Category Archives: toys
But if you’d like to get in there and talk too, this Sunday evening is your chance.
Reaperradio is hosting an Avengers Chat at the LadyNightsRealm Chatroom on Sunday, April 14th at 8:00 PM EST with a second chat wave at 9:30 PM EST.
The Chat will be covering any and all Avengers and Avengers-related comics titles, as well as the Animated Series, the movie, even the toys.
Hope to see you there. Let’s talk Avengers!
Rise of the Planet of the Apes ~ As a kid growing up in the 1970s, Planet of the Apes was very important to me, and probably to most kids of my generation. I remember asking to stay up to watch the movies on CBS, and their creaky continuity. I remember the lame TV show. I remember the girl across the street who got the Mego PotA treehouse for a gift. It’s instilled in my childhood, like the “Brady Bunch,” Marathon bars, and the “Six Million Dollar Man,” PotA was the 1970s.
All that said, you can imagine my disappointment with the Tim Burton remake, and especially that effed up ending swiped from a bad Kevin Smith comic book. When I heard they were making a prequel to it, my heart sank. A prequel to a bad movie is never a good idea, and besides, let’s get real, the original prequels to PotA weren’t that great either.
In truth, prequels rarely work, especially when we already know the story. Viewers might just give a pass to a prequel because it’s not going to tell them anything they didn’t already know. I already know the origins of Batman, Superman, and Spider-Man, you don’t need to tell me again. In most cases they aren’t even needed, and sometimes even hurt the property. Case in point – Star Wars.
Rise of the Planet of the Apes surprised me though. It hooked me first with an intriguing trailer before throwing the title at me. I wanted to see it before I even knew it was PotA. Finally, I’ve got hold of it on DVD. Let’s see if my instincts were right.
From the start, there are homages , both verbal and visual, to the original series of movies. Much like the preview, the movie itself grabbed me right away. James Franco, in less than annoying mode, is a geneticist searching for a cure to Alzheimer’s, testing on apes, and inadvertently succeeds with a chimp named Caesar that he raises himself. John Lithgow gives a wonderful performance as Franco’s afflicted father as well. Andy Serkis does his usual as does Tom (Draco Malfoy) Felton, so much for typecasting.
If you know the mythos, you can connect the dots, but there is still a strong emotional story here, not just a this-is-how-we-got-here vibe. The CGI effects make for the needed realism of the tale. While the ape masks and make-up of the original PotA were state of the art for the time, sadly now, they are just, well, ape masks and make-up. These apes look real and emote real, it’s very stunning. In fact it’s a tribute to the power of CGI done well that the scenes of Caesar and other apes are so hypnotic.
I really dug this flick. When all hell really breaks loose, and the apes begin their ‘rise,’ I was ten years old again. Yeah, it’s that good.
I remember Christmas of 1968. It was when I got a Zeroid, no, not a painful sitting condition, but a toy robot by the Ideal company (And no, not that Ideal). I vaguely remember it, other than my cousins both had them as well, and it was rare that my parents relented and got me something everyone else had.
The plastic robots were all the rage apparently, the Cabbage Patch Kids or Tickle Me Elmo of that Christmas, although I remember very little else about it. I know I had the Zobor model and it came with the fancy packaging that was also its ‘home.’
When I was a kid, specifically when I was in second grade, there was one toy that all the boys had, and I mean all the boys. I’m specifying because sometimes the class conflicts squooshed their way through the mud to the surface and there were toys that some kids had, and other kids just wished they had. This was different. It was an equalizer. I’m talking about Kenner’s SSP Racers.
SSP stood for Super Sonic Power, at least that’s what my addled forty-six year-old mind tells me. I’m sure Google could help, but what’s the fun in that, right? These were sleek plastic cars (and sometimes motorcycles) anywhere from six to ten inches long that had only one wheel. They might appear to have more than one, but the others were faux. That one wheel was primary in a basic system of gears that could be wound up and spun at high speed by pulling a toothed plastic strip through them. By pulling the ‘T-stick’ and placing the car on the ground, floor, whatever semi-flat surface – they would take off like, well, like racers.
Kenner must have released dozens of models over the course of a few years and like I said, everybody had ’em, would bring ’em to school and race ’em at recess. You could set up ramps, make ’em do tricks – and even have your own demolition derbys – and this was before Kenner got the hint and made their own special SSP Demolition Derby, but more on that later.
What I remember most is how important the model you had was, whether you picked it out yourself, or your parents did, or it was a gift – you could be identified by your model. It might sound odd, but almost forty years later I can still remember who in second grade class had which SSP Racers. I had a blue Indy Racer, which I wanted, I loved the Indianapolis 500 when I was a kid, and then I also had two Siamese Slingshots, one green and black, and one chromatic copper. That was one of the later waves of SSP Racers, chrome colors.
Of the kids in my second grade class, John P. had the Black Jack (did it only come in black?), John F. had the golden Rail Bird, Mark L. had the Two Much, John M. the Jet Star, Bobby T. the Super Stocker… well, you get the idea. We used to race them across the asphalt and up and down a steep ramp used by the food service. Great fun.
Later Kenner released the SSP Demolition Derby, which came with two different sets, a pick-up truck and a Volkswagen bug, and in the other one, the one I didn’t have, a station wagon and I think a sedan. Unlike the futuristic modeling of the regular SSP cars, these actually looked like standard cars, and beat-all-to-hell ones at that. The gimmick was that when the front bumper was impacted, the doors, hoods and trunks would fly off. Cool, right?
But the best part was the set came with two ramps so the cars to collide in mid-air. Those ramps got lots of use, and not just with the Demolition Derby cars. We all used them with the regular SSP Racers as well, and a year or two later when the Evel Knievel rage took over, everyone used those ramps for the Stunt Cycle. No offense to Ideal, but your ramps sucked, Kenner’s were the fo’ shizzle.
Forty years later, you can find SSP Racers sometimes in stores, usually in generic brands. You see a lot more of them on eBay or on YouTube. Here’s a site where people share their memories: click here. One thing’s for sure, they won’t be forgotten.
Toy Story 3 is a good film. It could have been better, but it’s still a heck of a lot better than some of the crap we’ve gotten so far this summer. I might have some complaints about it, but don’t get me wrong, I liked it, a lot.
First things first, as with all Disney/Pixar features, this one begins with a short, and as always it’s just amazing. This short, Day & Night is just brilliant. Not just brilliant as most Pixars are, but also innovative, just pure genius. This is the type of thing that Pixar excels at – conceptual genius. Do not miss. For me, this alone was worth the price of admission.
We paid through the nose to see this flick in both 3-D and IMAX, but unlike many recent offerings, this was fully worth it. Toy Story 3 picks up years after the last sequel. Andy is leaving for college and hasn’t played with his toys in years so they are awaiting their destiny – a trip to the attic or being donated to a local daycare center. The queues for crying in the audience are a bit obvious and manipulative unlike the last two films
The theme is pretty much the same as Toy Story 2 – that kids are never as good as they seem, and abandon their toys when they get older. It worked for the last movie, but gets a bit creepy here the second time around. More than that, this is a much darker episode of the movie series. The Buzz and Woody Go to Hell sequence is especially scary, and downright frightening for the little ones. We’ve had bad kids and bad toys before, this time out we actually have evil toys. It’s a bit disturbing.
These problems may stem from the fact that what we are seeing is actually the original, rejected script, albeit rewritten, for the first film, and that a better concept had to be abandoned due to legal issues. It’s a shame, because it was good. The movie we got is still good. Ken (when he’s not being evil or creepy) is a hoot, and the highlight here. Some bits, like the rebooted in Spanish Buzz, seem out of place, but are still fun.
As I said, this is still the best movie so far this year, despite its flaws, and the ending is sweet and sincere as opposed to manipulative. I liked Toy Story 3 a lot. Recommended.