Category Archives: reimagining
The Initiation of Sarah ~ The original came at the tail end of the great ABC telemovies of the 1970s. In it, Kay Lenz, who I always mixed up with Susan Dey, plays the Carrie part in this Carrie rip-off. Morgan Fairchild is chief tormentor and Shelley Winters the witchy housemother mentor. There were a few of these Carrie wannabes in the 1970s, The Spell with Susan Meyers from “James at 15” was another, that aped the mousy scapegoat girl, who also happens to have telekinetic powers, flipping out in her tormentors. Sarah took place at a college sorority as opposed to high school.
The 2006 version is a re-imagining of the 1978 movie of the week done for, believe it or not, the ABC Family Channel. Well, at least they’re keeping it in the ‘family.’ Yeah, I know, sorry. Here, Morgan Fairchild returns as the snooty mom of two girls about to enter college, and join her old exclusive sorority. Lindsay, played by a post-“Firefly” Summer Glau and mousey cutter Sarah played by Mika Boorem of Blue Crush, are, as one would expect, polar opposites.
It is essentially the same story, with a decidedly non-fun Jennifer Tilly in the Shelley Winters role, but it has become unnecessarily complicated, almost as if someone was watching nothing but “Buffy” and old soap operas for a couple weeks straight. The warring sororities are the guardians of good and evil, people pretend to be other people to sleep with them, and it gets worse from there.
I wanted to like this one, I really did. It could have been the good old campy fun the original was but just took itself too seriously, and too much ABC Family as well, adding a crapload of teenage melodrama to the mix. Avoid and look for the original.
The Amazing Spider-Man ~ I have to confess, when I first heard they were rebooting Spider-Man for film, I couldn’t believe it. As my friend Andy Burns has noted in his spoiler-free review, it was “too soon.” But alas to the Hollywood folks and their revolving teenage demographics, sadly the Sam Raimi Spider-Man trilogy may have been decades ago.
While I hated Raimi’s third Spidey movie with its pseudo emo goth Peter Parker making an ass of himself in the jazz club (I’m not even going to mention Venom), I still would have liked to have seen John Malkovich as the Vulture, Anna Hathaway as the ironically catty Felicia Hardy, and finally to see Dylan Baker portray the Lizard. It was not to be. Apparently like Joel Schumacher’s Batman and Robin, Spider-Man 3 was a franchise killer.
Hearing about the new film was one thing. I knew Andrew Garfield from the stage, and thought he looked the part, but was still unsure. When photos began to surface, it seemed there were going for a much younger demographic, and that the emo Spider-Man was going to be done seriously, not for irony or laughs. When I further heard that major characters like Mary Jane Watson and J. Jonah Jameson would not be involved, I was further repulsed. I had no interest in this film, perhaps, just because it was a superhero movie, I would eventually see it on DVD or on cable, if at all.
Then I saw the previews. The previews, both in 3D and 2D were incredible. They had found a way to take what was cutting edge technology in 2002 and blew us away with Spider-Man swinging through the streets and make it more mind-blowing. Much like a new rollercoaster or a new attraction at Walt Disney World, I had to see this flick. Emo be damned, I was on board. So much so that when The Bride suggested, on a whim, that we see the 1:45 AM showing of The Amazing Spider-Man the night before the Fourth of July, I was like aw yeah baby.
This was the full-on bells and whistles version I should note, and it has quite a bit to do with my enjoyment of the film. Counting snacks, IMAX, and 3D at an AMC Loews theater (a place regular readers know I have sworn off for the most part), this late night evening out came to well over sixty dollars. This movie had better be damned good.
Marc Webb, whose only other theatrical film is (500) Days of Summer does an amazing (pun intended) job at direction, especially when it comes to Peter Parker being a kid in high school. I dare say he may have even been bullied as well. This is a very real picture of the high school feeding frenzy hierarchy. Even though his Parker is a skateboard shredder science geek outcast, a nice updating here actually, Andrew Garfield breathes more life into the role than Tobey Maguire ever did. I honestly would not have thought that possible. Garfield also brings that smart ass Spidey personality out in a way Maguire never did.
Emma Stone’s Gwen Stacy is a conundrum. At first I did not like her at all. She was sooo not Gwen Stacy. She seemed too old, she seemed too smart, she seemed, well, not poor doomed Gwen Stacy. As the movie went on, I did warm to her, and started to root for her. The movie Gwen was a different entity, and in the just over two hours I experienced her, I started to like her. And then, the script fell into the toilet. More on that later.
Rhys Ifans was a decent Curt Connors, although somehow I didn’t expect him to have that sort of accent. Maybe a southern accent being from Florida and all, but British never occurred to me. Ifans is suitably troubled as Connors but having the same well-spoken voice, clear of stereotypical but expected lisps, as the Lizard was quite a surprise. The Lizard’s maniacal super-villain turn surprised me, as its specifics didn’t seem in line with any version of the character I had seen before.
The connection between Dr. Connors and Peter’s parents, a plotline nearly promised in previews (there are posters calling this flick ‘the untold story’), is left hanging and vague, obviously hopefully waiting for sequels. With the Lizard, is where the film starts to fall apart for me. Why a lab in the sewers? How did he get all that equipment down there? We see at one point that some points in the sewers are too small for the Lizard to get through. Why are lizards attracted to him? These things are never addressed, never explained, and frankly pretty silly.
Webb’s casting of notably younger and quite famous actors as Aunt May and Uncle Ben is an interesting one, perhaps to bring the older fans in who would be alienated by the casting of Garfield and Stone, actors they might not have known. Sally Field, despite her real age still seems much too young to play Aunt May, although it must be said she does a wonderful job, everything on mark. I really have no complaints. But. She’s no Rosemary Harris.
Martin Sheen as Ben is an interesting choice. He looks the role, and I can never say ill of any performance he gives, as he’s one of my favorite actors. I thought it an interesting coincidence that both Sheen and the previous Ben, the late Cliff Robertson, had shared a role before – John F. Kennedy. Sheen is wonderful in the scenes he has, but I have one complaint, and it’s a big one. He never says “With great power comes great responsibility.” Blasphemy! That’s like telling Superman’s origin and not having Krypton explode. It’s essential.
The rest of the cast is rounded out well. Nice transformation of Flash Thompson, as played by Chris Zylka from “The Secret Circle.” I also liked Denis Leary as Captain Stacy, although he essentially plays himself throughout the movie. That could be construed as a complaint, but it’s not. I like Denis Leary, and he’s at his best when he is himself. His fate here is a bit convoluted when compared to the comics, but it is what it is.
There is much to like about this new version of the Spider-Man legend. I liked the various updates, especially in the technology. The origin is brought into the present a bit. I really liked that we have the web-shooters back despite how much the organic ones from the Raimi trilogy made more sense. I didn’t like that it seemed like he stole them from Oscorp however. Overall this was a great flick for the first hour or so. And the visuals are stunning, especially in 3D IMAX.
And then, in the third act, it crashes, hard. I’ve already mentioned my problems with the Lizard, or at least some of them. He seems to also have the same CGI dilemma that Sean Connery had in Dragonheart, he changes size and shape depending on the circumstances. Sometimes he is man-sized, and sometimes dinosaur-sized. Make up your mind and stick with it.
Gwen, likable as she is by the third act, is quite the little heroine herself. She stands up to Flash Thompson, her father, and even the Lizard, but at the end is told to ‘wait in the car,’ like a good little girl. What? What?? And then she does. Wow. That’s where that sixty dollars missing from my pocket started to hurt.
And then there is Garfield himself constantly taking off his mask. I understand the actor’s need to emote, and be seen, but let’s face it, if the role you are portraying is Spider-Man, it should be understood you will be wearing a full face mask throughout the film. If that’s not good for you – guess what? This role is not the role for you. It’s called a secret identity for a reason, Andrew.
When the crane workers of the city somehow got to their vehicles in the middle of the night, the have their cranes ready for a wounded Spider-Man to web and make his way to the Oscorp building… I was livid. How did they get through one of the largest and most populated cities on Earth to do this while it was being evacuated? And how did they know Spider-Man was going to the Oscorp building? And why couldn’t Spidey just web buildings as he usually does? It was his leg that was injured, not his arms. And if the police were on his side at that point, and they were, why couldn’t they just give him a ride with their helicopter? We do know that Stacy was going that way too.
All of the good will toward the movie was draining away at that point. Sixty dollars and an hour and a half of great movie with stunning visuals – and it falls apart in the last twenty minutes? I’m sorry, folks, but a wonderful dinner can be ruined and forgotten easily if you choke to death on the last bite.
The Amazing Spider-Man is a good movie up to a point. It’s definitely worth seeing in an Avatar to see the effects, but be prepared not to get your money’s worth with the script logic. Don’t forget to stay through the credits for a teaser for more Spidey movies. See it, but be warned.
Snow White and the Huntsman ~ I was really unsure what to expect when I went to see this flick. What I did not expect was to be one of the few males in the audience. Much like when I saw Wolverine, this was a chick flick judging by the audience. I don’t want to be sexist, but I’m guessing it was all about Chris Hemsworth, especially based on the number of negative comments I heard leaving the theater by women angry that he did not take his shirt off. He was pretty good in the film although he didn’t really have much to do with Charlize Theron and Kristen Stewart eating up the scenery the way they did.
Theron rocks the house as Ravenna the Evil Queen in this reimagining of the Snow White story. This is her film, no doubt, even though it really should be Stewart’s or Hemsworth’s. And I know it’s early, but wait until Oscar time, I think we’ll see a nod for costumes and make-up for this flick. Charlize wears some outfits in this flick, she’s like Cher from hell. I loved it.
Kristen Stewart is a major problem for me here. She’s never impressed me, even in the Twilight flicks where she is supposed to rule. My major problem here? The whole idea of the Queen asking the mirror who the prettiest, and the mirror picking Snow White over the Evil Queen. I don’t buy it even for a second. I’m not being subjective here, but there is just no way Stewart beats Theron in this movie in the looks department. It’s just not believable.
I liked the dwarves, in that they were played by well-known actors. Cool to see Nick Frost, Bob Hoskins, Ian McShane, and Toby Jones among them. They were CGIed into dwarven bodies a la Lord of the Rings, which some of this movie resembles, and not in a good way. On the other hand, part of me kinda wishes however they would have gone with little people actors like they did in Mirror Mirror than doing it this way. Seems like they’re putting little people out of work, and in a worse light, it kinda feels like white folks putting on black face, ya know?
There are a great many things to enjoy about this film. One of them is the dark forest which is scarier by far than any depiction of any dark forest I’ve seen cinematically ever. And of course I loved the song over the closing credits, “Breath of Life” by Florence + The Machine, for once a perfect song matched to a flick.
But then there are things that infuriate me as well, like the loose ends and unanswered questions, regarding the troll and the mirror for instance. There was more to tell, perhaps we’ll see it in the deleted scenes of the DVD maybe. I also disliked the big LotR battle at the end, this didn’t seem to be that kind of movie. And that’s the problem, I don’t think the folks behind the scenes knew what kind of movie they wanted to make.
In the end, it’s visually stunning, but otherwise meh. Definitely worth seeing, but maybe more worth waiting for video release or OnDemand.
Leaked to the internet unofficially, and then officially, just in time for the San Diego Comic-Con, here it is, the trailer you’ve been waiting for…
From all indications, it looks like we’ll have to deal with the origin again, we’ll have mechanical web-shooters, and perhaps they will be revealing what happened to Peter’s parents. The villains might be the Green Goblin (again?) and/or the Lizard. The Amazing Spider-Man opens July 3, 2012.
The Dark Knight Rises, the final installment in Christopher Nolan’s Batman trilogy, starring Christian Bale, Michael Caine, Gary Oldman and Anne Hathaway, opens Summer 2012.
The remake/re-imagining of Conan the Barbarian opens in August, in 3D.
And if you just can’t get enough Dark Knight, Batman: Year One is released on DVD and Blu-Ray this September.
Terminator Salvation ~ Despite frequent and extreme action sequences I really found myself quite bored by this sequel/prequel/reimagining of the Terminator films. I like McG a lot but he’s no James Cameron and the flick suffers much by its father’s absence. I also much disliked the use of the Technicolor OZ process which creates that gray/silver drab world on film. I get it, things are depressing in the future, but show me in other ways than adjusting the camera lenses.
It’s hard to watch this film without remembering the incidents which marred its making, most notably Christian Bale losing his mind and verbally abusing a cinematographer. I personally was bothered by Bale in that he has a perfectly good, grim, and humorless voice here, which he could have used for Batman instead of that unintelligible growl in The Dark Knight. I wish we could have had more of Common, and lots more of Moon Bloodgood – she is always excellent in everything she does.
There are a few bits that are bonuses for fans of the previous films and even the TV series, but that’s about all those familiar with the mythos get. This is a new vision, only set barely in the trappings of what went before. There are no real surprises. If this was the first Terminator film, it would have no sequels. Worth viewing only as a curiosity.
Boys night out, and the decision was made to see a flick that we couldn’t go see with our significant others. Something those of us who are married know, and those of you who are not yet will find out, is that after the rings are on, you can only go to movies that you both agree on – or, in other words, movies she wants to see.
This might sound sexist, and it might sound harsh, but let me tell you, after tonight, sometimes the woman is always right. Her decision not to see Predators was dead on. I should let The Bride review the movies from now on…
The choice was this, Inception or M. Night’s Last Airbender. I pushed for Predators because it was produced by Robert Rodriguez and I liked what I had heard about it. Apparently I had heard wrong. My two buds unanimously decided that I don’t get to pick movies any more after the flick ended.
What bugs me is this could have been good, Rodriguez produced after all. I guess it just goes to show you that even a good premise, some cool special effects and an excellent cinematic mind producing still can’t put it all together. All the twists of the plot are predictable from the start, the acting is bare at most, the gore and violence is gratuitous, and worst of all – it doesn’t even have an ending. It’s like they just said, cut it here, it doesn’t matter. And it doesn’t.
And how the heck can you have night on a planet where the sun doesn’t move? Next time, if there is a next time, and I get to choose – it’s Inception. And it better be good.