Category Archives: wednesday comics
I love comics. Anyone who knows me knows that. We all have our hobbies, our obsessions, our passions. But how often does something happen within that interest that you are just compelled to tell everyone about it? And I mean everyone. For me, and for comics, that happened this week.
It’s called Wednesday Comics, and it came out on, duh, Wednesday. You might remember me talking about this before, a few weeks back. Then it was just an item of interest that I had not personally seen yet, only heard about and seen a few previews of. Now that I have it in my hands, I am stunned. This is the coolest thing to happen in comics (and maybe in print) in years.
This is not just the return of Sunday color adventure comics, it’s not even just the return of comics on newsprint. DC Comics has done both of those things, but they filled it with the best work they had to offer. This is amazing.
Kyle Baker’s Hawkman is stunning. Neil Gaiman and Mike Allred have recreated the Silver Age Metamorpho perfectly. The Flash is the peak of sequential storytelling. Great to see a jet age Green Lantern, it’s the era he was created for. Father and son Kuberts do Sgt. Rock, just as husband and wife Palmiotti and Conner give us a delightful take on Supergirl, Krypto and Streaky. Dave Gibbons and Ryan Sook pay homage to Hal Foster’s Prince Valiant with Jack Kirby’s Kamandi just as Paul Pope does the same for Alex Raymond’s Flash Gordon with his Adam Strange. It’s just beautiful.
And for those of you for whom that last paragraph means nothing, don’t worry. The best thing about Wednesday Comics is that it’s non-continuity. In English, that means it’s mainstream – it’s accessible to any readers new or old. If you’ve been reading these things forever or if you wouldn’t know a Teen Titan from Tony the Tiger, you’ll still enjoy this.
Saturday. Met up with my partners in crime – Anthony, Andrea and Ray – just after Wizard World Philadelphia 2009 opened this morning. We hung out in the Green Room for a bit, subtly eavesdropping on Marvel Comics’ Bill Roseman giving portfolio reviews to potential artists. Lots of keen insight on what is expected of artists and how comics should be done was overheard. Quite the learning experience.
Also from the eagle eye view in the Green Room over the con floor we spied one lone Suicide Girl, Kyra, staring at her lap and texting on her phone. She was surrounded by comics geeks and fanboys who just appeared too scared or shy to approach her. It wasn’t until her fellow Suicide Girls showed up that people came up to the table. I guess there’s safety in numbers?
On the con floor whilst checking out Artist Alley and hunting for HeroClix and Marvel Super Hero Squad figures, we witnessed quite a nasty bit of poaching between booths. A woman from one booth came up behind me while I was at another to say she had all of a certain action figure line – come on over and see. I was incredulous, and even if she did have what I was looking for I wouldn’t buy it (or anything) from her now.
Something else to add to the list of things that had to be seen to be believed was when I was chilling up on the third floor overlooking the entrance to the con floor, just over the concession stand. Two guys in their twenties were taking pictures straight down Yancy Butler’s (“Witchblade,” “Mann and Machine”) low-cut shirt while she was getting a hot dog. I chastised them and told them they should be ashamed of themselves. It seemed to have little to no effect.
Over the last two days I’ve sat in on a few writing panels, and it seems really strange and enlightening to me that everyone has a different process. From Garth Ennis to Raven Gregory to Jimmy Palmiotti to Alan Moore – everyone has a different approach. Interesting stuff. I also want to add that Buddy Scalara who hosted a few of these panels was very enthusiastic, entertaining and educational. Great stuff, Buddy.
The DC Nation panel hosted by Dan DiDio, editor-in-chief of DC Comics, was intriguing. We got a rundown, followed by asking an opinion of the audience, of DC’s current big projects. DiDio called out Green Lantern, Batman, Superman, and when he asked about Wonder Woman, my buddy Ray took him to task saying he didn’t like it, and felt that there was editorial interference on the book – specifically DiDio’s. Ray also mentioned that he thought “Battle for the Cowl” sucked and was one of the worst comics he’d ever read – even worse than US 1. It was made a bit of joke and Dan turned to Ray throughout the panel to ask if certain projects ‘sucked.’
Justice Society was next, then Justice League, Teen Titans, and then a project I’m pretty excited about – Wednesday Comics. Then there was talk of another project that piqued my interest, a series featuring old pulp characters, including Doc Savage, the Spirit, Wildcat, the Blackhawks and maybe a few others, tentatively called First Wave written by Brian Azzarello and penciled by Rags Morales.
A question and answer session followed. There appears to be a surprising amount of support for more of the new Uncle Sam and the Freedom Fighters. There was some talk of Grant Morrison’s “Multiversity,” as well as speculation on two different Flash ongoing series. I was also amazed by an answer given by Bob Wayne, DC’s sales manager, regarding rising prices and titles per month. Apparently he thinks that this country’s current economic crisis is one big joke. Obviously the man gets his comics for free.
As my impression of Mr. Wayne sank, I must admit that my respect for Mr. DiDio rose quite a bit as the discussion he’d had with Ray continued outside the panel room for about fifteen minutes. With this amazing follow up Dan DiDio talked openly about how his job works and offered his thoughts as well as listening to those of others. Hell of a guy, great stuff. This made the con for me, seeing that the man wasn’t a monster at all but someone who is just like the rest of us – just with a much cooler job.
Print is dead, or so it’s been said. Still, it’s not happy times for newspapers and comic books which may be on their way out what with the dreaded internet and digital comics and such. Some folks give either media less than a decade’s lifespan. That doesn’t mean there aren’t some very innovative and rather incestuous things going on with them.
DC Comics has an ambitious project being readied for July 8th release called Wednesday Comics. The title is a play on the day comics are distributed, and regularly picked up by consumers, and will be weekly in an interesting folded newspaper format. Retro and unique in a way that may make collectors and their mylar bags insane, it also features continuity-free adventures of DC’s greatest characters by some of the best creators in the business. It’s an amazing showcase for what makes DC Comics great creatively.
What could make it better? The Superman feature in Wednesday Comics will be carried in USA Today that same day and then online weekly after that on their website, with heavy promotion in the following twelve weeks. Not only a celebration of what made these two media famous, but also a plunge into the digital age as well. Maybe it will perk up all three in the long run?
Wednesday Comics begins July 8th at a comic shop near you, and also in USA Today and online.