Category Archives: doors
Amidst a whirlwind of false death rumors about the man, it turns out that music legend, and former member of the Doors, Ray Manzarek, has passed away. In a German hospital from cancer, the founder and keyboardist for the Doors is dead at 74.
This is a gut punch to me as strong as the passings of John Lennon, Kurt Cobain, or Warren Zevon. Ray Manzarek is a voice from my youth. I wasn’t cognizant for the first coming of the Doors, but their revival in the late 1970s, due to many factors, was strong in my formation.
There was AOR FM radio looking for music to play and not wanting to touch disco or new wave or punk, and began to mine the sixties for music, delivering the Doors to the forefront once again. There was the book, that everyone in my suburban white drug culture high school read – “No One Here Gets Out Alive” by Jerry Hopkins and Danny Sugarman – that made a legend of the late Jim Morrison.
There was, and is, some hardcore realist inside me that knows that Morrison was just a sullen alcoholic bully, but it was Ray Manzarek that created the legend, wove the tale, built the rock god, and manifested the Lizard King from the ground up. Whatever Jim Morrison was, Ray Manzarek made him.
I remember listening to Jim Ladd and his Sunday night “Innerview” interviewing Ray Manzarek multiple times, as he told apocryphal and supernatural tales of Jim Morrison, building the legend word by word. Manzarek talked of the Native American shaman who possessed Morrison as a child, the concept that he might not be dead, and all sorts of fantastic stories of the legendary Doors, fact and fiction. And he did it all the finesse of a master radio manipulator. Ray Manzarek would’ve made Orson Welles jealous with these performances.
For decades, Manzarek kept the infamous Doors alive, both on radio, and in sales, as he maintained his own career as well. He created a wonderful rendition of “Carmina Burana” with Philip Glass, as well as producing several albums for LA punk band X. He also worked with Echo and the Bunnymen and Iggy Pop among others, and even toured with Ian Asbury of The Cult in place of Morrison in a version of the Doors.
His charismatic personality, his fabulous storytelling ability, and his unique keyboard creations will live on for decades to come. We have truly lost one of the rock and roll legends. Long live Ray Manzarek and the Doors. Hopefully he’s jamming with the Lizard King right now.
“True Love, Pt. #2” by X
Man oh man, the sound and visuals are scratchy, but I still love it. I can remember a time way waaay back in early 1984 when I would wear out this track on More Fun in the Big World. I came to X quite late, and probably to many purists, this album, produced by Doors organist Ray Manzarek, represented the band selling out – but I loved it hard.
I don’t know what it was about “True Love, Pt. #2,” whether it was the driving groove, the medley vibe it had featuring “Black Betty” and “Freddie’s Dead,” or that it simply included the first song I ever learned to sing myself – “Skip to My Lou” – I thought it was da bomb.
X formed in Los Angeles (also the name of their perhaps greatest album) in 1977 as one of America’s first punk rock bands. The charismatic line-up was composed of co-vocalists Exene Cervenka and John X. Doe, smiling guitarist Billy Zoom, and drummer DJ Bonebrake. From the 1980s through the 2000s they have released over a dozen albums (about half live and greatest hits, but hey they rule live), and today they still tour.
Happy Valentine’s Day!
Yesterday WYSP-FM changed their format and call letters to all sports and WIP-FM. I’m not a big sports fan other than Wings lacrosse and sometimes the Philadelphia Eagles or Dallas Cowboys (you know where to send the hate mail), I think it’s unfair for me to ask why we need another sports station in Philly, but there it is, ya know? It’s not the first time WYSP has changed formats, but never so drastic a change before.
I grew up with WYSP, from when I first became aware of FM radio in the mid-seventies to when I fell away from terrestrial radio a few years back and discovered the more eclectic satellite radio. In the radio wasteland of Philadelphia, WYSP was always the cooler, hipper choice when compared to direct rival WMMR and distant competitor WIOQ. I envisioned stoned ex-hippies at the former and future NPR listeners at the latter, whereas WYSP listeners seemed like either myself, or folks I wanted to hang out with. WYSP always had the new, newer and newest music and trends.
WYSP was originally the FM version of AM pop/rock station WIBG, and its call letters stood for “Your Station in Philadelphia.” It started rocking in the early 1970s and quickly became WMMR’s biggest competition. As I mentioned, WYSP always seemed to have newer music and harder rock than WMMR. Those that listened could usually tell the difference with hearing a DJ or a station ID. WYSP was the first place I heard DEVO, Adam and the Ants, the Sex Pistols, Joan Armatrading, and even Rick Springfield.
When WYSP had news, it was cool news, same with the talk. I remember the Source days with Cyndy Drue, the Dr. Demento show and the Comedy Hour on Sunday nights. I remember the engineer who did the dead-on Mr. Rogers imitation and recorded versions of “Cat Scratch Fever” and “Iron Man.” I remember Ask Anita. I remember listening to “Innerview” with Jim Ladd, as he talked with Roger Waters about what “The Wall” was really about, and when he interviewed Ray Manzarek telling apocryphal tales of the late Jim Morrison. I remember learning of John Lennon’s death from WYSP.
I remember the Howard Stern years, along with the Opie and Anthony years. I remember the two weeks after 9/11 when WYSP was all talk, taking calls from listeners twenty-four hours a day and letting them vent, grieve or just talk. This is not as sad as that, but it like losing a lifetime friend. Even if I haven’t seen you in a while, you were a friend. I will miss you, WYSP, and so will all of Philadelphia and the surrounding area. Goodbye, old friend…