Category Archives: tom wheeler
Here we are with episode three of “The Cape,” and perhaps it’s time for a bit of credit where credit is due. The series was conceived by writer/producer Tom Wheeler and realized by action director Simon West among others. Either way, this is Tom’s baby, and quite an adventure. He’s built a continuity from the ground up, and inspired by the heroes of the pulps rather than anything contemporary, so far so good.
This episode in particular is notable, to me at least. It caught the attention of my mom-in-law, who liked it. She’s about as far from the comic book genre community target audience of this show as you can get, so extra points to Tom Wheeler and crew for nailing that elusive mainstream audience. Unlike “Heroes” before it, “The Cape” just might have a longer shelf life, especially if it continues like this.
I couldn’t wait for this episode because of the title. I remembered from the pilot that Kozmo was the name of the man who used the ‘magic’ cape before Vince Faraday. Come on, we all knew he’d come lurking back into the picture, for the first time, sooner or later.
It starts well, Gregor the Great, escapes from a Russian prison, establishing himself as a little bit Houdini, a little bit evil Mister Miracle, and we just know where he’s headed. Next comes the animated credit sequence, some of which seems to have been lifted from the online graphic novel, but it’s not, rather a montage of the actual The Cape comic book used in the show. When a bridge confrontation follows, right out of the beginning of Alec Baldwin’s The Shadow, I am once again hooked.
I am surprised when Gregor shows up and calls Max Malini Kozmo. It seems that Kozmo is a legacy, much like the Dread Pirate Roberts, and an identity that is passed down for decades. Max, after seeing what Gregor was capable of with the cape, decided to cut the legacy short. There is much made in this episode that the cape may really be magic, and that there may be more to this world than we thought.
Other highlights this time around include Orwell finally meeting the Carnival of Crime, which is interesting, especially seeing The Cape’s two worlds come together. There’s also the much un-subtle and too obvious reveal of who Orwell really is. I wish it had been done better.
Also on the side of not-done-well is the set-up for the duel of the cape between The Cape and Gregor. It is sudden and clichéd. I thought we were finally going to get to see the Carnival perform, and was looking forward to it too actually, and it becomes awkwardly a fight scene. There was definitely some clunky writing here, and I was disappointed. There’s still enough here to bring me back, hopefully this was just a fluke.