Category Archives: tomb raider

The Better Bloodrayne

I don’t really know all that much about BloodRayne. What I know, other than two terrible movies, and one fantastic fan film starring Vera Vanguard, a review of which can be found here.

Recently I downloaded BloodRayne: Betrayal. I was thinking it would be cool. After all, what’s not cool about a hot chick killing Nazis and vampires, really, it sounds like the perfect game. The problem is, this game is really nothing like that at all. It’s not even as cool as previous BloodRayne games I’ve learned. Older versions of the game were actually similar to Tomb Raider in style, this one is a sidescroller (see, I’m learning the lingo), like Rolling Thunder or Bionic Commando. To me, the novice, this seems like a step backward in evolution. I definitely prefer Lara Croft to this weak 2D anime.

Like many games, I was unable to get very far. The game keeps it simple, half-human half-vampire BloodRayne is recruited by good vampires to fight bad vampires, but apparently not simple enough for me. This game would have been marked for deletion along with the others among The Rejected, had Crystal and Jeff not taken a liking to it.

Jeff, in his usual manner, got on the game and started kicking its ass. He was cruising across this side scroll whupping vampire butt left and right, though mostly right. The vampires good and bad were blowing up like Pookas and Fygars in Dig Dug. Have I mentioned how awesome Jeff is? Well, actually he might not be that great of a gamer, but he can sure make me look bad, not a hard feat.

As far as BloodRayne goes, I think I’m going to stick with Vera Vanguard. Like Jeff, she’s much cooler than this game.

The Cape: Kozmo

Here we are with episode three of “The Cape,” and perhaps it’s time for a bit of credit where credit is due. The series was conceived by writer/producer Tom Wheeler and realized by action director Simon West among others. Either way, this is Tom’s baby, and quite an adventure. He’s built a continuity from the ground up, and inspired by the heroes of the pulps rather than anything contemporary, so far so good.

This episode in particular is notable, to me at least. It caught the attention of my mom-in-law, who liked it. She’s about as far from the comic book genre community target audience of this show as you can get, so extra points to Tom Wheeler and crew for nailing that elusive mainstream audience. Unlike “Heroes” before it, “The Cape” just might have a longer shelf life, especially if it continues like this.

I couldn’t wait for this episode because of the title. I remembered from the pilot that Kozmo was the name of the man who used the ‘magic’ cape before Vince Faraday. Come on, we all knew he’d come lurking back into the picture, for the first time, sooner or later.

It starts well, Gregor the Great, escapes from a Russian prison, establishing himself as a little bit Houdini, a little bit evil Mister Miracle, and we just know where he’s headed. Next comes the animated credit sequence, some of which seems to have been lifted from the online graphic novel, but it’s not, rather a montage of the actual The Cape comic book used in the show. When a bridge confrontation follows, right out of the beginning of Alec Baldwin’s The Shadow, I am once again hooked.

I am surprised when Gregor shows up and calls Max Malini Kozmo. It seems that Kozmo is a legacy, much like the Dread Pirate Roberts, and an identity that is passed down for decades. Max, after seeing what Gregor was capable of with the cape, decided to cut the legacy short. There is much made in this episode that the cape may really be magic, and that there may be more to this world than we thought.

Other highlights this time around include Orwell finally meeting the Carnival of Crime, which is interesting, especially seeing The Cape’s two worlds come together. There’s also the much un-subtle and too obvious reveal of who Orwell really is. I wish it had been done better.

Also on the side of not-done-well is the set-up for the duel of the cape between The Cape and Gregor. It is sudden and clichéd. I thought we were finally going to get to see the Carnival perform, and was looking forward to it too actually, and it becomes awkwardly a fight scene. There was definitely some clunky writing here, and I was disappointed. There’s still enough here to bring me back, hopefully this was just a fluke.

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