Category Archives: simon pegg
Sherlock Holmes: A Game of Shadows ~ I really liked this a lot. It was clever, and owed more than a lot stylistically to both “Psych” and “The Mentalist” in the way they showed how Holmes’ intellect works. Whereas the first movie worked very hard to pull in new and old fans with its new twist on the characters, this sequel played it closer to the source material. Great ending in tribute to the old stories as well. If you’re a reader, you’ll see it coming a mile away. Loved it, and can’t wait for the next one.
Three Inches ~ This SyFy pilot doesn’t seem to know what it wants to be, a serious concept or a sitcom filmed like a drama. A teenaged boy discovers that he’s telekinetic, but can only move objects a distance of three inches. Superhero antics without costumes that comic book fans will hate. It might as well be “Alphas” meets Mystery Men, but with a hesitant sense of humor. Me, I hope it doesn’t become a series, but it’s always nice to see Andrea Martin, and she’s great here.
Mission Impossible: Ghost Protocol ~ Now I slept through a lot of this apparently. That seems to be a problem because to me, it didn’t seem like I missed much. Tom Cruise didn’t talk much, and it felt like wall-to-wall action. Cruise hanging off the building, which I did see, is do not miss. The problem is that I only really saw an intermittent half-hour of this flick, and it’s really almost two and a half hours long. Judge as you see fit.
Jazz Boat ~ Screenwriter Ken Hughes directed this 1960 pseudo gangster musical that was apparently supposed to be Britain’s answer to Guys and Dolls. It’s all youth gangs in London tussling over girls and money in a confrontation that finally takes place on a riverboat on the Thames, with musical interludes along the way. Much more entertaining than it sounds, we get to see what kind of star Anthony Newley could have been. I liked this a lot, serious guilty pleasure.
Attack the Block ~ Every once in a while a movie comes in under the radar and by pure word of mouth everyone is like, “You have to see this.” Attack the Block is one of those films. Not in theaters, couldn’t find it bootleg, and it took forever to get through Netflix, but I finally got a chance to see it.
Attack the Block has been billed as an alien invasion movie in the style of Shaun of the Dead, and it does in fact have Nick Frost in it and was written and directed by Frost/Simon Peggy/Edgar Wright collaborator Joe Cornish. The premise has aliens attacking South London and a teenage street gang defending their turf. In reality, it’s a theme that dates back to the American 1950s, but Cornish delivers it with flava. The flick begins when the boys kill an alien and descend into the teenage underworld looking for bragging rights and cash.
Once I got my head back in “Eastenders” mode (I’m out of practice, PBS stopped showing it in this area several years ago, and I’m never going to forgive you, channel 12) and was able to understand the thick accents that pass for English, I was all good with these kids, but it did take a while, some concentration, and subtitles. When it turns out it ain’t just one alien out there, the real fun begins. It’s really Shaun of the Dead meets The Warriors meets Red Dawn set in Walford Square under alien siege. Yeah, it’s that much fun.
I really kinda dug the almost Akira-like moped chases, and the aliens are truly frightening – big black furry masses with neon blue jaws of teeth. The colors of this flick are amazing. Intense, scary, brutal, and visually stunning, Attack the Block lives up to the hype, and is a must-see.
Star Trek ~ There are numerous reasons why a major entertainment franchise would be rebooted. Perhaps it’s been forgotten a generation ago. Maybe the last film in the series did comparatively horrible at the box office to previous entries. Perhaps the last television attempt was on a flailing network and was badly promoted – and in some cases dissed by supposed fans of the franchise. For Star Trek, coming up on its 43rd anniversary, can count all of those reasons and more for its current reboot in theatres in just a week or so.
The powers that be have brought in J.J. Abrams, of “Alias,” “Lost” and Cloverfield to helm this eleven Trek film, with an all-new cast in a prequel/sequel/reimagining/reboot (yes, it is all of those things) to the original TV series. Trailers have brought nothing but controversy for Trek fans and interest in viewers with no Trek in their past. Surely, this flick will be a rite of passage.
Before I go any further, be warned that this is a spoiler-rich review. I saw the film nearly two weeks ago and have been trying to write a spoilerless review. It’s just not possible to do, and address the things I want to address – so if you continue reading, consider yourself warned.
The flick begins with a bang, and the rollercoaster hardly stops from there on, which is a marked difference from Trek. The Treks before this have seemed pretentiously talky, so much so that is considered to be the way it should be – a point made by Trekkies when they haven’t liked films with ‘too much action,’ like Nemesis, the last movie in the series that may have helped kill the franchise. And that’s a point I’d like to bring up to the hardcore ‘fans’ out there – Paramount did not nearly kill the franchise – you did by not supporting it. I think this is the main reason this new film was made for the mainstream younger audience -and not those hardcore fans- to save the franchise.
And that’s not to say that this new film is not for the fans. The writers, Roberto Orci and Alex Kurtzman, have taken great care to keep continuity and canon high on their priority list – despite the time travel alternate divergence mindgames that go on. They not only play by the rules, but they also get to play by theirs as well. There are moments, little nods, like the red shirt phenomenon, Admiral Archer’s beagle, Kirk eating an apple during the Kobayashi Maru, Sulu’s fencing, McCoy’s signature catchphrases, and the timelost old Spock doing to young Scotty what the timelost old Scotty himself does to a young 20th century engineer in The Voyage Home, that are just brilliant. And although they are brief, I love the scenes of Kirk and Spock as boys. Beautiful, just beautiful.
The cast is near perfect. Yes, as hard as it is to believe, but twenty minutes into the flick I had forgotten about the original cast and was seeing the new faces as the characters. Chris Pine plays William Shatner as Kirk (rather than just William Shatner, which probably would have been disastrous) just as Zachary Quinto does Nimoy as Spock. Each though brings their own flavor to the part – a bit of James Dean for young Kirk and an alien outsider vibe to young Spock. Karl Urban is the perfect McCoy. That particular bit of inspired casting is a gift from God. I may have to wonder if DeForrest Kelley is his father, it’s so close.
The rest of the cast is rounded out well with the always entertaining Simon Pegg as Scotty, John Cho doing a wonderful intimidating impression of George Takei doing Sulu in the original series, as opposed to Takei’s more satiric take of recent years thanks to his coming out and participation with the Howard Stern programs, and the highlight of the cast has got to be Zoe Saldana as Uhura – finally claiming the spotlight the character should have had decades ago. Zoe is an actress to watch for the future.
Conversely, Anton Yelchin who plays Chekov, is quite annoying, and one of the lowlights of the film. I have to wonder however if this is on purpose. If memory serves when the Beatle-esque character first appeared in the second season of the original series many fans hated him just as they did that other ratings bump Seven-of-Nine decades later in “Voyager.” Maybe we’re supposed to hate him?
It should be noted that it’s not all wine and roses though. Along with Chekov there were other elements that didn’t win me over. Star Wars is alive an well in the film. Things like the great Tatooine-ish bar scene and fight in which Uhura is introduced and Kirk looking at the Academy training center shaped like a starship work well, but it goes too far in the Hoth scene with Cloverfield’s cousin – thankfully it’s a brief departure. I also didn’t care much for Kirk’s allergy, but again, very brief. I’m torn by the slug scene. is it a rip-off or an homage to the similar scene in Wrath of Khan?
The special effects are great. I like the new warp effect but no so keen on the new transporter effect. The music is amazing. Much like the powerful score of Tyler Bates in Watchmen, the music of Michael Giacchino more than makes this movie as great as it is. He dabbles in Philip Glass, brings on the Akira Ifukube, and even retunes a bit of the original Alexander Courage. I can’t say enough about this score, other than I bought it, and for a soundtrack for me, that’s saying a lot.
All that said, I think this new Star Trek will not only reignite the franchise, but will be the first summer blockbuster of the year, if not the summer blockbuster of the year. It’s fresh, it’s accessible, and it’s exciting. And Trekkies will hate it.
Run Fatboy Run ~ You know, if you put Simon Pegg and Dylan Moran where they take turns reading the phone book, I’ll pay to see it. That’s how much I like these guys, and what a big fan of both “Spaced,” “Black Books” and of course, Shaun of the Dead I am. Heck, Simon is so cool I’m hip to him playing Scotty in the new Star Trek flick even though he is so not right for the part. In this flick Simon Pegg is trying to win back the woman he left pregnant at the altar by running a marathon. In a great turn Hank Azaria plays his near perfect competition. The best work I’ve seen Hank do outside of “The Simpsons” since “Herman’s Head.” Now, Run Fatboy Run is pretty formulaic and predictable, but I have no problem with that. Even considering those difficulties Simon and Dylan still shine through and make me laugh. This is full of their unique style of Brit humor even when it descends into ABC Family territory. This rocks. Watch, laugh, enjoy.
Don’t get me wrong, I love these guys. I’m a huge fan of Shaun of the Dead, as well as “Spaced” and even that terrible “Red Dwarf” wannabe that Nick Frost was in. Like I said, I love these guys. That said, Hot Fuzz was not what I expected.
The ads and previews make it out to be sort of like Airplane or “Police Squad!” only in a decidedly British vibe. There is a lot of that, and a lot of Shawn too. Like Almodovar or Robert Rodriguez they is much the same cast, sometimes in almost the same part, like the husband and wife pub owners. The flavor is there as well, but.
Well, in the middle of this police comedy, the flick kinda turns into a vintage Hammer horror. Again, don’t get me wrong. I’m a big Hammer fan, and the boys pull off a great homage, but… I was left wondering, until the movie clicked back into police comedy mode, what the hell it was doing there. It was one hell of a ten to fifteen minute non-sequitor. Not that I didn’t enjoy it, but my bride was giving me that look. You know the look that says, “You said this was a comedy, not a horror movie” and “Boy, are you going to get it when we get home.”
Still, Hot Fuzz was very good, despite the slip into Hammer territory and the over the top gore effects (Timothy Dalton’s fate was my favorite). Check it out, it’s worth it, just brace yourself for a different kind of flick.