Category Archives: will eisner
A big chunk of my comics childhood has passed away. Nick Cardy, born Nicolas Viscardi, was perhaps the first influential artist on Aquaman and Teen Titans, but most importantly, he illustrated almost every DC Comics cover in the early 1970s. To me, Nick Cardy’s versions of the DC superheroes were the definitive versions, as those were the ones I saw all throughout my childhood, and even on the covers of books I didn’t read. And he was damn good. Nick Cardy passed away this weekend.
Here is the official press release from DC Comics:
“We are saddened to learn of the passing of Nick Cardy, one of the industry’s greatest artists. A talented draftsman with a knack for layout and energetic cover design, Cardy’s art leapt off the page and helped redefine some of DC Comics’ most lasting characters for a new age.
“Like many early comic pros, Cardy began his career working under the tutelage of the legendary Will Eisner, as part of the Eisner and Iger studio. But it was his arrival at DC Comics in 1950 that saw the artist begin to show signs of the legend that would soon form around him.
“Cardy’s smooth line and dynamic sense of action graced the first appearance of the Teen Titans in THE BRAVE AND THE BOLD #60, not to mention almost 40 issues of AQUAMAN during the character’s initial Silver Age solo series.
“Cardy continued his relationship with DC’s teen team for the entirety of TEEN TITANS 43-issue Silver Age run, redefining the collection of sidekicks through his innovative and yet still classical brushstroke, with a dash of post-modernist design and 60s swagger.
“Cardy was inducted into the Will Eisner Hall of Fame in 2005.
“We’ve lost one of the artistic pillars here at DC,” said Diane Nelson, President of DC Entertainment. “Nick’s work on Aquaman, Teen Titans and beyond helped define how we look at these characters today. Our thoughts go out to his family, friends and many fans.”
“Nick Cardy was a wonderful artist and person, but I’ll always remember his amazing covers,” said Dan DiDio, DC Entertainment Co-Publisher. “From the classic “Is This My Foe?” AQUAMAN #42 image that featured a victorious Black Manta hoisting Aquaman above him to the first appearance of the Teen Titans, Cardy just knew how to get a reader’s attention – and that is a talent that can never be understated. He was my definitive DC cover artist for the 60s.”
“Nick Cardy’s work helped define some of the things we see in comics today and take for granted,” said Jim Lee, DC Entertainment Co-Publisher. “He broke out of the mold in terms of covers and layout and created a truly interactive experience for the reader that directly points back to his time with the Eisner studio. His versions of Aquaman, the Teen Titans and Bat Lash – to name a few – remain iconic today. Our sympathies go out to his family during this difficult time.”
When I think of the Teen Titans, I think not of Marv Wolfman and George Perez’ wonderful New Teen Titans, I think of Nick Cardy’s Titans. The heroes of the comic my big sister read, on which I learned to read, the ones that even taught me about Shakespeare, and slavery, and the Civil War, and the civil rights movement. We have lost a comics legend, and I have lost a piece of my childhood.
To see a few more of Nick Cardy’s covers, check out my Tumblr here.
The Spirit ~ No, this is not the 2009 film where Frank Miller killed Will Eisner a second time, this is the 1987 ABC telemovie and pilot featuring Sam J. Jones (Flash Gordon) in the title role. Word is that Eisner himself nixed the series because he hated this version so much, and only allowed it to be aired once due to contract restrictions.
It is however available on YouTube, which is where I recently saw it. I’m ashamed to admit it, but when this originally aired, I didn’t know who the Spirit was. I know, for shame.
The TV movie isn’t really that bad when viewed in comparison to Miller’s travesty. It is camp in a way that fans of the 1966 “Batman” series could appreciate, only less humor and more bad sets and acting. It is still an enjoyable watch, and eons better than what Miller did. At least Jones dresses like the Spirit. Shame there wasn’t a series, had I been aware, I would have watched.
That’s right, this is Frank Miller’s The Spirit, not Will Eisner’s, that’s for damn sure. Frank Miller hates superheroes. I’ve said it before, and I’m pretty sure I’ll say it again. Frank Miller hates superheroes. If The Dark Knight Strikes Back is Exhibit A, then surely this film, 2008’s The Spirit is Exhibit B. I have read and heard that Eisner and Miller were great friends. I can only suppose that they fought before the former’s death because I think this interpretation of his hallmark character may well have him spinning in his grave. Frank Miller’s The Spirit is a hate mail for not just comic book fans but movie goers as well.
Was the Sin City sequel not ready for a Christmas release so the studio grabbed Frank Miller and forced him to rush this piece of crap into theatres? That’s my only guess, because it certainly looks more like Sin City than any possible version of the Spirit. Again I am pulled back to the Miller/Eisner friendship. What did they talk about? Surely not the Spirit because obviously Miller doesn’t have a clue what that’s about.
For those not in the know. The Spirit is an amazing comics character created by Will Eisner specifically for the newspapers, a stroke of brilliance at the time as it wasn’t a newspaper comic strip, but a weekly comic book insert that came in the Sunday paper. The Spirit stories were known for their imaginative and innovative graphic design and storytelling structure – decades ahead of anything that was going on in ‘real’ comic books of the time. Eisner was truly a genius ahead of his time, and one of the masters of the artform.
The character of the Spirit himself was ex-cop Denny Colt. Exposed to a weird chemical he appeared to be dead but was really in suspended animation when buried and written off as dead. Crawling out of the grave, donning a mask and using his now officially dead status as a cover, he became the Spirit and defended the people of Central City from all manner of villain, many of them female, and frequently rivaling the rogues galleries of Batman and Dick Tracy in their strangeness.
How Frank Miller took that and got this movie is something I will never understand. It reminds of “Smallville” in one way – some of the names are familiar but nothing else is. Frank Miller’s Spirit is super-powered where the original never was. He shares an origin with archenemy the Octopus in that a chemical exposure left them both with ridiculous Wolverine-like regenerative powers. They can’t die, and so engage in cartoon-like combat with anvils and infinite bullet holes. I think even Tex Avery would think these scenes overindulgent.
These aren’t the only differences. Most annoying that Miller’s Spirit is all in black, except for the red tie. The Spirit really doesn’t have a costume for heaven sakes, so why is it so hard to get it right? In the comics, simplicity itself, blue business suit, blue hat, blue gloves, blue mask, and red tie. Well, at least he got the tie right. This is a CGI motion capture film, you can’t tell me that blue wouldn’t work, or for that matter, look terrific. Is it really that hard? Comic book superheroes come in colors, for some reason Hollywood mutants forget that. Miller, having worked in the industry, should know better. But then again, it’s probably on purpose, he does hate superheroes, remember?
The casting is interesting. I liked Gabriel Macht in the title role, a lot. It’s a shame he couldn’t be the real Spirit because he would be terrific. Too bad Frank Miller has made it so no one will ever want to make another Spirit movie ever again, so bad the stigma will be from this. Dolan is miscast, and the women are all breathtakingly beautiful, if only on hand most of the time as sex objects. This is Frank Miller after all. Are we sure this isn’t the Sin City sequel? I know he hates superheroes, but I wonder what his problem with women is as well. Maybe he hates everything as everything gets the short end of the stick in this flick. Including Miller’s own cameo –P.U.
Louis Lombardi provides a bit of odd comic relief. Funny only if you are into S&M or the Three Stooges I suppose. He plays multiple clones who are henchmen to the Octopus, killed and mistreated left and right, and assures that Lombardi will never get a serious role again, much less any part of any “Sopranos” or “24” reunions. The clone names, printed on the fronts of their shirts, provide a bit of an inappropriate injoke that can distract from how bad this flick is.
Samuel L. Jackson as the Octopus is a curiosity when you consider, that in the comic book version, you never see the Octopus, never. It’s the trademark of the character. The question is not why was this done, but – can Samuel L. survive this? Can his career recover from this offensive cartoon of a movie? Over the top doesn’t cover the madness of his performance. I’m sure many directors will unfortunately think of his role as the Octopus when considering him for work and just take a pass. I love Sam, but he stepped in it this time.
Frank Miller hates superheroes, and he must really really hate the Spirit. Maybe he saw what a success The Dark Knight was and decided he had to kill this beast before it got too big, too popular. He had to drag comics back into the literary gutter where he thinks they belong. Well, Frank, after seeing your interpretation of the Spirit, all I can say, is “Good job.”