Category Archives: ponyo
First up on the agenda is the wild number of films up for the best Picture Oscar. The Academy is rather transparent in this ploy. Open it up to some super-popular blockbusters and maybe more folks will be interested, root for their favorites and tune in. Ratings equal money, awards for accomplishments be damned – this is America after all.
No matter how many hope for their favorite ‘popular’ movie, it’s probably not going to win. That’s just not how the Academy works, thankfully. It’s how their publicity people work, but not the Academy. Yeah, Up and Avatar are in the mix, but no one’s voting for them over The Hurt Locker or Precious, trust me.
And there are important oversights this year. Most notable is Sam Rockwell with his acting tour de force in Moon. Oh yeah, I forgot, with rare exception, the Oscars are only for films that came out in the last two months of the year. Oh well, the ‘rules’ eliminated that one, but what about Anthony Mackie in The Hurt Locker? He acts the ass off Jeremy Renner who is nominated.
And I bet Julia Roberts is steaming that Sandra Bullock cleaned up this year with roles that Roberts turned down, and may even win an Oscar for one. I really hope Julia is on hand for candid reaction shots Sunday night.
Nothing for Watchmen. Wow. I’m really surprised, especially after the way the Academy kissed the butt of one of the worst superhero movies ever, The Dark Knight last year. You’d think they’d have a little something for one of the best. And speaking of genre films – where was Ponyo? Not in foreign or animated. Damn.
Well, enough rambling and bitching. Here are my picks – and let’s keep in mind, these are who I think will win, not who should win…
Best animated film – As much as I’d like to see The Princess and the Frog take it, it’s Up all the way. It’s easily one of the best films in some time. Of course, had Ponyo been here, it would have won.
Best documentary – I think the politically correct Academy will bow to the Health Nazis this year and give it to Food, Inc.
Best song – This one depends on other awards I think. If Jeff Bridges doesn’t get best actor, they’ll give it to “The Weary Kind” to make up for it. And if Up doesn’t get best animated it will take the song here, probably with “Down in New Orleans.” My bet is “New Orleans.”
Best original score – I’m a huge Michael Giacchino fan so my heart leans toward his score for Up but I also think Hans Zimmer’s Sherlock Holmes blows it away. Why wasn’t Giacchino’s Star Trek nominated? That was the best soundtrack of the year easily.
And as much as I’m tempted to pull a Bill Murray from the classic days of “Saturday Night Live,” I do think these categories matter…
Best supporting actor – This is between Christoph Waltz’ chilling Nazi in Inglourious Basterds and the ever-talented Stanley Tucci. I think the Academy will count Tarantino against Waltz and give it to Tucci. Not the way it should be, but the way it will be.
Best supporting actress – No question, if we can’t have the Nazi villain as a winner, we’ll take the evil mother. Mo’Nique is a definite here.
Best actress – I think that Gabourey Sidibe has good odds, but I also think this may be Sandra Bullock’s year.
Best actor – It’s between Jeremy Renner and Jeff Bridges, although it might go to Morgan Freeman for body of work. Renner is young and it’s about time for Bridges. My money is on Jeff Bridges.
Best picture – The Hurt Locker. It’s a hell of a film, powerful, well acted, and brilliantly shot. Kathryn Bigelow deserves it.
Best director – James Cameron, for Avatar. It’s a hard call, but he’ll get it for advancements in film and special effects. But then again, if that were actually how things worked, the Wachowski brothers are owed a few direction Oscars for Speed Racer and the Matrix trilogy. But who says these things are fair. And if I’m right on these first two awards, it should be a happy night in the Cameron/Bigelow household.
There you go, folks, place your bets. See you late Sunday night!
My top ten films that I’ve seen this year that came out this year would be, in no particular order – Timecrimes, District 9, (500) Days of Summer, The Princess and the Frog, Moon, Wonder Woman, Inglourious Basterds, and my top three – Ponyo, Watchmen and Star Trek.
On television, “Glee” tops my card, quickly followed by Showtime’s “Nurse Jackie” and a startling season of “Dexter.” Other highlights would include the “Seinfeld” reunion on “Curb Your Enthusiasm,” the spoiled children of “Big Brother 10” and of course the “Doctor Who” specials.
Musically there’s no question that 2009 was the year of Lady GaGa. And I think that’s only the beginning. Even if she’s a four-hit wonder, her performances and music, as well as her interviews are stunning. She is a force to be reckoned with for many years to come.
On the interwebs, props must go to Marvel Comics for their amazing motion comics of Astonishing X-Men and especially Spider-Woman: Agent of S.W.O.R.D.
Now bring on 2010!
Ponyo ~ The first thing that strikes me about Ponyo (also known as Gake no ue no Ponyo) is how terrific it is now that in America, not only are Hiyao Miyazaki’s films distributed mainstream by Disney, but that Hiyao Miyazaki films are now an event. This is just how it should be. He’s a genius, and it’s about time he’s treated this way.
I think a lot of that may be due to TCM. A year or so back they did an entire week of Miyazaki films that brought his work into the mainstream consciousness. I knew about him but then again I have a comics and anime background. I know this was when my wife’s eyes were opened to his brilliance, a probably many others as well.
Ponyo is a simple yet bizarre tale of a goldfish who falls in love with a little boy and then wants to become human. From there it gets complicated. And the complications are what I love about Miyazaki. He always follows the game plan of the Hero’s Journey, yet he takes the roundabout way, the twisted mountain road, so that he is never predictable – and that’s refreshing. When was the last time you could not guess the ending or even the next scene of a film?
This is an enjoyable flick for both adults and children, and highly recommended. I really enjoyed it. And if you like what you see, check out the rest of Miyazaki’s films. You’ll be glad you did.