of comics writer Mark Waid, it’s disaster porn, plain and simple, and I don’t wait to see it. I want to leave a Superman film inspired, uplifted, wanting to make the world a better place – not mourning the dead.

In conclusion, Man of Steel was a good movie, but it wasn’t a good Superman movie. I look more forward to Batman Vs. Superman, or maybe the much anticipated Justice League film, than I do ever seeing this one again.

For other perspectives, including my own, below is the Biff Bam Popcast featuring Andy Burns, JP Fallavollita, Jason Shayer, and special guest, Michael Moreci of the Hoax Hunters comic series, done at the time of the film’s theatrical release:


And then there’s also JP Fallavollita’s review of the film at Biff Bam Pop! here for a very different view.

Dining on the Disney Fantasy

Has The Walking Dead Lost Its Edge?

AMC’s “The Walking Dead” is currently experiencing its highest ratings surge ever, beating even the NFL in some demographics, so why are some hardcore fans not happy? There are a lot of big fans who are still watching, but vocal about their dissatisfaction and disenchantment. What s going on?

Things certainly did heat up last night. Lots of zombie killing, characters’ lives at risk, Rick being a man for the first time in a long time, Carl being even more so, and of course, the return of The Governor. Will that be enough to realign old fans? Maybe, maybe not. I think the problem goes just a bit deeper.

I think the problem is Rick Grimes, played by Brit Andrew Lincoln. He’s become not just a farmer, but a huge wuss. I think the powers that be may have forgotten that he is the protagonist of the show, he’s the point of view character. One very big reason we don’t really know how the zombie apocalypse happened is because he was in a coma when it happened. Rick Grimes is our guy. And when he was a badass, shooting zombies, and insisting he was still the law – we loved him. Now, not so much.

This may also be why so many people have become attracted to Daryl Dixon, played by the offscreen sexy Norman Reedus. It not just the ladies and gentlemen digging his down home sex appeal, it’s because he’s a badass, in Rick’s absence. If you have zombies, someone’s gotta be killing ’em, and Daryl is doing more than his share. But still, he is a flawed hero. Not because of his racist brother, or his emotional distance either – it’s because he’s not our point of view protagonist. We’ve never been in his head, never suffered or triumphed through him.

This dynamic is also why it was okay for Carl to shoot an innocent. As viewers we were happy someone in the family was showing some stones, standing up for himself and the others – even if he was wrong. Carol has stood up for herself in recent episodes, and Rick banished her. Not a good move.

Rick did it for himself, not the group. It is a small distinction, but an important one. Had he done it for the group, it would have been a step back toward being the leader, being a man, being the bad ass hero that we want back. Doing it for himself is selfish and whiny. And getting rid of Carol is not a wise move to begin with. Here is a character who has evolved from whiny battered wife herself to a strong leader. Is Rick sending her away because he fears that reverse evolution in himself? Is he sending himself away?

Let’s hope Carol isn’t gone for good, and let’s hope that Rick straightens out. Rick can be the embattled tragic hero, sure, but he’s gotta strap his gun back on and raise hell with the walkers. It’s the law. And yeah, maybe the return of The Governor might spice things up a bit, but let’s be real, it ain’t his show either.

And don’t forget to check out the weekly “The Walking Dead” recaps of fellow writer Marie Gilbert at Biff Bam Pop!.

French Fry Diary 537: Celebration Night at Enchanted Garden

Thor The Dark World

Thor The Dark World ~ Any Marvel movie at this point is an event, not just a promised blockbuster, but a legitimate mainstream event. Everyone wants to see the next big Marvel movie, and with the news this past week of Netflix’s picking up five different Marvel Comics projects as live action additions to their streaming own line-up that includes “House of Cards,” “Orange Is the New Black,” and “Arrested Development,” the next Marvel movie is big, and that movie is Thor The Dark World, a movie so big, it opened alone this weekend.

One thing I was happy to see, that even though the Marvel superheroes are now part of everyday pop culture and even your grandmom is aware of Thor, the powers that be aren’t afraid to mine the source material for ideas rather than going off on a weird Hollywood tangent. One of the best Thor runs in the comics, other than the classic Stan Lee/Jack Kirby originals, would be the Walt Simonson run in the 1980s. Simonson did so much in his short run. He brought the character back to his roots, removed Don Blake from the equation, turned our hero into a frog, froze the planet, brought on both Surtur and the Midgard Serpent – and he also created Malekith and Kurse.

These two new characters were among the most powerful and dangerous the god of thunder had ever fought in the comics, making them more than adequate fodder for movie villains. I was more than pleased with former Doctor Christopher Eccleston as Malekith and Adewale Akinnuoye-Agbaje from HBO’s “Oz” as Kurse, but I just wish they had had more to do and less make-up, as they’re both terrific actors. In both cases, Kurse more so, the make up hindered their performances.

Sadly, what I said about source material goes by the wayside quite quickly. In the comics, Malekith releases Surtur and opens the Cask of Ancient Winters amongst other evils, but here, it is a mysterious aether that is the MacGuffin and magical weapon of choice. I really got the sense, especially when seeing that a different group of folks wrote the screenplay than wrote the story, that this was a plot from something else that had been transplanted into this Thor movie – sort of like how 1987’s Masters of the Universe flick was a rewritten abandoned New Gods script.

Nevertheless, I like Thor The Dark World quite a bit. The cast was back in full force, and Chris Hemsworth seemed more comfortable in the title role this time, Natalie Portman was not as annoying, and as always Tom Hiddleston steals the show as Loki. I did think Anthony Hopkins looked a bit tired, and I was glad to see Idris Elba getting more screen time as Heimdall. I like Kat Dennings more every time I see her, sigh, I guess I’ll have to break down and watch that “2 Broke Girls” show. I was also delighted to see Chris O’Dowd, as well as (spoilers) Chris Evans.

I really enjoyed the movie, despite it sorta taking a lighter, more Avengers tone than the first Kenneth Branaugh directed film. I liked the new language of the Dark Elves, I liked their spaceships, and their weapons, especially the space warp bombs. It was a bit of a distraction to have guns going ‘pew-pew’ and I freely admit to saying out loud at one point, “Coruscant is under attack, where’re the Jedis?” Now, that said, the first movie made a concerted effort to explain that Asgard was not magic, but technology so advanced it appeared to be magic, so this does fit the Marvel Cinematic continuity.

Thor The Dark World was really cool, I’d see it again, and I’ll definitely get it for home viewing when it comes out. I didn’t think it needed much improvement, but female friends we ran into after the flick, as well as The Bride, all commented on the same thing regarding Chris Hemsworth. More bare chest. And butt, more butt. On that note, don’t forget to stay for the after credits stingers, this time there are two.

New Music This Week

The big music news is the release this week of The Marshall Mathers LP 2 from Eminem. Previewed a bit on iTunes and on “Saturday Night Live” this past weekend, this looks like another winner. He keeps coming back, even when we’ve thought we’ve had enough of him. And I say that with love, because I’m a fan. Several songs stand out in the colossal twenty-one track endeavor, some that peek back into the happily diseased head of Slim Shady.

The sampling of classic rock tunes may drive some older listeners away. I know more than a few folks my age that not only dislike rap and hip hop, but completely lose their minds when rappers sample music of their youth. I say, deal with it, and listen to how it’s been altered, re-imagined, and in same cases, improved.

One of the songs in question, “Berzerk,” takes on the groove of Billy Squier’s “The Stroke” to splendid effect. Also grabbing the classic rock rift of “Time of the Season” by the Zombies is Shady’s “Rhyme or Reason,” one of the better rap mash-ups in recent years. I also dug “Headlights” featuring Nate Ruess, “Desperation” featuring Jamie N Commons, “Baby,” and “Evil Twin.” A viable and hard new release, welcome back.

Tuesday also saw the release of the new album from Adam WarRock, The Middle of Nowhere. I love me some nerdcore, and Adam WarRock is my favorite of the genre. While he is the king of the genre sound, he’s also trying to break into more mainstream hip hop, but no matter how he tries, the nerd is still at the core, and I love it.

Tracks like “High School Reunion,” “Internet Crush,” and “Shoulda Beens” hit close to home in a essentially non-nerd way, but the real thrust here is comics as per usual (not that there’s anything wrong with that). “Sinestrocore,” “J.A.R.V.I.S.,” and “B.S.F.X.” fill the nerdcore void with flair and pizzazz, and Tribe One, MC Frontalot, and Schaffer the Darklord, among others, also drop by. Love this album, and can’t wait for more. Check out Adam WarRock at his website, Twitter, and YouTube.

And then there’s Skinn Jakkitt’s self-titled album, including the song “Epiphany,” seen below:


For more of Skinn Jakkitt, you can check them out on Facebook, Twitter, and YouTube.

Animation and Potatoes

Arrow S02 E05: "League of Assassins"

We open on a Queen’s Gambit flashback, this one surprisingly from Sarah’s point of view, and turns out to be a nightmare. Girl has more PTSD and origin flashbacks in ten minutes than Oliver had all last season. Good thing an assassin in Dark Archer garb attacked to break the tension. Turns out he’s a member of the League of Assassins, yeah, Ras al Ghul’s League of Assassins, and in a fit of fashion faux pas, they all dress like John Barrowman in costume.

After the attack, in the Arrowcave with Diggle and Felicity, we get the lowdown. After the boat went down, Sarah was rescued and trained by the League of Assassins. The guy who attacked was called The First (who trained Merlyn), and was sent to take out Sarah. And, da da dum, the outfit of The Hood was first worn by Shado. I wonder where that little tidbit will go.

On the soap opera side of things, Moira is still coming up to trial, with Laurel prosecuting. It’s life with possibility of parole or the death penalty. Wow. It sounds like Starling City has the same corrupt and ridiculous legal system as Gotham City. Is Moira Queen worse than the Joker? Everyone is suitably whiny about this.

To protect her father, Sara reveals herself. She brings him to her watchtower and tells him she took the name Canary. There Sarah, her dad, and Oliver, just a little bit take down the assassins come to kill them. Good fight, but really it’s Sarah’s fight, and Quentin’s. Oliver just kinda watches, then shoots an arrow or two, like, “Hey, I thought this was my show.”

As if that’s not enough, Sarah’s flashback reveals she was rescued by Professor Anthony Ivo on his ship, the Amazo, and he’s going to save the human race. Oh boy. Time for a comics lesson. For the uninitiated, Ivo is a mad scientist, capital M mad with an immortality obsession. That’s not his claim to fame however. That would be Amazo, and it’s not a boat.

Amazo is a giant eight-foot tall android that Ivo created, super strong, near invulnerable, and a sociopath. As if that wasn’t good enough, he has these energy absorption powers, which allowed him to gain the powers of the Justice League, all of them, even Superman. Armed with a replica of Green Lantern’s power ring and Wonder Woman’s golden lasso, and all those powers, Amazo has terrorized the Justice League for decades. Yeah, that’s the legacy of Professor Ivo.

This kind of makes me wonder… how many big bads will we have this season? We have Brother Blood, possibly Ras al Ghul, possibly Suicide Squad coming, maybe Metamorpho, hell, maybe Trigon. And who knows what things will be like once the Flash shows up. One wonders how big this could be, will the rumored “Amazon” show, and the just announced “Hourman” series tie in as well?

I didn’t know what to think of the special mini-adventure “Blood Rush” with Felicity and Roy. In the space I took to explain it, it’s over, so at this point, it seemed a waste of time. Perhaps it would be better as a webseries?

Next week: The return of Deadshot, Amanda Waller, and maybe… the Suicide Squad??

Random Tater Pic of the Day #120

The 10 Worst Video Game Controls

Here’s one from The Angry Video Game Nerd, ironically enough, a fellow Edgewood Regional Senior High School alumus. Take it away, AVGN…

Hmmm… and I can’t even make controllers work for games with no glitches…