Category Archives: liberace
Behind the Candelabra ~ I remember Liberace from my childhood. I remember him from the 1966 “Batman” TV show (in syndication, I’m not that old), where his appearance as villainous twin brothers equaled the series’ highest rated episodes. Such was the power of Liberace. He was not only a fabulous piano player, and a faaah-bulous showman, he was a huge star, and a serious draw when it came to stage and screen. When Liberace was on TV, for various reasons, you had to see it, and his stage show, whether in Vegas, New York, or LA, it was always a sensation.
While it wasn’t talked about back then, I think everyone knew Liberace was gay, it was oddly accepted he was different in that way. Liberace was wholesome entertainment. When I heard HBO was making a movie about him, I feared the worst. Especially after recent hack jobs on Phil Spector and Alfred Hitchcock. HBO knows how to make quality television series, but the folks who make their movies are out of control.
When I heard it would be about Liberace and his last lover, Scott Thorson, I knew it would be another smear piece. Thorson’s book of the same name was a memoir in much the same vein as Mommy Dearest.
Then I heard about the casting, and I was intrigued. Michael Douglas as Liberace, and Matt Damon as Scott Thorson. Wow. Boggles the mind, doesn’t it? Here’s the thing, they pull it off, they pull it off mind bogglingly well. When I see a flick with a big name star, if I can stop calling them by name, and believe they are the character, that’s impressive to me. For instance, Meryl Streep and Mel Gibson are always Meryl and Mel to me, but here, this was Liberace and Thorson. The actors’ performances are stunning.
True or not, those performances are scarred by the outrageous and flamboyant story. It may have happened that way, and they may have worn those clothes, but the absurdity of the situations take away from the quality of Douglas and Damon.
It also doesn’t help that the rest of the cast is filled out by comedians and actors doing their crazy best. Rob Lowe, Dan Ackroyd, Scott Bakula, and Debbie Reynolds, among others, are at their insane peak, equal to Douglas and Damon.
Should you watch it? Definitely. Behind the Candelabra is both time capsule and freakshow, and most importantly a manic showcase for the actors involved, and nowhere near the usual trainwreck we have gotten recently from HBO Films.
I was completely taken aback by the title card that preceded HBO’s Phil Spector. Here’s what it said: “This film is a work of fiction. It is not “based on a true story.” It is a drama inspired by actual persons in a trial, but it is neither an attempt to depict the actual persons, nor to comment upon the trial or its outcome.”
What?? Wow. I wonder how many lawyers between HBO and Phil Spector it actually took to write that nightmare up? I understand it’s worded to keep either party from suing the hell out of each other, but it also seems like open season to make up whatever the hell they want about real people and not get sued. Wow.
The facts: Phil Spector, perhaps one of the world’s greatest music producers, shot model and actress Lana Clarkson in his home in 2003. Spector claimed it was suicide, was tried twice for murder, and finally convicted to serve nineteen years in prison.
This film: Helen Mirren plays defense attorney Linda Kenney Baden who enters Spector’s madcap mental ward world in an attempt get him out of the murder charges. Jeffrey Tambor as attorney Bruce Cutler provides occasional comedy relief.
Al Pacino plays Spector as subtle but completely insane, sort of like a sedated homeless clown person with voices in his head and a violent streak. His home is like cross between a museum, a circus, the Addams Family house, and the Psycho house. And oh, those wigs. Sadly the wigs were real.
The film’s soundtrack, like the performances of Pacino and Mirren, is one of its few saving graces. HBO’s Phil Spector is a wonderful example of a few diamonds hidden within a piece of dog crap. If I didn’t know about the case, and Spector’s career, I wonder if this movie would even made sense. It seems built for footnotes.
The film is surprisingly and unrecognizably written and directed by David Mamet. What was he thinking? And what did Phil Spector ever do to David Mamet? These are the mysteries I would like solved. I love Mamet, and this was a major disappointment.
As the tagline for this flick says, ‘the truth is somewhere in the mix.’ Unfortunately, I think that mix has been erased and taped over multiple times. This is a mess. This is two down in my book as far as HBO movies go. Between this and The Girl, I think they should stop making movies about real people, it’s just not working out. I’m dreading the Liberace biopic coming later this year now.