Category Archives: animation
Finally my local Shop-Rite has decided to stock Quisp cereal. This is kinda cool, rather than drive a couple miles away to the Acme, or ordering through the mail, we can get Quisp almost any time we want. For a long time, that wasn’t really possible. Quisp was among the missing.
Quisp was my favorite cereal when I was a kid way way back when. Way before Frosted Flakes and Rice Krispies, I loved me some Quisp. The cereal was what I would munch while watching the Saturday morning cartoons and beg for in the supermarket because it had a toy inside. I have a distinct memory of my big sister building the toy flying saucer from inside the box. That’s right, a toy so complex it had to be put together. She even attached a thread to it so it would appear to fly on its own.
Yeah, we’re talking about real cereal, it’s even made mostly of corn and sugar, in the shape of little flying saucers. It even took its name from the little alien who was the cereal’s mascot, who was featured in a series of animated commercials during Saturday mornings, by Jay Ward, who also did “Rocky and Bullwinkle.” Can you get more retro than that?
On Saturday mornings back in the day, the commercials were a little longer, not thirty-second buy-me blasts, but sometimes multi-minute-to-be-continued-on-a-later-break stories. The ads for the original G.I. Joe Adventure Team were like that, and so were the adventures of Quisp and Quake.
While Quisp was a little alien dude, Quake, his default friend and active rival was a big burly miner (later a superhero-like swashbuckler), and they would argue, fight, and compete over whose cereal was better. Ironically, they tasted the same, but had different shapes, Quisp in the shape of tiny bowl-like flying saucers, and Quake was, I think, big rock-shaped cereal. I really couldn’t say, I always got Quisp.
I remember vividly in 1972 when an election took place where you could vote for your favorite of the two cereals. A nation of kids, wrapped up in the same type of election fever that gripped their adult counterparts, voted for Quisp as the chosen one. Quake won. As his punishment, besides dealing with Quisp’s gloating, Quake became the sidekick to Simon the Quangeroo, who got his own cereal, albeit an orange flavored version.
When another election, one I don’t actually recall, was held in 1976, Quisp won again and Quangeroos were vanquished, ahem, I mean discontinued. The ironic thing is shortly thereafter, all three cereals seemed to vanish from not only television screens, but also store shelves.
Quisp returned in the 1980s briefly and then again in the 1990s as available online only, before coming to select stores. I’m glad it’s now available closer to home, and I’m sure we’ll be getting it more often.
Rise of the Guardians ~ This is a fun animated adventure that I actually enjoyed quite a bit. It’s sort of like there’s a Justice League of mythical beings who protect the children of Earth – Santa Claus, the Easter Bunny, the Sandman, and the Tooth Fairy. When the Boogeyman, Pitch Black, rears up to change the status quo for the more evil and nightmarish, these Guardians are called together, but must take in a new member, the reluctant Jack Frost.
There is great voice work here as well as interesting takes and personalities on the different Guardians. Hugh Jackman, being chief among the voicers, is extremely good. Jude Law as the villain, and Alec Baldwin’s Russian Santa Claus are also good. Very entertaining, I wish I’d caught it in theaters so I could have seen it on the big screen.
Guardians strikes me at many levels being similar to the Rankin/Bass holiday specials of my youth. Here are tales of Santa, the Easter Bunny, etc. for a new generation, and just as believable as they were back then. You’ll leave this movie feeling refreshed and filled with hope, and not just a little childlike wonder. This is how a Superman movie should leave you. Maybe we can hijack those writers for the next chapter in that franchise.
Rise of the Guardians was a breath of fresh air and good entertainment for the whole family, recommended.
Lou Scheimer, the father of Filmation, and the king of American television animation for many of our childhoods, has passed away at the age of 84.
Filmation was a small animation studio, one of the few still doing animation in the United States, rather than shipping it overseas. Founded by Scheimer, Hal Sutherland, and Norm Prescott in 1962, they did some little known cartoons like “Rod Rocket.” They really caught fire when they licensed the DC Comics characters in 1966.
Beginning with “The New Adventures of Superman,” they began to expand to shorts that featured other characters like Superboy, Aquaman, Batman and Robin, and later the Justice League of America and the Teen Titans, as well as those groups’ individual members. These cartoons were, along with the 1966 “Batman” TV series on ABC, my gateway drug into comic books. My love of Aquaman, Superboy, and others sprang from early viewings.
The DC deal brought another comics company to Filmation’s offices, and Archie came to Saturday morning animation for years under their guidance. Later in the 1970s, Filmation became a major player in the animation game, producing cartoons of “The Brady Kids,” “Fat Albert and the Cosby Kids,” and “Star Trek: The Animated Series” among many others.
Filmation delved into live-action with shows like “Isis,” “Space Academy” and Shazam.” While the studio began to get a reputation for repeating backgrounds, limited animation, recycling designs, rapid jump cuts, and using the same music over again, they had also produced some real quality programming as well.
In the 1980s Filmation produced some of its most well known shows like “He-Man and the Masters of the Universe,” which featured, like many of the previous shows, a lesson at the end of every episode. Before closing up shop in 1989, Filmation also produced over the years some very cool versions of Flash Gordon, Tarzan, and the Lone Ranger, using then fairly new rotoscoping techniques.
With the loss of Lou Scheimer on Friday, we have lost one the legends of animation, and for me, a big chunk of my childhood. He’ll be missed.
I approach this new Batman series with both trepidation and resentment. We’re getting this series as not only a replacement for the old “Brave and the Bold” series, which gave us an intriguing and entertaining new direction for the character, but also a replacement for the much loved, and inexplicably ended “Green Lantern” and “Young Justice.” I would have much rather had either of these series back, or a JLA spin-off from the later than anything else Cartoon Network is offering lately, especially the superdeformed mutilation called “Teen Titans Go!” or this newest version of Batman.
“Beware the Batman” is a bit of an oddity, with, in my opinion, very little to like. The animation is CGI style like the aforementioned Green Lantern series, and there seems to be very little reason to have it done in this method. There are no wild scifi elements that this style would benefit. Batman’s head is odd and his whole costume has a wet, almost slimy, vinyl rubber look.
It is also quite violent. I was surprised at how violent, and I’m pretty desensitized to that sort of thing, especially when it comes to superheroes and cartoons. This is also a very different concept for Batman. He is, once again (groan), early in his career and therefore inexperienced. Why can’t we have the confident and competent Batman? That’s the one we like, not the bumbling amateur.
I said this was a new concept, well, young and dumb isn’t what I was talking about. Alfred is very different. More than a butler, he is an Australian ex-spy who looks like cross between Lex Luthor and Vin Diesel. It’s an intriguing idea, but I don’t like it.
Also in the way of change, I understand that the standard rogues gallery is being jettisoned for this new series. I think this is a very odd decision as Batman’s bizarre enemies are as much a part of his popularity as everything else. In the opener, he fights the very strange Grant Morrison creations, Professor Pyg and Mr. Toad. I was not impressed.
Also featured in the episode were a non- Mr. Terrific Michael Holt and a decidedly pre-Metamorpho Simon Stagg. Was this just for the Easter egg name drop then? Let’s face it, Mr. Terrific and Metamorpho are what makes these characters interesting, without them, why use them?
I’m giving this series a wait and see option. I haven’t really decided yet. It could go either way after watching just one episode, but I really don’t know.
I did however like the DC Nation short featuring the Tarantino-esque Aeon Flux style retro Wonder Woman short. Can’t wait to see more. Instead of another Batman, why not a series based on this, of one of the other better shorts like Amethyst, Sword of the Atom, Plastic Man, or Thunder and Lightning? Or if you insist on Batman, how about Batman of Shanghai?
Epic ~ The previews for this flick made it look amazing, with a stunning sense of wonder and discovery. They showed a young girl suddenly discovering a whole new world right under her nose, a battle between good and evil fought by tiny leaf men two inches tall.
You see the leaf men immediately in the movie. I couldn’t help but think this movie might have fared better under a veil if secrecy, sort of like what Disney did with Brave. Let the audience experience the sense of wonder and discovery along with our protagonist, like The Wizard of Oz, allow the magic to be seen simultaneously through the heroine’s and audience’s eyes.
That aside, the film has a stunning voice cast, including Colin Farrell, Christoph Waltz, Steven Tyler, Amanda Seyfried, Chris O’Dowd, Beyonce, and Pitbull, all putting in great performances. I was really blown away by the voice work, in some portions of the movie, keeping it afloat where the story was failing.
Speak of the devil, the story was horribly predictable and telegraphed early on. Again, this is something else that might have been helped by holding back some in the previews. I was also saddened by a less than memorable score by Danny Elfman, that made me wonder if the man has list his touch.
The Bride and I saw this opening night in 2D as opposed to 3D, hoping to save a few bucks. It appeared flat and fuzzy, and I was assured there were no projection problems. I thought it looked drab, compared to previews (in 3D) I had seen. Perhaps this is one of those films, like Life of Pi, that just needs to be seen in 3D.
All in all, this is a good flick for the little kids, although I wish there hadn’t been so many in the ten o’clock showing we were at. You’re better off waiting for the home release however.