Category Archives: jessica degouw
I am sure that I’ve mentioned several times what not-a-fan I am of Jessica De Gouw, so I guess you all know how I feel about her character’s return to “Arrow.” I must admit to being puzzled by this episode’s title, because, even though most comics fans know that Helena Bertinelli is the Huntress, they have never yet called her that on the show. At least Oliver was referenced as Green Arrow once, even if it was a throwaway comment.
In the opening sequence, Helena corners her gangster father’s lawyer in a strip club. She’s looking for her father who’s in an FBI safe house. In a nice touch, Helena is wearing a pseudo-stripper costume quite similar to one of the costumes the Huntress wore in the comics. And of course, she still has her crossbow. And like former flame Oliver, her taste for blood.
Filed under subplots and soap opera, Laurel’s mom, played by genre favorite Alex Kingston, is back in town after a long absence, and she insists that her dead daughter, and guilt foundation for Oliver, Sarah, is still alive. Quentin, over-reactionary as always, isn’t buying it.
Also in that folder, Oliver’s club is about to open, and he’s getting more than serious about McKenna, sounds like the perfect time for psycho ex-girlfriend vigilantes to come calling. Oh yeah, and Mia ran into Roy again, and tried to get him employed at the club. Is there a romance between the two potential Speedies brewing? It’s funny, but they’d be perfect for each other. They like all the same stuff…
Helena is in town to kill her dad. Apparently he cut a deal and will be getting a new identity. She drops in on Oliver just as he starts looking for her. She says she needs his help to get her father, as she can’t do it alone. Helena as a character here on “Arrow” is certainly unstable, and sadly Jessica De Gouw’s acting has not improved. Remarkably, she’s become even less likable now. Appropriately, Oliver and Diggle are treating her as a villain.
Tommy is having a bad day. He’s on the outs with Oliver cuz he can’t trust him any more. Helena beat the crap out if him. And Laurel has called it quits cuz he can’t be honest with her. Whereas at first I thought that Tommy becomes Merlyn the Magician, now I’m thinking perhaps his death is what cements the enmity between Arrow and Merlyn. Thoughts? Let’s face it, no matter what happens, Tommy is no Jimmy Olsen.
Nice touches this episode include the name of Oliver’s club (Verdant means green), Roy Harper being afraid of needles, the shout out to Coast City, and of course the all too short cameo of DJ Steve Aoki. And at last, somebody (Quentin Lance in this case) finally calls Helena the Huntress. Finally also, spoilers for those who haven’t seen the episode yet, but I’m gonna miss McKenna a lot.
When last we left our CW prime time drama loosely based on the comic book superhero Green Arrow – Oliver and Helena had find each other kindred spirits in revenge, justice, and romance; Walter had returned home to care for Moira; Tommy was making time with Laurel, and had been financially cut off by his dad – finally revealed as the mystery character played by John Barrowman. Up to speed? Good, here we go with “Vendetta.”
I have to confess I was a bit taken aback when I saw that Arrow was going to try to take the Huntress (never named thus in the previous “Muse of Fire” by the way) on as a sidekick/partner to train. It’s not something that had occurred to me. He teaches her archery in a rather clever scene. She of course opts for a crossbow. At first, at least.
Arrow and the still unnamed Huntress make their debut against a warehouse full of drug dealers. Nice little fight scene. While Jessica DeGouw’s acting has not improved, she does look good in costume, purple and black with a crossbow and cross motif. I would have questioned it if it had a cape, but I gotta say I would have liked a cape a whole lot more than this long coat. Sorry, it’s an accepted conceit – superheroes wear capes. Deal with it. And the similarity to Hit-Girl’s costume is unsettling.
Whereas last week Diggle was doing too much Alfred to Oliver’s Batman, this week, he does a decent Lucius Fox, as played by Morgan Freeman in The Dark Knight. Although, unlike Fox, Diggle is a sensible voice of reason. Stephen Amell’s naked torso and Felicity Smoak both return in this episode, but we get enough of neither.
Last episode I was entranced by the bits with Oliver and Helena, and Tommy and Laurel. But here, where all four meet for dinner, I was bored and completely taken out of the show for the first time in a while. This was “Melrose Place,” not a superhero drama. Zzzzzzz…
Ultimately the Melrose incident leads to China White and Frank Bertinelli going to war as well as Arrow vs the still as yet unnamed Huntress. It is a very unsatisfying conclusion, and she remains unnamed. I think that irks me more than anything.
This was not the best episode so far. The superheroics and the island flashbacks have vanished. The soap opera aspects have creeped in. I’m not happy. Hopefully things will get better for this week’s mid-season finale. We’ll see.
After a Thanksgiving break, “Arrow” is back, with the Huntress.
In the first part of this special Huntress double feature on “Arrow” we see the debut of a DC Comics super-heroine with a decidedly special pedigree.
History lesson time. Originally the Huntress was Helena Wayne, the adult daughter of the Batman and Catwoman of a parallel universe called Earth-Two. She was an extremely popular character, representing a next generation of crimefighters on that world.
When DC Comics decided to clean house in the 1980s, they effectively erased Earth-Two from continuity and rebooted the Huntress as Helena Bertinelli, the vigilante daughter of a crime boss. Notably this version lacked the charm of the original and was subsequently less popular.
When the CW (of was it the WB then?) decided to bring the comic Birds of Prey to the small screen about a decade ago, they featured the Huntress as once again the daughter of Batman and Catwoman. The show only lasted one season and was, while sometimes fun, mostly bad, and a mish-mash of comic continuity. It’s interesting that the show came up at dinner with friends the other night, and it was remembered with only contempt. You can read my thoughts from the time on the “Birds of Prey” series here.
Interestingly enough, DC Comics has returned to the Earth 2 concept and brought the Huntress back to her first origins. It’s a shame that “Arrow” has decided to use the Helena Bertinelli version for their show. Maybe they thought the Batman reference would be confusing? Well, then they’d better stop referencing Bludhaven is all I have to say.
I think it’s worth noting up front that in the comics, the Huntress and Green Arrow are two characters that have had very little interaction, despite their choice in common weaponry. The Huntress is an odd selection to show up here, just saying.
As “Muse of Fire” opens, Oliver’s mom is caught in the crossfire of a mob hit. She was having lunch at the time with the mobster. And the hitter turns out to be our lovely Huntress, as played by Australian Jessica DeGouw, not the most charming or likable or even talented actress. Disappointingly her character turns out to be simply a female version of Arrow, working through her own list. I could think of more interesting ideas than that.
This episode also features the return of Kelly Hu as China White, as the Triad is revealed to be a rival of Helena’s dad, crime boss Frank Bertinelli. The latter, scared, starts to rattle the cages toward a mob war. One incident leads to the first confrontation between Arrow and the Huntress. Great exchange between Diggle and Oliver follows as they try to figure her motives. I love Diggle more and more every episode. I just wish he wasn’t so ‘Alfred’ in this one.
Anyone else ever notice that Tommy Merlyn is always around? At the Queen house, at their job, at Laurel’s job, but he’s never there to see his best friend Oliver. It’s just odd. Did he just take his place with the family in a very creepy way while Oliver was on that island thought dead?
Tommy goes to dinner with Laurel, and Oliver goes to dinner with Helena. There is clever well written dialogue for both, and Stephen Amell does his best, acting against the cardboard wall that is DeGouw. Meanwhile Captain Jack Harkness visits Oliver’s Mom’s sickbed. It has been frustrating but I have admire how well the writers have concealed the identity of the character John Barrowman plays on “Arrow.”
Spoiler alert for those who have seen it yet, but the secret comes out here. He’s not Maxwell Lord, or John Deleon, or Count Vertigo. He’s someone rather boring, at least for the comics fans. John Barrowman is Malcolm Merlyn, Tommy’s dad. Of course, wouldn’t it be cool if Barrowman turned out to be Merlyn the Magician?
There’s a nice shout out to the co-creator of the comic book Huntress, Joe Staton, in the name of Helena’s late fiancé. Nice touch. He also gave her the cross she wears around her neck – as much a symbol for the second comics Huntress as the bat was for the first.
The episode ends with Oliver and Helena entwined in a kiss, kindred souls in justice, revenge, and an understanding of one another. What happens next? Be here tomorrow, same Arrow time, same Arrow channel.