Category Archives: alice in wonderland
This 1968 curiosity from the folks at Something Weird is a semi-animated fantasy based on Alice in Wonderland but with a more obvious drug theme woven through. It tries to be psychedelic, and probably would be if you were high, but the limited animation makes it difficult.
I can imagine this may have been pretty risqué back in the drug days of the late sixties, but its kinda tame for these days. But let’s face it, back in the day, Ralph Bakshi went much further. Hell, Bakshi could have even done this better.
In this Wonderland, the characters all seem to be using one drug or another – marijuana, pills, even LSD – though I’m unsure whether this short is actually supposed to be pro-drug or anti-drug. It is definitely worth a look-see, at least once, if only as a time capsule to a mostly lost culture.
This is it, the finale. Last episode it was truly a 1966 “Batman” cliffhanger – The Doctor was imprisoned in the Pandorica by all of his greatest enemies and Amy had been shot, supposedly killed by the Nestine/Roman/Auton Rory at Stonehenge in 102 AD.
After the scenes from last week we get the caption that says 1894 years later to see Amy as a child praying for someone to come and fix the hole in her bedroom wall. This is significant as it skewers the rumors that the Doctor actually picked up Amy from the 1980s rather than the present day. Do the math.
What we see is very similar to the opening of this season’s first episode “The Eleventh Hour” – except there’s no Doctor, and no stars in the sky. With other things like star cults and Nile penguins, it becomes quickly apparent that this is an altered timeline. Young Amy is led to a museum by a path of Post-It notes Alice-style where she opens the Pandorica and is confronted by her older self. Cue title sequence.
My first reaction is that Steven Moffet was just watching a bit too much Bill and Ted. There is a lot of Bill and Ted time travel buggery going on here. You know, jumping back and forth in time quickly to make sure what you need is where you need it when you need it. It’s fun. Once. Not several times. But I have to say, Moffet covers his bets and makes sure everything is explained regarding these elements.
There are lots of cool bits in this episode. It felt sooo good when Rory punches the Doctor in the mouth. It’s even cooler when River Song makes a Dalek beg for mercy. And Rory seals his image with the ladies with perhaps the most romantic artist’s rendering ever. There were scary moments of premature realization when I thought maybe Amy was an Auton or perhaps DoctorDonna. There’s also the fez that the Doctor wears for a short time, “It’s a fez. I wear a fez now. Fezzes are cool.”
There’s also an overlong backwards rewind through this whole season by the Doctor. In this we learn that not everything we have seen was the Doctor in his present time, at that time. It also serves to explain what I at first thought was an editing glitch in the Angels two-parter. When the Doctor is sans jacket, then with jacket and then sans jacket again – the jacketed Doctor was the Doctor from the future rewinding backwards.
“The Big Bang” was a somber and less special effects dependent finale than its first part, but it worked for me. It does suffer somewhat from Lord of the Rings-it is, in that it has far too many endings. The bad news is we don’t find out who River Song is, yet, so I cannot collect bets or pay folks off. I still think she could be the Rani…
So until Christmas… remember, in the words of Professor River Song, “the Doctor lies.”
Alice in Wonderland ~ This 2010 edition of the Lewis Carroll stories was masterminded by Tim Burton and presents a tale that is both a sequel and a re-imagining of the Alice saga. It’s been highlighted with the best special effects CGI and Disney Digital 3-D and IMAX can offer.
There’s been a lot of hype about this movie, and just like its creative predecessor, Avatar, I had the same thought leaving the theatre – where did the money go? Oh, don’t get me wrong, it’s up on the screen, but it’s neither in the writing nor in the acting. The plot is at times slow and boring and at best predictable. Title player Mia Wasikowska and Knave of Hearts Crispin Glover aside, the cast sleepwalks through this special effects extravaganza. Wasikowska is someone to watch.
And those that don’t drift through – Johnny Depp as the Mad Hatter and Helena Bonham Carter as the Red Queen, both day-glo nightmares given CGI life – overact and hog the screen mercilessly. And none of it is pleasurable. I cringed when either of these two were on screen. Depp is really only likable for a few moments toward the end, but by that time it was too late.
This is a good film, and a visual spectacle that must be seen – preferably in 3-D and in IMAX to get the ful effect, but I couldn’t help thinking it could have been much better. I mean, if you’ve already spent, let’s say, $300 million, why not invest another five mil to get the script up to snuff? The all-too-brief bright and shiny scenes in which we see the young Alice experiencing the original Wonderland adventures made me yearn to have seen more. Perhaps half that and half this dark Burtonesque Wonderland with the adult Alice would have worked better both visually and storywise.
All in all, this is recommended, but on the whole a disappointment of what could have been. The battle at the end is a sight that is on a scale with the end conflict of Avatar. Definitely see it, despite my small quibbles, and see it on the big screen.
Johnny Depp? Helena Bonham Carter? Seemingly acid-induced CGI? Yep, sounds like a new Tim Burton film is on the horizon. This time he is trying his creepy hands at Lewis Carroll’s classic with Alice in Wonderland.
With Depp as the Mad Hatter, Carter as the Red Queen, and Mia Wasikowska in the title role, Burton describes this as almost a sequel to the 1951 Disney film of the same name, as a slightly older Alice returns to a Wonderland she doesn’t remember.
The film also features Alan Rickman, Anne Hathaway, Stephen Fry, Crispin Glover and Christopher Lee. Tim Burton’s Alice in Wonderland opens March 5, 2010.