Category Archives: emma stone
The Amazing Spider-Man ~ I have to confess, when I first heard they were rebooting Spider-Man for film, I couldn’t believe it. As my friend Andy Burns has noted in his spoiler-free review, it was “too soon.” But alas to the Hollywood folks and their revolving teenage demographics, sadly the Sam Raimi Spider-Man trilogy may have been decades ago.
While I hated Raimi’s third Spidey movie with its pseudo emo goth Peter Parker making an ass of himself in the jazz club (I’m not even going to mention Venom), I still would have liked to have seen John Malkovich as the Vulture, Anna Hathaway as the ironically catty Felicia Hardy, and finally to see Dylan Baker portray the Lizard. It was not to be. Apparently like Joel Schumacher’s Batman and Robin, Spider-Man 3 was a franchise killer.
Hearing about the new film was one thing. I knew Andrew Garfield from the stage, and thought he looked the part, but was still unsure. When photos began to surface, it seemed there were going for a much younger demographic, and that the emo Spider-Man was going to be done seriously, not for irony or laughs. When I further heard that major characters like Mary Jane Watson and J. Jonah Jameson would not be involved, I was further repulsed. I had no interest in this film, perhaps, just because it was a superhero movie, I would eventually see it on DVD or on cable, if at all.
Then I saw the previews. The previews, both in 3D and 2D were incredible. They had found a way to take what was cutting edge technology in 2002 and blew us away with Spider-Man swinging through the streets and make it more mind-blowing. Much like a new rollercoaster or a new attraction at Walt Disney World, I had to see this flick. Emo be damned, I was on board. So much so that when The Bride suggested, on a whim, that we see the 1:45 AM showing of The Amazing Spider-Man the night before the Fourth of July, I was like aw yeah baby.
This was the full-on bells and whistles version I should note, and it has quite a bit to do with my enjoyment of the film. Counting snacks, IMAX, and 3D at an AMC Loews theater (a place regular readers know I have sworn off for the most part), this late night evening out came to well over sixty dollars. This movie had better be damned good.
Marc Webb, whose only other theatrical film is (500) Days of Summer does an amazing (pun intended) job at direction, especially when it comes to Peter Parker being a kid in high school. I dare say he may have even been bullied as well. This is a very real picture of the high school feeding frenzy hierarchy. Even though his Parker is a skateboard shredder science geek outcast, a nice updating here actually, Andrew Garfield breathes more life into the role than Tobey Maguire ever did. I honestly would not have thought that possible. Garfield also brings that smart ass Spidey personality out in a way Maguire never did.
Emma Stone’s Gwen Stacy is a conundrum. At first I did not like her at all. She was sooo not Gwen Stacy. She seemed too old, she seemed too smart, she seemed, well, not poor doomed Gwen Stacy. As the movie went on, I did warm to her, and started to root for her. The movie Gwen was a different entity, and in the just over two hours I experienced her, I started to like her. And then, the script fell into the toilet. More on that later.
Rhys Ifans was a decent Curt Connors, although somehow I didn’t expect him to have that sort of accent. Maybe a southern accent being from Florida and all, but British never occurred to me. Ifans is suitably troubled as Connors but having the same well-spoken voice, clear of stereotypical but expected lisps, as the Lizard was quite a surprise. The Lizard’s maniacal super-villain turn surprised me, as its specifics didn’t seem in line with any version of the character I had seen before.
The connection between Dr. Connors and Peter’s parents, a plotline nearly promised in previews (there are posters calling this flick ‘the untold story’), is left hanging and vague, obviously hopefully waiting for sequels. With the Lizard, is where the film starts to fall apart for me. Why a lab in the sewers? How did he get all that equipment down there? We see at one point that some points in the sewers are too small for the Lizard to get through. Why are lizards attracted to him? These things are never addressed, never explained, and frankly pretty silly.
Webb’s casting of notably younger and quite famous actors as Aunt May and Uncle Ben is an interesting one, perhaps to bring the older fans in who would be alienated by the casting of Garfield and Stone, actors they might not have known. Sally Field, despite her real age still seems much too young to play Aunt May, although it must be said she does a wonderful job, everything on mark. I really have no complaints. But. She’s no Rosemary Harris.
Martin Sheen as Ben is an interesting choice. He looks the role, and I can never say ill of any performance he gives, as he’s one of my favorite actors. I thought it an interesting coincidence that both Sheen and the previous Ben, the late Cliff Robertson, had shared a role before – John F. Kennedy. Sheen is wonderful in the scenes he has, but I have one complaint, and it’s a big one. He never says “With great power comes great responsibility.” Blasphemy! That’s like telling Superman’s origin and not having Krypton explode. It’s essential.
The rest of the cast is rounded out well. Nice transformation of Flash Thompson, as played by Chris Zylka from “The Secret Circle.” I also liked Denis Leary as Captain Stacy, although he essentially plays himself throughout the movie. That could be construed as a complaint, but it’s not. I like Denis Leary, and he’s at his best when he is himself. His fate here is a bit convoluted when compared to the comics, but it is what it is.
There is much to like about this new version of the Spider-Man legend. I liked the various updates, especially in the technology. The origin is brought into the present a bit. I really liked that we have the web-shooters back despite how much the organic ones from the Raimi trilogy made more sense. I didn’t like that it seemed like he stole them from Oscorp however. Overall this was a great flick for the first hour or so. And the visuals are stunning, especially in 3D IMAX.
And then, in the third act, it crashes, hard. I’ve already mentioned my problems with the Lizard, or at least some of them. He seems to also have the same CGI dilemma that Sean Connery had in Dragonheart, he changes size and shape depending on the circumstances. Sometimes he is man-sized, and sometimes dinosaur-sized. Make up your mind and stick with it.
Gwen, likable as she is by the third act, is quite the little heroine herself. She stands up to Flash Thompson, her father, and even the Lizard, but at the end is told to ‘wait in the car,’ like a good little girl. What? What?? And then she does. Wow. That’s where that sixty dollars missing from my pocket started to hurt.
And then there is Garfield himself constantly taking off his mask. I understand the actor’s need to emote, and be seen, but let’s face it, if the role you are portraying is Spider-Man, it should be understood you will be wearing a full face mask throughout the film. If that’s not good for you – guess what? This role is not the role for you. It’s called a secret identity for a reason, Andrew.
When the crane workers of the city somehow got to their vehicles in the middle of the night, the have their cranes ready for a wounded Spider-Man to web and make his way to the Oscorp building… I was livid. How did they get through one of the largest and most populated cities on Earth to do this while it was being evacuated? And how did they know Spider-Man was going to the Oscorp building? And why couldn’t Spidey just web buildings as he usually does? It was his leg that was injured, not his arms. And if the police were on his side at that point, and they were, why couldn’t they just give him a ride with their helicopter? We do know that Stacy was going that way too.
All of the good will toward the movie was draining away at that point. Sixty dollars and an hour and a half of great movie with stunning visuals – and it falls apart in the last twenty minutes? I’m sorry, folks, but a wonderful dinner can be ruined and forgotten easily if you choke to death on the last bite.
The Amazing Spider-Man is a good movie up to a point. It’s definitely worth seeing in an Avatar to see the effects, but be prepared not to get your money’s worth with the script logic. Don’t forget to stay through the credits for a teaser for more Spidey movies. See it, but be warned.
The Help ~ This is another flick that I saw on board the Disney Dream on my recent vacation. They gave a fairly large and beautiful old-fashioned style theater, and for this first run film, every seat was filled and there were folks standing and even sitting on the stairs even though they weren’t supposed to. There’s a reason I mention this that I’ll get to later.
The Help, based on the bestselling book by Kathryn Stockett, is a period piece set in early 1960s Jackson, Mississippi. Some of the hairstyles, wardrobes, sets and cars were probably filched from the set of “Mad Men” they look so authentic. The history is strong and accurate, which for me is important as I get irritated when the facts are wrong or timelines are mixed. My suspension of belief has a low tolerance for that sort of stuff. Don’t even get me started on Forrest Gump.
The film is an ensemble piece about a struggling young writer putting together a book of the experiences of black maids and their feelings about the white women whose children they were raising. Set in the hotbed of the civil rights movement, it explores and reveals a side that is rarely talked about in the history books, and shows that subtle racism is just as bad as overt racism. Well, it’s all bad, but back then, it was a matter if degrees.
The performances in all cases are amazing, and if this wasn’t a summer release, I’d say it’s an easy sweep for the Oscars, but unfortunately the noms are usually later in the year. Shame. Viola Davis, Emma Stone, Octavia Spencer and Bryce Dallas Howard would all be major contenders to get statues. And although it’s a small part, Sissy Spacek steals the movie.
There were no seats empty in the theater, and a young African-American woman sat next to me with her family behind her – as they were split up by showing up late. I don’t know whether she was aware if the history of this film. I am always amazed when I see films like Apollo 13 and Titanic and hear younger folks express ignorance of the endings. This young woman was completely pulled into the movie and was struck by a full emotional spectrum. She laughed, cheered, clapped, but mostly cried, sniffed and sobbed. Yeah, it’s that powerful a film, and made that much more so because it happened.
Highly recommended, do not miss, The Help is easily one of the best movies of 2011.