Category Archives: fearnet
Sweeney Todd: The Demon Barber of Fleet Street ~ Now I loved the stage play, and the music and Angela Lansbury from that version so I had high expectations for this. And while I didn’t like it, it wasn’t for the reasons that all the other critics seemed to have. Even though I loved Ms. Lansbury, I really had no problem with Helena Bonham Carter as Mrs. Lovett or her singing, or Johnny Depp’s for that matter. I thought they were just fine. The atmosphere, and the coloring (solidly Tim Burton) were just about on target and the opening is one of the best mood setters for a film I have seen in a long time. My problem is that Sondheim’s score, which is dark and vibrant, different and brilliant – all appears to be one long droning song in this thing, and one that almost never ends. I don’t know what Burton did to Sondheim’s work but it’s butchered in my opinion. The other main obstacle I see here is that Burton seemed content to make a Tim Burton version of the play, rather than what he was supposed to do – make a film version of the play. Props for atmosphere, but that’s about it.
Dark Harbor ~ This is another loser from the insomnia club on Fearnet. A couple picks up a stranger as they vacation at a deserted island cabin. Predictable and sad, and probably the only time I’ve seen a bad performance from Alan Rickman. One of the most boring films I’ve seen recently.
Alvin and the Chipmunks ~ This could have been such a disaster but it turned out to be quite entertaining. The flick puts an updated spin on the old story of songwriter meets rodents. Featuring elements to entice both adults and children, whether you know the characters or not, I loved this. Yeah, it’s a bit predictable, but in a fun way, as opposed to the movie above. Any movie with the same bad guy (comedian David Cross) as Pootie Tang gets a thumbs up from me, and Jason Lee is fun as David Seville – although he has officially lost his street cred as a skater with this flick. Sometimes you can never go home again. My highest recommendation – I may buy this when it comes out on DVD.
Next ~ Another Philip K. Dick adaptation, this one has Nicholas Cage doing his best Nicholas Cage imitation as a stage magician who can see two minutes into the future. Well done scifi with lots of twists. Worth seeing.
Penny Dreadful ~ Okay, I had another one of those nights completely without sleep. And, rather than do something constructive like do some writing, editing, reading or maybe taking a walk just for the health of it – I turned to my old friend, Comcast OnDemand. One of the newer services, or channels (for lack of a better word), is Fearnet. This is where I found Penny Dreadful. This was a surprise, a very small and simple film that gets right to the point and right to the very real horror. Excellent performances by Rachel Miner and Mimi Rogers, this is a must see for horror fanatics. I would advise however you see it on DVD rather than on Fearnet. Halfway through the flick OnDemand, Miss Horrorfest interviewed writer/director Richard Brandes, and while it was a good interview and Miss Horrorfest is so easy on the eyes, they give away the film, making the second half not such a surprise. I was very disappointed by the way this was presented.
The Host ~ Also known as Gwoemul, this 2006 Korean horror was the talk of the genre a year or so ago. I have to admit it gets to the action almost immediately and the giant (well, semi-giant) monster stuff is merciless and frenetic. The first ten to fifteen minutes of The Host are relentless and unlike anything I’ve seen before. Props to director Joon-ho Bong for dazzling us with something new. It’s a pity that it soon becomes standard fair after that, a little bit Mimic and a little bit Virus. I also think it suffers from what appears to be faulty translation from Korean to English. The best part of the DVD is when director Bong apologies to the citizens of Seoul for tying up traffic while filming. See the first fifteen minutes if you’re a kaiju fan – it will open your eyes.
The Last Broadcast ~ A lot of folks dismissed this as a rip-off of The Blair Witch Project when it came out but the reality is this came first. As one of the first digital films it’s innovative and original. It also gets points for talking about the Jersey Devil without getting silly. My only question is – who’s holding the camera in the last sequence?