Category Archives: serenity
Deadshot has been a growing threat in the world of “Arrow.” While a minor Batman villain and Suicide Squad superstar in the comics, here he is a one-eyed super-assassin for hire. His most twisted attribute, besides the weird red eye piece, is his penchant for tattooing the names of his victims on his body.
His biggest claim to infamy on the series is that he killed John Diggle’s brother. Diggle is now obsessed, perhaps ever more so than Oliver. Not only is revenge biting his ass, but Diggle’s can’t really move his relationship with his sister-in-law (his late bro’s wife) until Deadshot is dealt with.
We open on Diggle training with Oliver, while Deadshot makes another hit. Felicity has hacked into ARGUS and is tracking Deadshot. I really have to wonder where this is going with ARGUS. Is there a Justice League in Oliver’s future? Probably not, as this ARGUS acronym isn’t the same as the comics.
Diggle’s contact in ARGUS has a little more fire. Named Lyla in the show, she’s given the surname Michaels in the Arrow companion comic. Lyla Michaels is the real name of Harbinger, a power player in DC Comics’ Crisis on Infinite Earths way back in 1985. Harbinger was missioned with the task of collecting the superheroes who would then save the universe/multiverse. Harbinger is even her codename in the show. What an interesting connection.
The opening shoves a whole lot of plot, subplot, and information into a very short amount of time, so much so, my head began to spin a bit. The current dynamic of Oliver, Diggle, and Felicity is counterpointed by the flashback dynamic of Oliver, Deathstroke, and Shado. We also learn Oliver is lunchdating Laurel even though he’s on the outs with Tommy. Bad, Oliver, just the first of many bad decisions this episode.
This is all under eight minutes, before the credit sequence. We are also introduced the main plot/subplot of this episode. Laurel is working with a family who were testifying against a bad man, List-worthy, but surprisingly not on it – it could be his dumb name, Edward Rasmus. His hired killer, Mr. Blank, gets the parents but misses the seven year old son. Laurel takes the kid in. Don’t think the thought hasn’t crossed my mind that most times when you add a kid, you’ve jumped the shark.
This is all in about ten minutes. The episode hasn’t really even started. It doesn’t get less complicated as the episode continues. After a few awkward moments between ex-friends Oliver and Tommy, some bonding between Tommy and the kid, and a fairly cool scene where Mr. Blank attacks Laurel, the couple and the kid move in with the Queens to enjoy the heavy security there. I found that puzzling. Besides Diggle, Queen security has seemed extremely lame. Obviously it’s The Hood who will protect them, but Quentin Lance shouldn’t have agreed to it.
It gets very predictable at this point. There are newborn kittens who knew Oliver will be distracted with Deadshot the next time Mr. Blank attacks, letting everyone down, duh. Or the other way around, although it should have been the former. As one would expect, Oliver makes the bad choice. The worst choice, and we lose Diggle over it. At this point, the only thing that could make this worse would be an appearance by the Huntress.
Speaking of bad choices, on the island, while being trained in archery, Oliver kisses Shado. For comics fans, we know how that works out. The cliffhanger here finally means forward motion on the island at least.
Mr. Blank is an intriguing villain, played by J. August Richards, formerly of “Angel.” He reminds me a lot of Chiwetel Ejiofor as The Operative in Serenity. He’s very calm, very precise, and likes to make conversation with his prey. He was a very suitable foe for this version of Green Arrow. His clash with Oliver is perhaps one if the best of the series so far.
As if there’s not enough going on, Roy Harper, who is apparently dating fellow Speedy, Oliver’s sister Thea, is trying to track down The Hood. There is a good scene where finally it’s addressed that The Hood is a murderer. Finally. Thea agrees to help Roy find The Hood. More shark jumping in the form of idiotic 1950s secret identity protection? I hope not, cuz that’s what breaks up Tommy and Laurel. Worst case scenario – Oliver takes on a teenage sidekick (or two) to replace Diggle. I know it’s the natural progression, but damn it, I liked David Ramsey’s Diggle a lot.
This was a very uneven episode, save some great character bits, a throwaway Wonder Twins reference, and of course, Mr. Blank. Only three more episodes to go, I wonder how it’s going to go…
I recently had the chance to view the pilot episode of “Revolution” via OnDemand. Apparently it’s also on Hulu and NBC.com, so I have to wonder if anyone will watch this when it airs Monday night. After the last few television projects from J.J. Abrams, I was prepared to be unimpressed, but I gotta say, I might give this a shot. It actually seems like it might be fun, conditionally, that is.
The concept of “Revolution” is a world where all the power has gone off. Logic dictates some sort of electromagnetic pulse possibly, but who knows really what it could be in a J.J. Abrams show? Didn’t he make up that island you could drive on “Lost”? So the power goes off, and our story begins fifteen years later. America has devolved into small villages of folks living off the land and warring militia states. Still, nobody has gotten the power back on, or even had the know-how to build a simple generator. Did no one pay attention in high school science class?
Logic aside, it does have its moments that set it slightly above other scifi fare currently on TV. I like our reluctant hero Miles, played by Billy Burke, who is like a mild-mannered badass with a sword. I also like our middle management villain Neville, played by Giancarlo Esposito, Fring from “Breaking Bad.” He plays the baddie with the same quiet deadly charisma of The Operative in Serenity.
“Revolution,” created by Abrams, and with this pilot episode directed by Jon Favreau, also depends a lot on its potential genre nerd cred. One of the best moments in the pilot is when Charlie, played by Tracy Spiridakos, and someone who has lived most of her life without power, reveals her secret stash – in an Empire Strikes Back lunchbox, and we hear a few notes of John Williams movie score. Moments like that elevate this show, and make me want to keep watching.
The only thing that would keep me from watching, and it’s the condition I spoke up at the beginning of this review, is that plot device that the show revolves around. What caused the black out? If that will be the carrot on a stick, that keeps viewers watching, yet never gets revealed, I think I’m out. I don’t want another “Lost,” and I certainly don’t want another “Flash Forward” or “Journeyman” where we never find out what happened.
Now watch the following preview at your own risk. It’s one of those that pretty much tells you everything that happens in the pilot, right in the preview. Stupid television executives…