Category Archives: cary elwes
Thor ~ This Marvel Comics film is one of conflicts and contrasts, most of them terrific. If you loved the Stan Lee and Jack Kirby comics, and even the Lee and John Buscema comics, you will be swept up in a world conjured by those stories. Some of the themes and explanations have changed, but unlike a lot of things the DC Comics have done, these changes are for story logic.
There’s a rough beginning where astrophysicist Natalie Portman’s Jane Foster (an odd job change for her character but it works in the context) is looking for an anomaly and ends up hitting Thor with her car. When we’re hooked, we’re hit with the real beginning. The wonderfully cast Anthony Hopkins as Odin clues us in to the origins of the Norse gods as beings of superior science and technology, which we perceive as gods and magic. We meet the family, his sons Thor, about to ascend the throne, and his darker brother Loki.
More great casting comes with their friends the Warriors Three. I love Josh Dallas who is the de facto substitute for Cary Elwes in parts the original is too old and chunky for. The main roles of Loki and Thor are also perfect cast. Tom Hiddleston has the correct slinkiness and sneakiness in his voice and physical stature. And nobody else could ever have played Thor better than Chris Hemsworth in my opinion.
There is one bit of casting that seems to have caused a controversy in some dark corners of our world, and that is Idris Elba as Heimdall. Some racists have made a big fuss about the character being African-American. Now if these were truly Norse gods, one could make the argument that the Norse would perceive their gods as like themselves, as in white skin. But it should be noted in the context of the movie, the Asgardians are not Norse, they may not even be human, and can be of whatever race. Just because the Norse thought Heimdall was white doesn’t mean he is. Add to this Elba’s amazing performance, and I have no problems at all.
It’s just like Lawrence Fishbourne being cast as Perry White in The Man of Steel. There’s nothing that says he isn’t, or can’t be. I think there are a small handful of characters who are definitely of one race or another. Established African-American characters can’t really be white. For instance you just couldn’t do it with the Black Panther or Black Lightning (and not just because of the names), but Blade could very well be portrayed as white. Of course you will get an argument from me on Wonder Woman. Sorry, Beyonce, but Wonder Woman is Greek. But enough on this sidetrack, suffice it to say, Idris Elba’s Heimdall is one of the highpoints of the flick.
Once Odin’s explanation of the universe is over we move to a very special occasion – Thor becoming his replacement as king of Asgard. The ceremony is ruined by a break-in by some Frost Giants trying to steal back the Casket of Ancient Winters. Thor wants to attack the Frost Giants and start a war, and his father disagrees, seeing this as a bad kingly decision. Like a good spoiled brat prince, Thor gets his brother and his friends together, and off they go to Jotunheim to rumble with the Frost Giants.
This is Lee/Kirby/Buscema made live on the big screen. This sequence is among the best of the flick. I love it and can watch it over and over again. I know the story of Thor is him on Earth, but man oh man, what I wouldn’t give for a Thor in Asgard chilling and killing with his friends movie. Note should be made of the movie Asgard. The realm Eternal is a glorious place, not necessarily that of the comics, but a beautiful vision of futuristic and mythic society. Comparisons could be made to the cityscapes of the first Star Wars trilogy (one of the few things I liked about those movies). And take note, DC Comics, the awe inspired by Asgard is what viewers should have felt when they saw Oa in the Green Lantern film.
After attacking the Frost Giants, Odin has had it with his spoiled brat of a son, and banishes him to Earth to learn humility, just like in the comics, and we come full circle in our movie story. Following a weird light anomaly in the sky, Jane Foster – along with her scientist friend Erik played by Stellan Skarsgard and her intern Darcy (Kat Dennings) – whacks our exiled thunder god with her car. Some great fish out of water scenes follow, and we soon learn that the first anomaly Jane detected was Thor’s hammer falling from the sky as shown in the post-credits scene in Iron Man 2. Nice continuity there, Marvel.
Natalie Portman’s Jane Foster is a bit of an anomaly herself, going from nurse in the comics to astrophysicist here. The job change needed for both story logic and because Thor’s human alter-ego of Dr. Donald Blake doesn’t really exist in this tale, although the name does pop up as an Easter egg for comics fans. Jane really only exists here as a romantic foil for Thor. Her mentor has all the keys and her intern does all the work. I would have rather had Jane have all the answers and the intern be her sounding board. Skarsgard wasn’t really needed here. Please give me strong women in the movies made from the comics, if not the comics, ya know? Jane Foster could have been that character.
There are great scenes at the hammer drop site of folks trying to lift it, including one with creator Stan Lee. While Thor plays fish out of water on Earth, and SHIELD takes over the hammer site, Loki takes over the throne of Asgard. Loki also sets his sights on bringing all the realms to their knees, and sends the Destroyer to, what else, destroy Thor. Also, Avengers fans, don’t miss the fifteen second cameo by Jeremy Renner as Hawkeye the Marksman. When the Warriors Three come to Earth, it’s total coolness, though I wish more had been made of it. The same goes with the battle with the Destroyer. When the only real complaint one can have is that I wish there was more of it, that’s a good thing. When is Thor 2 again? And, geekgasm, how about a Lady Sif and the Warriors Three movie?
Things are beginning to resemble a Thor comic at this point, and that’s a good thing – because it works. Director Kenneth Branagh has succeeded in repeating the magic with which Jon Favreau brought Iron Man to the big screen. He brings what made the comics special to the screen. Thor is near perfect. Along with the original Iron Man and Captain America which followed Thor in July, it’s a perfect trinity of Marvel’s greatest characters.
This bodes well for 2012’s Avengers movie. And speaking of which, don’t forget, as with all Marvel movies, don’t forget to watch the post-credits sequence with more foreshadowing of the Avengers film. Thor is easily one of the top ten, perhaps top five, superhero movies of all time, do not miss.
When this was being made, there was a lot of negative buzz about David E. Kelley’s pilot for a new “Wonder Woman” TV series. Much of the controversy came from absurd things like Kelley (of “Ally McBeal” and “Harry’s Law” fame, among others) calling it an ‘office romance and drama,’ not words usually associated with the Amazon Princess. And then there was the costume controversy – she was wearing long pants instead of her decades traditional star-spangled hot pants. I don’t like any of the new variations on Diana’s costume personally, but let’s face it, that’s not that much of a big deal.
As things turned out, NBC (or any of the other networks either) did not pick up the pilot and there won’t be a “Wonder Woman” TV series, at least not this year, and not by David E. Kelley. But I did get the chance to take a look at this notorious pilot recently, and I have to tell you – it wasn’t half bad, and what was wrong with it, really really wrong with it – had nothing to do with costumes or office romance drama. It was just stupid.
The things that I thought I would have a problem with – the office setting, actress Adrienne Palicki as Wonder Woman, and yes, to an extent, the costume(s) – were all very good. She was terrific, and she, and writer Kelley, actually do get the character. I didn’t mind the office stuff, it’s actually quite good and mirrors the Wonder Woman Foundation from the George Perez era of the comics. In fact, one scene, in which Diana says the T word which probably put off the networks who wanted to run this in the family hour as a kids show, is one of the best written in the pilot.
The costumes, and there are more than a few, look good, and that’s all on Adrienne Palicki who looks darn good as the Amazon Princess, and unlike many recent superhero film incarnations, the colors are bright primary colors that stand out, the way superhero colors are supposed to. I like the costumes, I like the variations, and I like Palicki. She did, and would have made a terrific Wonder Woman.
The special effects, while incomplete in the pilot copy I saw, were very good. I like the jets, even though they were not invisible. I like the action scenes, Palicki can kick serious ass! And the thing I liked most, effects-wise, was the way Diana would whip out her lasso at super speed. It almost seems to fly from her wrists a la Spider-Man, and it looks great. And the bullets and bracelets trick is the best I’ve seen live action.
And there are many things to like here. Cary Elwes is as good as he’s been in years, this could have been his comeback. Elizabeth Hurley works well with what she has to work with in cardboard villain Veronica Cale, too bad they didn’t use the VC from the comics who has a bit more personality. The Dr. Phil and Nancy Grace cameos are fun too. Even the parts I had heard about like frumpy Diana Prince, old maid and cat lady, were nowhere near as bad as I thought they would be. That actually works.
The stupid that ruins this pilot is in the writing. David E. Kelley is a veteran of legal TV series, with stuff like “Boston Legal,” “L.A. Law,” “The Practice” and the film From the Hip, as well as the aforementioned “Ally McBeal” and “Harry’s Law” under his belt, I am astounded how he can produce a script with so many holes in it when it comes to simple procedure.
Sure, Veronica is a super-villain and an evil drug dealer, but she could have easily had Wonder Woman up as many charges if not more that she herself was arrested for. Wonder Woman violated civil rights, committed slander, and even murdered one or two people. She’d better have some good lawyers, because if there are any other superheroes in this world, they’re coming after her.
It’s even worse because Diana is surrounded by people who are paid to counsel her on such matters, and none of them seem to have any problems with her behavior. For example, you do not call a press conference and call someone a drug dealer with no evidence whatsoever. That’s just one of the stupidities that ruined this for me. I wanted to like it, I really did, but the script made it impossible.
Above, a fan made opening for the pilot, using actual footage and the 1970s theme, from YouTube.