Category Archives: man of steel
Man of Steel ~ We’ve been on this ride before, a new Superman movie. I remember the thrill and awe of the first two movies with Christopher Reeve, and the disappointment of the following two as well. And then two decades later we got Superman Returns, and while I had huge issues with the ‘super stalker’ and ‘deadbeat dad’ subplots, Brandon Routh wasn’t bad as the man of steel, Kevin Spacey was brilliant as Lex Luthor, and the plane rescue had to have been the single greatest superhero special effects scene filmed up until that point. I enjoyed quite a bit of it. And if I enjoyed it… you know what Hollywood has to do, change it.
I have talked before about how I feel about origin stories, no need to chew on that again. But the fact is they (writer David Goyer and director Zack Snyder) have changed Superman’s origin. If not for the fact that everyone knows Superman’s origin I wouldn’t have a problem with it. It’s the Moses story, the Jesus story, the immigrant story, the perfect origin for a perfect hero, and they had to tamper with it.
In this new version, there is no requisite scene of Jor-El and Lara holding each other as krypton explodes and their son rockets away to safety and his destiny. It reminded me of the latest movie version of Spider-Man where Uncle Ben never says, “With great power comes great responsibility.” Why? If it’s not broke, don’t fix it. Some traditions should stand.
Instead of a tender tragic moment, Man of Steel delivers the Kryptonian Civil War, General Zod murdering Jor-El, and Lara on the stuffy Science Council (although unnamed as such in this flick). At the last minute, almost as an afterthought, they go, oh by the way, Krypton is doomed, and about to go boom. We spend a good twenty minutes or so on Krypton, not a frozen crystalline weirdness that it’s been on film for decades, but almost something resembling the comics Krypton. I loved the wing machine, Kelex, and the jungles and cities. I would have squeeed if we’d gotten the actual Scarlet Jungle or a thought beast.
Zod here is a military leader who attempts a coup on the council, and with his underlings (the also unnamed Black Zero terrorists, a name only learned from movie affiliated toys), is sentenced to do time in a space singularity. Again, we don’t hear the words ‘Phantom Zone’ until much much later. What is Goyer’s resistance to using correct terms for people and things?
We did get a few little tidbits in the flick. No after credits scene or cameos or even mentions of other DC characters really. We did see a LexCorp truck at one point. I was thrilled seeing the names of real Phantom Zone character names in the credits – had I heard them out loud in the film, I would have loved this movie a lot more. Jax-Ur! Dev-Em! Nadira! We’re talking fanboy heaven here. Comics fans like Easter eggs, why not give us a few?
The cast was surprising, both good and bad. Amy Adams as Lois Lane is the plucky reporter from the 1940s Fleischer cartoons, wonderfully updated not to a 2013 standard but to a respectful current version. She won’t seem dated to audiences a few decades from now as Margot Kidder does in her then highly acclaimed tour as Lane. Watching her performances now just scream 1970s so loud. Adams is amazing for the most part, only briefly falling into annoying mode once or twice.
Henry Cavill, in my opinion, and I know many friends who disagree, is only just adequate. He is suitable alien, and distant, and anti-social. Superman is an alien, yes, but he’s not any of those other things. He is sensitive, and caring. Remember in Superman II when the three Phantom Zone villains discover his true weakness? He cares. Cavill’s Superman never gives me that impression ever. In Man of Steel, when Zod demands that Kal-El be delivered to him, if it was Christopher Reeve, or even Brandon Routh, the Superman/Zod confrontation would have happened in the next few seconds, or however long it would take super speed to get our hero to the villain’s lair. Goyer’s Cavill takes his damned time.
Henry Cavill as Superman lacks heart, he lacks love. Superman loves the human race, he believes in the human race, and he wants to make them better, to inspire them to greatness. I never believed Cavill in the role except for one or two brief moments. Let’s face it, and I’m not saying this to be old school – put Christopher Reeve in this exact film, in this same role, with the same dialogue and direction, and I would believe him, Cavill I would not, and do not.
Kevin Costner will hopefully be remembered come Oscar time because he deserves it for his performance as Jonathan Kent. That said, I hated the character of Pa Kent in this movie. Just the concept that he would tell his son maybe he should have let people die rather than reveal his powers just aggravates the hell out of me, and is so against his character. And his death, his sacrifice that forces young Clark not to save him when he easily could have… I wanted to scream at the screen. Who is this man? Because it sure as hell isn’t Jonathan Kent.
Speaking of fathers, Russell Crowe’s Jor-El leaves the movie early, as I mentioned, a victim of General Zod. He returns later in a method similar to the earlier Superman films, as a hologram, or more accurately an interactive artificial intelligence. What boggled my mind is the fact that Crowe as Jor-El had more chemistry with Adams as Lois than Cavill’s Superman did.
I was a bit iffy about Michael Shannon’s Zod at first. He can be brilliant but sometimes he’s a one note actor. If we’re judging Shannon as if he was playing Terrence Stamp’s general Zod, he fails miserably, but the thing is he’s not. This is a different Zod. He is almost a heroic figure. He is commissioned with the responsibility of continuing the Kryptonian race, and Kal-El actually stands in his way, a war criminal of sorts, the one keeping krypton from flourishing again. Really, how can we root against a man with that new MO and motivation? Despite his methods, this is one of the good guys, right? Shannon’s portrayal is good, only falling into cartoon mode once or twice.
As long as we’re talking about Zod, we come to two of my biggest problems with Man of Steel. Here be spoilers, be warned. Superman has to murder Zod to stop him. At the climax of the film, Zod gets desperate and starts to heat vision a family so Superman breaks his neck. The powers that be behind this flick, Goyer and Snyder, among others, have defended this move, saying that Superman has to learn not to kill by having experienced it.
Hello? Bullshit. I call shenanigans, as they say on “South Park.” I don’t have to kill someone to know it’s wrong. You don’t have to kill someone to know it’s wrong. Why does Superman, the pinnacle of all that is good and right in the world, not already know this like you and me? Superman, the real Superman, would have found a way to stop Zod without killing him. That’s what makes him freaking Superman!
Yes, something similar happened in the comics. John Byrne had Superman execute Zod and two other Phantom Zone villains in the post-Crisis continuity, and I hated it then as I hate it now. With over seventy-five years of source material it hurts me deeply that the hero’s darkest hour is what some people think should be brought to the screen. There are much better stories, people, probably hundreds, if not more.
One thing that superhero movies have brought to the screen recently, especially the billion dollar blockbuster, Marvel’s The Avengers, is the level of destruction. Well, super powers, the wrath of gods, can bring wholesale destruction down on us all, and now with the special effects available and the popularity of superheroes, we can now show combat on a scale similar to what is sometimes shown in comics.
Listen to me carefully. It does not translate to the big screen. I want to see these big smash-ups and slugfests as much as the next guy, but when it happens in ‘real life’ in a movie, it just does not work. We live in a post-9/11 world, and even over a decade later, those images have a blood curdling effect. To borrow the words of comics writer Mark Waid, it’s disaster porn, plain and simple, and I don’t wait to see it. I want to leave a Superman film inspired, uplifted, wanting to make the world a better place – not mourning the dead.
In conclusion, Man of Steel was a good movie, but it wasn’t a good Superman movie. I look more forward to Batman Vs. Superman, or maybe the much anticipated Justice League film, than I do ever seeing this one again.
For other perspectives, including my own, below is the Biff Bam Popcast featuring Andy Burns, JP Fallavollita, Jason Shayer, and special guest, Michael Moreci of the Hoax Hunters comic series, done at the time of the film’s theatrical release:
And then there’s also JP Fallavollita’s review of the film at Biff Bam Pop! here for a very different view.
So Ben Affleck will play Batman in the upcoming sequel to Man of Steel, likely to be called Batman Vs. Superman.
The announcement came late last night while my friend Ray and I were recording this week’s GAR! Podcast. Had we known, we surely would have been discussing it. Instead you get the usual Prince, Dave Sim, Avengers, and French fries mix of goodness, lucky you. You can hear it here, shameless plug.
Well, he’s no Michael Keaton. I mean, it could be worse. He could be Michael Keaton.
What’s that you say? Michael Keaton was one of the best Batmen, he was Batman. Yeah, right. Y’all got selective memories. I remember it quite differently.
I remember people screaming and whining that Mr. Mom/Beetlejuice was the worst choice for a serious version of Batman. The balding no-chinned comedian was no Batman. In the pre-internet world of 1988, this was a horrible mistake, and the angry fanboy letters burning the pages of the Comics Buyer’s Guide were proof of it.
And now, over two decades and two movies later, Keaton is considered one of the best Batmen. So why are people so riled up about Ben Affleck? Because Daredevil was a dud in the theaters? Hell, I liked Daredevil, and liked the director’s cut even more. I even liked Elektra.
And even if I’m wrong about that, what about Affleck’s Oscar and other awards and nominations for acting, writing, and directing? He even has comic book cred beyond Daredevil as an actor in the Kevin Smith films and playing George (Superman) Reeves in Hollywoodland. Talk Gigli and Pearl Harbor all you want, you can’t take Argo or The Town away from him. Everyone has hits and misses.
I think Ben Affleck can pull off Batman and Bruce Wayne like a pro. I dare say he might be a better Batman than anyone else we’ve seen. And yeah, I’m saying that based on his Daredevil performance. I stand behind Ben as Batman. If Michael Keaton could do it…
Total Recall ~ I thought it might be worth taking another look at this 2012 remake of the 1990 scifi classic, especially in the light of seeing Iron Man Three and Star Trek Into Darkness, as well as anticipating Man of Steel later this month. All of these films have one thing in common. Everything you think you know is wrong, here’s the new spin, enjoy the irony and the fun references to what you thought was going on.
Anyone walking into Total Recall, or any of those other flicks, is going to get what they thought they would, and that’s part if the ride. And rollercoaster ride is principally what Total Recall is. It barely ever stops from start to finish, the action is full on forward, barely giving the viewer time to catch their breath.
Those expecting star Colin Farrell to play Arnold Schwarzeneggar are to be disappointed. This flick is both a remake of the 1990 film and loosely (as loosely as the original) based on the Philip K. Dick story, “We Can Remember It for You Wholesale.” Keep in mind, the original protagonist was based on Richard Dreyfus so Farrell is not right either. As far as cast goes however, only he and antagonist, Bryan Cranston of “Breaking Bad,” really shine.
The setting is different, rather than Mars, this is set fully on Earth, even as Earth as a tunnel through the world from London to Australia features solidly. It’s still a dystopian future, and our hero still has memory issues and may not be who he thinks he is. Same s#!t, different day, if you’ll pardon the expletive.
The references are plentiful and amusing, as long as you’re not a purist to the first movie, or the story. Just sit back, turn off your brain and enjoy the ride. I loved the flying car chase, amped up unbelievably over the one in The Fifth Element, and the more original vertical/horizontal elevator chase. Bring seat belts!
I know, as if I don’t have enough on my plate, right? This project has been in the wings for more than a few years. My friend Ray Cornwall and I have had long conversations about comics and other stuff, and have talked about doing it as a podcast for some time. I finally bit the bullet, kicked Ray in the butt, and we got it done. It was nowhere as hard as we thought it would be.
The final product can be found here. Yeah, it’s our first one, so it’s amateurish, badly edited, incredibly raw, and so much damned fun.
The topics covered in this inaugural podcast include: Who we are, “Storage Wars,” Man of Steel, Batman ’66, Green Hornet, Mark Waid, Insufferable, Peter Krause, Marshall Law, Ray’s comics childhood, Justice Society, Fantastic Four, Age of Ultron, Iron Man, Hank Pym, Marvelman, Brandon Peterson, Captain America and Bendis.
Check out the podcast here, and see what a star my buddy Ray is. Enjoy! We’ll be back next week!
Chronicle ~ The famous tagline of the Amazing Spider-Man legend is “With great power comes great responsibility”, and that’s really what this ‘found footage’ scifi horror adventure flick is about. Or maybe that’s what the tagline for Chronicle should be, because as we see as the movie proceeds, we need to add a word to the saying – “With great power should come great responsibility.”
In the film, Michael B. Jordan (“Friday Night Lights”) the popular guy, Alex Russell the regular guy, and Dane DeHaan (“In Treatment”) the picked-on misfit nerd with family troubles all get super powers, specifically telekinesis. This commonality bonds them to each other in an unorthodox friendship. Much like M. Night Shyamalan’s Unbreakable, the best part here is the boys learning to use their powers. One particularly wonderful scene shows them learning to fly. It’s breathtaking. If “Smallville” had done it this well, it would still be on the air, and if The Man of Steel (telling the origin again) does it like this, it will be a hit. Worthwhile just for these scenes.
Things break down of course each one subjected to their own inner struggles. Guess which one becomes the villain, kinda telegraphed, but still well done. The ending battle is pretty cool as far as special effects go, but the found footage format makes it difficult to follow. As much as I usually dislike that kind of flick, the end is the only place it doesn’t work. This was much better than I thought it would be. Recommended for the genre crowd.