Category Archives: david fincher
I’m about a month late to the party on this one, but there’s still time for the rest of us. This fabulous Netflix exclusive TV series starring Kevin Spacey, Robin Wright, and Kate Mara, is probably the best thing I’ve seen outside of pay cable in a while. And that’s probably the coolest thing about it – it’s not cable at all – it’s only available on Netflix. Welcome to the future.
“House of Cards” is based on the book(s) by Michael Dobbs, and the BBC miniseries that followed by Andrew Davies. Originally set in British Parliament, show developer and producer Beau Willimon adapted the concept to Washington DC and the US Capitol for American viewers. Spacey is an ambitious Congressman manipulating his way to the top with almost demonic precision and sly fourth wall breaking asides to the viewers at home. There are Emmy caliber performances by all involved, but I wonder if it will be eligible for the Emmys?
Netflix, observing viewing habits and trying to keep ahead or at least abreast of cutting edge technology, has gone into the entertainment business, creating their own shows. Seeing that many folks will watch an entire series at once, sometimes a season at a time – a practice called ‘stripping,’ Netflix created shows meant to adapt to that. In that spirit, the entire first season of “House of Cards” was released all at once on February 1st.
The compelling characters, I tense stories, and terrific performances will keep you coming back episode after episode. It also has the likes of David Fincher, James Foley, and Joel Schumacher in the director’s chair. This is a series worthy of HBO, Showtime, or AMC, yeah, it’s that good. I highly recommend it. I just don’t know what I’ll be doing until season two comes out…
Due to some family troubles I have not been keeping up with my blogs as I probably should have, and neither have I gotten out to see all the films up for the Oscars tonight, but I wanted to take a few moments to breeze through the few I have seen.
The King’s Speech ~ This by far is the best of the litter of the Best Picture nominees I have seen this year. That’s not to say it will win, although it might. I have heard that The Fighter is better, but I really can’t speak to that.
This fascinating film about the heir to the throne of England conquering his speech problem is one that many can understand, and it has the key handicap feature that wins Oscars so often. It’s time for Colin Firth to win and this is the perfect role. Geoffrey Rush is also in the running, having himself won in a similar handicapped role in My Left Foot. There is also an interesting nod to Rush’s character from Shakespeare in Love with his love of the Bard. Another nice smirk comes from the appearance of Derek Jacobi, whose best known role is that of the title role stutterer in PBS’ “I, Claudius.”
Even Helena Bonham Carter is entertaining here and got a nomination. I usually find her freakish and over the top. Here’s proof that she can reel it in and give a great performance. There’s really nothing not to like about this flick, and I wouldn’t be surprised if it swept the Oscars. I had always thought the more compelling story of the royal family of this time was Edward and Mrs. Simpson, but here I am proven wrong. Bravo, recommended.
Animal Kingdom ~ This one is very slow but it shouldn’t have been. Based on the synopsis, I expected an Australian gangster flick but got a somewhat quiet drama, with a few shocks and bumps along the way, instead. Disappointing but good. Jacki Weaver is up for Best Supporting Actress, and she’s good, but I thought that James Frecheville was better, and quite possibly should have gotten a Best Actor nod. But what do I know?
The Town ~ I really kinda dug this Boston heist flick, and I think Jeremy Renner definitely deserves his nomination for Supporting Actor. This is a different character from last year’s The Hurt Locker, a much more complex and darker portrayal, and it gets my vote. Jon Hamm does little more than show up and draw in the “Mad Men” fans however. The real star is Ben Affleck, who co-wrote, starred and directed this flick. I think it’s a shame that he is apparently still on the Academy’s hate list, because I think he deserves recognition for his triple threat performance here – he is the star of this one. Where are his nominations?
How to Train Your Dragon ~ I could bitch about where Tangled and Megamind were in the animated feature category, but I’ll refrain. This one was a surprise, not the best animated feature this year by a long shot, but a lot of fun. It’s predictable, but compelling and entertaining. Recommended.
My predictions for tonight are as follows. King’s Speech for Best Picture, David Fincher for Best Director, Colin Firth and Geoffrey Rush for Actors, Natalie Portman and Hailee Steinfield for Actress, Toy Story 3 for Best Animated, Biutiful for Best Foreign, and Exit Through the Gift Shop for documentary.
The Social Network ~ You know how the opening sequence to Raiders of the Lost Ark gives you everything you need to know about the protagonist Indiana Jones? This film does the same thing with Mark Zuckerberg, founder of Facebook – he’s socially inept, thoughtless, self-important, and basically an asshole. It’s all you need to know about him, game over, story done. The rest of the film is about Facebook, and how it affects everyone else, and just everyone else, because after the opening sequence, I really didn’t care how it affected Zuckerberg – kudos to actor Jesse Eisenberg, writer Aaron Sorkin and director David Fincher. As a matter of fact, given the Academy’s penchant for the handicapped – and trust me, Zuckerberg is handicapped – Eisenberg has a good chance of taking that Best Actor Oscar.
As much as I usually dislike Aaron Sorkin’s work, he was adapting from Ben Mezrich’s terrific book “The Accidental Billionaires: The Founding of Facebook, A Tale of Sex, Money, Genius, and Betrayal,” so that counts for something. Two other elements make this film a no-brainer for me to like – it was directed by one of my favorite directors, David Fincher, and it has a score co-composed by Trent Reznor of Nine Inch Nails. Trent is one of my music gods. The direction, like the score, is very different and new territory for the creators, and yet, amazing work, the music being a highlight. Both are also nominated for Oscars. And Justin Timberlake is damn good too.
At this point, I have only seen half of the ten films nominated this year for Best Picture, but of those, The Social Network is the best, I think it has a very good chance of winning. I would give good odds to Fincher and Reznor as well. The Social Network might just sweep this year. Recommended.