Category Archives: the cw

Smallville Returns

For many of us who watched “Smallville,” we never got what we wanted. Oh sure, the folks who watched it every week for the soap opera elements, the dreamy Tom Welling, and even the meteor freak of the week stories, they kept the show on the air. But we comic book readers who tuned for every minor comic book reference, dug on Justin Hartley’s Green Arrow, and literally went to fanboy heaven for the Justice League and Justice Society episodes – we never really got what we wanted.

Now is our chance as DC Comics is coming out with a digital comic of “Smallville” that picks right up six months from the end of season ten – that’s right, at the debut, finally, of Superman. That being the case, and seeing how it will be a comic book, I’m betting we will finally be getting all that superhero action we were all waiting for.

Oh, and a side note to the CW who is currently readying “Arrow” for next season – first, shame on you for not spinning Green Arrow, as played by Justin Hartley, out of the already proven and popular “Smallville.” And second, if you don’t want a show to seem comic booky or superhero-y, you should not plan it around a comic book superhero. In case you hadn’t noticed, Green Arrow is a comic book superhero. Duh. Rant over.

Glad to have “Smallville” back, looking forward to it.

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Absolute Justice

Last night the CW aired one of the most anticipated episodes of “Smallville” ever, and it represents a turning point in the TV series. While it may be what many fans have been waiting for, the episode, “Absolute Justice,” might also be where “Smallville” finally jumps the shark.

The episode’s story has Clark, Chloe and Oliver (where is our Green Arrow spin-off already?) helping to solve the case of an assassin hunting down the forgotten and disbanded members of the Justice Society of America. It’s an Easter egg filled geekfest, and I’ll be the first to admit to a geekgasm while watching, but I wonder what regular viewers of “Smallville” thought of it. This was a solid break from the usual soap opera aspects of the show and full frontal dive into comic book land.

Yes, it was great seeing Doctor Fate in the flesh (although a taller actor would have been better) as well as seeing Stargirl, Sandman, Icicle, Star-Spangled Kid, Amanda Waller (yeah, Pam Grier!) and Hawkman come to live action life. That said I had problems with the rules to Fate’s helmet being reworked for TV. But the good far outweighed any quibbles.

We got to see Superman’s red cape (that series star Tom Welling has sworn he’ll never wear), and got two hours of spandex superhero action. We also got to see J’Onn J’Onzz not only back but repowered, green and almost in costume. And did I mention superhero action? Heck, the Stargirl/Icicle battle lasted longer than last season’s clash with Doomsday. But with this introduction of the spandex set to “Smallville” continuity, the game has changed, and there’s no going back now.

The show has gone from freak-of-the-week to an “X-Files” wannabe to a “90210” wannabe to what “Heroes” should be – but this, this just might be what makes the series jump the shark. Spandex and superpowers are conceits that comic book fans just accept, but the visual reality of said may be too much for television audiences. Time will tell.

As for me, even if this is the last season, all I have to say is bring on the superheroes!

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My Secret Shame

Paul Blart: Mall Cop ~ Often when I’m writing I will have the TV on as background noise. For fiction I usually require a soundtrack or a playlist, but non-fiction I just need background noise. In the afternoons I set the channel and just leave it run – turns out by cosmic design or just dumb luck I have involuntarily absorbed quite a lot of “The King of Queens.” It seemed like the show was always on, too, whether it was TBS or the CW, its programming was almost endless. The scary part, and this is confession time here, folks, I started to like the show. Yes, it’s true, Kevin James grew on me like a fungus.

So when I started seeing ads and previews for Paul Blart: Mall Cop, aired conveniently during the show that’s always on, “The King of Queens,” my interest was more than piqued. Yeah, as bad as it looked, I wanted to see it. This is my secret shame. I waited until it hit DVD so I wouldn’t feel so dirty.

It’s not bad, one might even say it’s good. Don’t get me wrong, we’re not talking Citizen Kane here, folks. We’re not even talking Mothra Vs. Godzilla, but it’s a matter of expectations. Mall Cop has that warning label on it, you know, the one that says this is a Happy Madison film, indicating that Adam Sandler was involved – always a bad sign.

As far as expectations go, I was fairly correct in my assessment as the movie started. It’s so formulaic and almost painful to watch – until – until it becomes Die Hard in a mall. And I’m not saying “Die Hard in a mall” the way those pitchmen in Hollywood would try to get a flick made – but I mean it in a literal way. Paul Blart: Mall Cop truly is Die Hard in a mall. And I just don’t mean if the bad guys were acrobats on X-bikes and Bruce Willis is a fat guy on a segueway.

Mall Cop follows its inspiration in plot and theme and at moments in duplicating shots. It’s really something to behold. It’s like watching Mel Brooks pay tribute to old movies, there’s a respect that is truly sincere. Again, Paul Blart: Mall Cop is not a great film, but as far as expectations go, it’s a good film. Check it out if there’s nothing else on.

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