Category Archives: tina fey
Megamind ~ When I saw the first preview of this film months and months ago it seemed like a sly parody of the Superman mythos and a more original super-intelligent foe, sort of a Luthor/Brainiac hybrid. As clever as it seemed, the previews that followed as the release date got closer seemed to reveal more and more of the plot. So much was given away that I feared that I had not only gotten the gist of the flick, but perhaps no longer needed to even see the film.
The truth of the matter was that I felt I no longer needed to see it. I got the point. I could wait for the DVD or even for regular television. Bottom line, the only reason we did see it was because we had several gift cards for the theater and decided to make a night of it. Free goes a long way toward making things more enticing. Unfortunately the gift cards were for Loew’s, and you folks know how much I like them. The quality or relevance of Megamind completely aside, I could not believe how much it cost to see this flick on a busy weekend night, in 3-D, and in IMAX. It was enough to put me off first run movies for a while. Thank the gods for gift cards.
Now I’m not going to give away any details of Megamind for the sake of the folks who have yet to see it, but suffice it to say that what I said and believed above was not true. The whole movie, nor the entire plot, is not revealed in the previews. There’s a lot more to this than meets the eye. And it is clever, and rarely goes where you think it is. This is a smart superhero parody for the whole family, working on several different levels, and it’s also the best use of the new 3-D I’ve seen in quite a while. David Cross steals the flick, and even Will Ferrell is good here, and I usually don’t like him. Recommended.
The premise of a world where no one lies gets old rather quickly when it’s just two people alone, but blossoms in the voiceover narrative and with other actors in the mix. And that just about covers Gervais’ and Jennifer Garner’s first date. It’s a bizarre mix of Liar Liar and What Women Want that never lives up to its potential. And of course, unlike those two films, this one is somewhat funny.
There are lots of guest stars and intriguing cameos like Rob Lowe, Tina Fey, Jason Bateman, Philip Seymour Hoffman, Louie CK, and of course Barry from “Eastenders.” The ads within the movie for Coke and Pepsi are hilarious, as is ‘The Sad Place for Hopeless Old people.’ Sorry, it’s funny because it’s true.
When lying is invented by Gervais’ character halfway through the movie, it’s not as funny as it should be – but rather heartwarming, and I’m not sure that’s what was intended. The humor only lasts for a few moments before turning into one of those “Saturday Night Live” skits that never ends. Much of this film feels that way sadly.
The Invention of Lying has the same trouble that most of Ricky Gervais’ films have – that schizophrenia of trying to be a drama with comedic overtones when it should just be a comedy. Too much philosophy and not enough jokes. Worth watching, but it could have been much better.
I’ve never really been a fan of Jimmy Fallon. I mean, I don’t hate the guy, but then again I’ve never laughed my ass off at him either. He’s probably a really nice guy, just not a really funny guy. After years on Saturday Night Live” he’s got a shot at ‘real’ stardom taking over for Conan O’Brien on “Late Night” while Conan moves up to “The Tonight Show” in June. I tuned in for the first two nights and I’m still not sure what to make of it.
Fallon seems genuinely nervous throughout the first night’s monologue, and taking on an always-difficult interview like Robert DeNiro is a bloody baptism by fire – but he made it through pretty well. It was obvious that Fallon was much more comfortable with Justin Timberlake than DeNiro. Maybe he should just have friends on? And if he was really smart he would have gotten Justin to really sing. Although Van Morrison was nice too. Good demographic reach with the variety of guests.
Bits like “Lick It for Ten” and “Target Demographic” and *sigh* “Space Train” may have seemed traditionalist for “Late Night” but I don’t think it worked for Jimmy. He keeps trying to be other folks, and he should just be himself. Funny or not, I know he’s much cooler than he’s coming off so far. Fallon needs to find his own groove, preferably something he is comfortable with, because so far he doesn’t seem very comfortable with a lot going on here.
On the second night, the monologue was still shaky, but saved when Jimmy threw it to The Roots for a brief musical interlude. There’s no doubt about the fact that he has the hottest house band on Earth backing him up. He just needs to use The Roots for more than ‘slow jamming’ the news. Sharing a bit more of the spotlight with them could never hurt the show. They kill with the opening and closing themes. I would watch the show, just for them.
The Facebook status updates were not only hilarious but hip and different from what anyone else is doing out there in the talk arena. And Jimmy seemed to be having fun with it, good for his comfort zone. And he was certainly less nervous than Mayor Bloomberg. The ease continued with Tina Fey. Yeah, definitely, dude, just interview your friends, it works for you. It’s a vibe similar to Johnny Carson back in the day, in my opinion. Make it casual and make it just chatting with pals.
I had much the same regret about Jon Bon Jovi that I had about Justin Timberlake the previous night – why didn’t he sing a whole song? Can you imagine the ratings bump that would have been? Santigold was no slouch, she was trey cool, but come on, if you have Bon Jovi, make him perform. Make him sing the way he made Tina dance.
Speaking of ratings, “Late Night with Jimmy Fallon” apparently did quite well so far, and I think that’s a good thing. Jimmy Fallon on his Twitter insists that the show will only get better, and honestly I don’t doubt it. It’s gotten twice as good in only two nights. I know I’ll be watching.