Category Archives: megan fox
Jonah Hex ~ My online friend Terry Willitts, who’s done a few guest blogs for me both here and at French Fry Diary, summed up this movie pretty well for me on Twitter recently. He said, “It’s not as bad as everyone made it out to be, but it’s not that good.” That just about covers it from a distance.
To me, when I heard they were making a Jonah Hex movie I was excited. This was a comic and a character that could translate to the screen well and gain a mainstream audience, and would also help convince the mainstream that comic books were not just guys flying around in their underwear. Unfortunately, the folks who made this flick didn’t read much of the source material.
While Jonah Hex is primarily a western anti-hero, the character has worked well in both supernatural and even science fiction trappings, while maintaining his own identity. He was never supernatural himself, which is why it bothered me that the movie sought to imbue him with spiritual powers like talking to the dead or to animals. It seems out of place, or worse yet like the Hex character was rewritten to fit this movie.
It’s bad enough that there are scenes and pieces of dialogue lifted from other movies, but quite a lot of this anachronistic nightmare feels like it was once a bad Wild Wild West sequel or even a rejected episode of “Brisco County Jr.”
The film, despite its numerous flaws, looks very good. And Josh Brolin both looks and acts the part of Jonah Hex. If the folks behind the scenes could get their acts together and make a real Hex flick, I would love to see Brolin once again. On the other hand, Megan Fox is just barely eye candy and John Malkovich is just over the top, and that’s saying a lot for him. Tom Wopat is surprisingly good.
On the whole, I would say that Terry got this one right. It’s not “the end of the comic book movie era” as one critic put it when it was first released, but it’s not bad. It certainly could be better however. Check it out as a curiosity, or if nothing else is on.
For those folks who think comic books are just about people who wear their underwear on the outside of their pants and strike dynamic poses as they punch bad guys, you obviously haven’t heard of Jonah Hex.
Mysterious scarred bounty hunter of the old west, Hex was created a few decades back by John Albano and Tony Dezuniga, and has become one of DC Comics most celebrated western anti-heroes. Jonah Hex has even met the Justice League, and visited Earth’s apocalyptic future, but for the majority of his history he remains closer in tone to Clint Eastwood’s man with no name than any costumed clown. The character’s most recent comic series by writers Justin Gray and Jimmy Palmiotti is simply one of the best on the shelves consistently.
Next year, director Jimmy Hayward (Horton Hears a Who, sigh) will bring Jonah Hex to the big screen. With Josh Brolin in the title role and co-starring Megan Fox and John Malkovich, it should be very interesting. I know I can’t wait.
Jonah Hex will be released June 18th, 2010.
The Heartbreak Kid ~ I was unaware this was a remake of the 1972 classic until I saw the names Neil Simon and Bruce Jay Friedman in the credits – and I wish I hadn’t. If I had kept thinking this was just another Farrelly brothers cringe-fest I could have enjoyed it so much more rather than knowing they were destroying the memory of a great flick.
Now it’s not that Ben Stiller or the Brothers F don’t produce a good or amusing movie, it’s just that it pales considerably to the darker and more mature Simon comedy. And while I was suitably entertained, I couldn’t get behind Stiller’s character who comes off badly and lacking, well, character. Stiller is good as usual, but Michelle Monaghan and Malin Ackerman steal the show. This is definitely a guy’s chick flick, and worth the price of admission – as long as you haven’t seen the original.
Transformers ~ Now I’m a generation removed on this one. When the Transformers cartoon was on the air and the toys and comics were the rage, I was more concerned with stuff like college, work and yeah, girls. So I just like I just don’t get it when it comes to the robots who are ‘more than meets the eye.’ And I am definitely out of the loop with my younger friends who cried when they heard that Bumblebee would not be a Volkswagen. But I can live with that, they’ve all put up with my rants about why insert-any-superhero-movie-here sucks.
And so I walked into this one blind, not knowing the cast of characters, the backstory, anything really. It was all new and fresh, and bad. It’s really not that great, or sophisticated, a movie. And nearly not effort was put forth to differentiate one robot from another – I know I couldn’t. Perhaps a studied eye and someone well-versed in the mythos could, but not I. And this is a shame, considering how much was put into making the robots look realistic. They could have put the same detail into making them not look so alike.
There’s not all that much action, or serious robot-on-robot action sadly until the end, and that battle scene and chase scene is great – even though I didn’t know who was who. Great mecha action for fans of giant robots and kaiju eiga alike. Shia Le Bouf continues not to impress me and John Turturro was actually a surprise in this flick as a parody of a military baddie. Megan Fox is the highlight of the human cast, she’s definitely got a career ahead of her. All in all, fun eye candy for the last fifteen minutes, the rest fast forward through.
Down in the Valley ~ I have to say this has got one of the most impressive preview trailers I have seen in some time. The preview is definitely worth seeing. But once I got the film through Netflix… wow. Despite it having Ed Norton in the lead, one of my favorite actors, he overacts atrociously, and the film is just crap. Don’t see it. See the trailer below, and leave the rest to your imagination.
Heading Home ~ This is probably one of the earliest, if not the first, example of why sports heroes shouldn’t become actors. In this 1920 silent Babe Ruth plays himself in the ‘true life story’ of his early days. Quaint if inaccurate and amusing for the title cards that are written in weird colloquialisms of the time. Worth a watch if only to catch Ruth in his thin prime and to watch his facial expression unchanged throughout.