Category Archives: tarzan
Lou Scheimer, the father of Filmation, and the king of American television animation for many of our childhoods, has passed away at the age of 84.
Filmation was a small animation studio, one of the few still doing animation in the United States, rather than shipping it overseas. Founded by Scheimer, Hal Sutherland, and Norm Prescott in 1962, they did some little known cartoons like “Rod Rocket.” They really caught fire when they licensed the DC Comics characters in 1966.
Beginning with “The New Adventures of Superman,” they began to expand to shorts that featured other characters like Superboy, Aquaman, Batman and Robin, and later the Justice League of America and the Teen Titans, as well as those groups’ individual members. These cartoons were, along with the 1966 “Batman” TV series on ABC, my gateway drug into comic books. My love of Aquaman, Superboy, and others sprang from early viewings.
The DC deal brought another comics company to Filmation’s offices, and Archie came to Saturday morning animation for years under their guidance. Later in the 1970s, Filmation became a major player in the animation game, producing cartoons of “The Brady Kids,” “Fat Albert and the Cosby Kids,” and “Star Trek: The Animated Series” among many others.
Filmation delved into live-action with shows like “Isis,” “Space Academy” and Shazam.” While the studio began to get a reputation for repeating backgrounds, limited animation, recycling designs, rapid jump cuts, and using the same music over again, they had also produced some real quality programming as well.
In the 1980s Filmation produced some of its most well known shows like “He-Man and the Masters of the Universe,” which featured, like many of the previous shows, a lesson at the end of every episode. Before closing up shop in 1989, Filmation also produced over the years some very cool versions of Flash Gordon, Tarzan, and the Lone Ranger, using then fairly new rotoscoping techniques.
With the loss of Lou Scheimer on Friday, we have lost one the legends of animation, and for me, a big chunk of my childhood. He’ll be missed.
Legendary comics creator Joe Kubert passed away this weekend at the age of 85. He was there back at the beginning of the Golden Age of comics, and was still producing work today. His legacy is carried on by perhaps the first and best school for comics creators which he founded and named after himself, and his two sons Adam and Andy, two of today’s hottest comics artists themselves. We have truly lost one of the geniuses, one of the legends, one of the greatest contributors to the comics industry. Joe Kubert will be missed by anyone whose experienced his work, and that probably includes the entire comics field.
I first was introduced to Mr. Kubert at the Berlin Farmer’s Market. There was a store there that sold comic books with the covers torn off, three for a quarter. The store is still there but it’s much more expensive. I was a superhero guy, but at that price I could explore titles I wouldn’t normally have picked up. In that way, I picked up comics featuring Tarzan and Sgt. Rock, illustrated by Joe Kubert. It was also through one of those Tarzan comics that I was turned onto John Carter of Mars and the rest of the Edgar Rice Burroughs fantasy universes.
Joe Kubert was my introduction into so many other worlds. His artistic vision and technique was unique in comics. Much like Jack Kirby, he was an original. There was no one who drew like him, but everyone wanted to and tried to draw like him. Still to this day, if Tarzan, Sgt. Rock, Viking Prince, Enemy Ace, Tor, Ragman, even Hawkman and Hawkgirl, are not by Kubert – my mind will automatically say that’s not the real thing. Those characters, and many many more, are the trademark, the realm, and the legacy of Joe Kubert.
We have lost perhaps one of the greatest in comics. We are all in mourning.
The All Things Fun! New Comics Vidcast is shot live in a real comics and gaming store in West Berlin, NJ – All Things Fun! – co-hosts Ed (Crossed) Evans, Allison (Danger Girl) Eckel and Glenn (Lord of the Jungle) Walker discuss the new comics out this week in two fun video segments, now in high definition, and also available on YouTube. See it here!
The first segment includes discussion of the following topics: Earthquake, Indies first, Fables #113, Legend of Oz The Wicked West #2, Star Trek #5, Tarzan in Lord of the Jungle #1, Crossed Psychopath #7, Planet of the Apes #10, videogame comics, Grant Morrison’s Steed and Mrs. Peel the other Avengers, kids comics, Tiny Titans, redheads, and the secret oranges of Wonder Girl.
The discussion continues in segment two including: Scott Snyder’s Batman #5, Supergirl #5, fighting in armored bathing suits, DC Universe Presents #5 featuring Deadman, Catwoman #5 by Judd Winick, acid trip Batman, Walt Simonson on T.H.U.N.D.E.R. Agents and Legion of Super-Heroes, the big quiet, X-Men Blue, AVX, Ed’s Marvels, Mark Waid’s Daredevil #8, Avengers #21, and the trades of the week, with bonus sparkles.
And be back here every Wednesday morning at 11:30 AM EST to watch the new broadcast, and thereafter throughout the week!
This is a bad week for Hollywood, we are losing all the good ones. Yesterday we lost director Arthur Penn, and this morning the news comes that also last night actor Tony Curtis passed away. His daughter Jamie Lee Curtis confirmed his passing from cardiac arrest after several medical maladies this past year. He was 85.
Tony Curtis starred in my favorite film of all time, The Great Race. It was a fave when I was a kid, and remains to this day. I watch it every time it airs from start to finish, nearly three hours. It’s got adventure, romance, music, history, satire and comedy. Throw in the fight between good and evil and race cars, and it just can’t be beat. And in the center of it all, as the dashing hero radiating charisma, is Tony Curtis. That’s the kind of guy he was, the epitome of the leading man, even when he was playing a parody of one.
Curtis was great in everything he was in. Whether he was in drag as in Some Like It Hot, getting an Oscar nod in The Defiant Ones, or being the best thing in the completely dreadful telemovie Tarzan in Manhattan, he was always marvelous. He was the undisputed star of so many movies, including Houdini, Operation Petticoat, Boeing Boeing and Spartacus.
Born Bernie Schwartz in Hells Kitchen, he came to Hollywood in the late 1940s and became an almost instant star. He was married to Janet Leigh and romantically linked to Marilyn Monroe. He also played regular roles on television on shows like “The Persuaders” and “Vega$,” and on this the fiftieth anniversary of “The Flintstones,” he might be remembered for his guest appearance as Stony Curtis. The last time I saw him on television was on “The Graham Norton Show” a year or so ago. He didn’t look well, but he still rocked the house with his stories of old Hollywood.
This is indeed a sad day. We have lost one of the legends of Hollywood.
Astro Boy ~ I guess I should have known better with this 2009 updating of the 1960s black and white cartoon beloved from my youth. And it’s a long way past the evolution of the animation too. The story seems wrong. The origin of Astro Boy is fairly intact, but it has the feel and the stench of both A.I.: Artificial Intelligence and Wall-E when neither is really appropriate. It even has stronger ties to Pinocchio. Astro Boy is Astro Boy, let it be what it is, ya know?
The voice of Nicholas Cage as Dr. Tenma screams first and foremost as wrong. Wrong not just because it’s obvious that it’s him and his voice is inappropriate for the part, but because he displays little emotion in a role fraught with tragedy. It’s like he is reading words, not filling an image with his live personality. His ‘performance’ is a travesty.
The film also suffers from what most superhero movies of the past four decades do – the mandatory origin. Why can’t we just accept that this character exists, and then tell a good story? Did Indiana Jones have an origin? Did Jack Ryan? And even though I looove the recent film, did the crew of the Starship Enterprise? The movie is always half over, sometimes more, by the time we see our hero in his final hero form. It annoys me.
And speaking of hero form – why does Astro Boy have to be so politically correct and wear a shirt? Sorry, folks, but product recognition, in this case, character recognition, dictates that the product is recognizable to its fans. Astro Boy is topless. Deal with it. What’s next? A leisure suit for Tarzan? A mask and cape for Jason Bourne? Again, let Astro Boy be Astro Boy.
I waited for the DVD, even though I was very excited when I first heard they were making this. The first preview I saw had Nicholas Cage’s toneless deadpan voice, the shirted Astro Boy and a tender moment with a teenage girl, and it just turned me off. Now don’t get me wrong. This movie is not bad, it’s really quite good, great for the kids, and recommended so – but what it isn’t is a satisfying version of Astro Boy. Rent the DVDs of the original series – even higher recommendation.