Category Archives: mickey rourke
Immortals ~ Okay, I’ve admit it. I’ve had this DVD sitting on my coffee table for at least two months. I’m not lazy or careless. It’s just that with Netflix’s streaming service to my iPhone, my Nook, my laptop, and the PS3… well, the snail mail discs sort of get forgotten. Immortals sure did, like I said, for at least two months. So if you’re still doing it by mail on Netflix, and have been waiting for Immortals, yeah, it’s me, I’ve got it. I’m a bad Netflixter. I’ll send it back shortly, I promise.
At this point I don’t even remember much about it. I know it’s mythology based. I know it was released theatrically on 11-11-11, a hard date to forget, and that the date morphed into the title in the previews. I also know it’s got a lot of motion capture in it like 300, Watchmen, and Sucker Punch. Beyond that, I don’t remember much, let alone why I put it on my Netflix queue.
Ten, fifteen, twenty minutes and more into the film, it is dark, and boring. Yeah, I know. They have taken something that I love, mythology, and made it boring. Adding to the difficulty of the task, they have fictionalized it, added state of the art special effects, and made mythology boring. Although, to say they are really sticking to the myths in question would be a kindness. Loosely based is the broad term here. Did I mention how dark the film is? At times it was almost like a radio production.
I was pleased to see John Hurt for the short time he was on screen. He was playing the old guy, you know the Hollywood star of yesterday they always have in these bad myth movies. He at least acts. I am now very worried for the upcoming Man of Steel film, because the cardboard cut out that plays Theseus here in Immortals is cast as Superman. That film could be worse than the last one based on Henry Cavill’s performance here.
I didn’t recognize Mickey Roarke until halfway through the movie. Stephen Dorff equally phones it in. I guess the actors thought that because no one would actually be able to see this movie because it was so dark, they could just phone it in. I didn’t like Immortals, even a little bit. I didn’t hate it, I was just bored. I guess it’s good for a nap.
Iron Man 2 ~ I’ve been waiting for this for a while now, and it finally opened, a bit late for the previews to have become annoying, and of course even more annoyingly, a week after it opened in the UK and Australia. I really have to wonder why the movie companies insist on staggered releases across the world when the internet exists. Don’t they know the flick has already been spoiled for American audiences?
Iron Man 2 picks up almost immediately as the first film ends, but not in the way one might think. From there it becomes a rollercoaster ride of subplots as if it doesn’t know what its real storyline is.
Of seeming highest priority of possible plots is Mickey Roarke’s Ivan Vanko who wants revenge on Robert Downey Jr.’s Tony Stark for supposedly stealing his father’s design. There’s Tony’s new heart poisoning him just as he’s drinking himself to death and risking his life. There’s Gwyneth Paltrow’s Pepper Potts (still the dumbest comic book name ever) trying to run Stark’s company and of course her non-romance with him that doesn’t exist in the comics. And the government, in the face of the strangely cast Garry Shandling, wants the Iron Man ‘weapon.’ Those are just the big ones.
Any one of these could have been the main story, and served it well on its own, but for some reason the script couldn’t make up its mind. Underneath the surface of this Iron Man is bubbling an Avengers prequel, and for those aware of what Avengers is, it is a major undercurrent of this film, perhaps moreso than anything to actually do with Iron Man.
Rumors from overseas seem to be right on this front, that this is more an Avengers movie than an Iron Man movie. Easter eggs abound everywhere, from Captain America’s shield to Thor’s hammer, to the outright appearances out of nowhere of Samuel L. Jackson’s ultra-cool Nick Fury to Scarlet Johansson’s ultra-hot Black Widow (although it’s notable her superheroine name is never mentioned). It makes you wonder why Marvel would risk the Iron Man sequel for a movie that’s not even written yet.
And there are still yet more subplots. They tried to squeeze Tony Stark’s problem with alcoholism in there. Don Cheadle, a great actor, but a poor substitute for Terrence Howard, puts on the War Machine armor. Sam Rockwell does an impressive Robert Downey Jr. impersonation, that I’m not sure is in homage or mocking his Stark, as a decisively younger Justin Hammer.
The big guns of this script are largely disappointments. Downey is simply over the top, as if he doesn’t care anymore. Paltrow struggles as if she doesn’t know what to do with herself on screen. Mickey Roarke is damn good and owns the film when he is onscreen, he’s just not there nearly enough. His character, a merging of two Iron Man foes from the comics, Whiplash and the Crimson Dynamo, had enough depth to carry the whole film – but the script would not let it happen.
I did enjoy the film, but that was as a hardcore comics fan. I think it might be too jumpy and frenetic for mainstream audiences, who will also be giving all those Avengers references blank stares. And speaking of Avengers – stay through the end of the credits, or you will regret it. Iron Man 2 is fun and action-packed, but it’s nowhere as good as the original.
Premonition ~ When I heard the plot to this one, I thought that surely Sandra Bollock must have lost her mind – another freaky anti-logical time travel story? With the bad headache of The Lake House fresh in my mind I tentatively watched this one, and was pleasantly surprised. While traveling backwards and forwards in time, a young housewife and mother attempts to right her life which has become a tragedy. This is a smart thriller and worth seeing.
Mystery of the Wax Museum ~ Fay Wray is just a delight as fast-talking spunky reporter Charlotte Duncan in this two-strip Technicolor horror classic from 1933. Lots of fun and spookier than any of its rip-offs and remakes. This is the real deal.
Angel Heart ~ This flick made quite a bit of press when it came out because of the nude scenes featuring Lisa Bonet, at the time a co-star of the top ten “The Cosby Show.” If memory serves, it lost her the gig. Beyond that, we have Mickey Rourke, back when he could act and wasn’t quite so sleazy – pre-Barfly in other words, along with a phoned-in performance from Robert DeNiro in a film written and directed by Alan Parker. The trick to enjoying this movie is to not pay too much attention. If you do pay attention, it becomes predictable and very transparent, and it’s a long way to the end. Worth seeing once, but that’s about it.
The Happening ~ I’m a huge M. Night Shyamalan fan, but this 2008 film is nothing but a disappointment. I still think he’s one of the best writer/directors working in the business, just he maybe got lazy or perhaps was knocked in the head or something. The Happening, while showing off M. Night’s direction and cinematic skills, is nothing but a derivative rip-off/homage of Hitchcock’s The Birds only with plants enraged at man rather than our feather friends. The similarities are shockingly unoriginal and I have to admit I’ve lost more than a bit of respect for M. Night. He’s better than this, or at least I thought he was.
Near Dark ~ A very young Adrian Pasdar, Nathan Petrelli from “Heroes,” is the naïve lead in this 1987 vampire flick written and directed by Kathryn Bigelow – the woman behind Blue Steel, a film solidly in my bottom ten. Near Dark must have been quite innovative when it came out, but now it feels dated, and yes, a bit cliché.