Category Archives: x-men origins wolverine

Snow White and the Huntsman

Snow White and the Huntsman ~ I was really unsure what to expect when I went to see this flick. What I did not expect was to be one of the few males in the audience. Much like when I saw Wolverine, this was a chick flick judging by the audience. I don’t want to be sexist, but I’m guessing it was all about Chris Hemsworth, especially based on the number of negative comments I heard leaving the theater by women angry that he did not take his shirt off. He was pretty good in the film although he didn’t really have much to do with Charlize Theron and Kristen Stewart eating up the scenery the way they did.

Theron rocks the house as Ravenna the Evil Queen in this reimagining of the Snow White story. This is her film, no doubt, even though it really should be Stewart’s or Hemsworth’s. And I know it’s early, but wait until Oscar time, I think we’ll see a nod for costumes and make-up for this flick. Charlize wears some outfits in this flick, she’s like Cher from hell. I loved it.

Kristen Stewart is a major problem for me here. She’s never impressed me, even in the Twilight flicks where she is supposed to rule. My major problem here? The whole idea of the Queen asking the mirror who the prettiest, and the mirror picking Snow White over the Evil Queen. I don’t buy it even for a second. I’m not being subjective here, but there is just no way Stewart beats Theron in this movie in the looks department. It’s just not believable.

I liked the dwarves, in that they were played by well-known actors. Cool to see Nick Frost, Bob Hoskins, Ian McShane, and Toby Jones among them. They were CGIed into dwarven bodies a la Lord of the Rings, which some of this movie resembles, and not in a good way. On the other hand, part of me kinda wishes however they would have gone with little people actors like they did in Mirror Mirror than doing it this way. Seems like they’re putting little people out of work, and in a worse light, it kinda feels like white folks putting on black face, ya know?

There are a great many things to enjoy about this film. One of them is the dark forest which is scarier by far than any depiction of any dark forest I’ve seen cinematically ever. And of course I loved the song over the closing credits, “Breath of Life” by Florence + The Machine, for once a perfect song matched to a flick.

But then there are things that infuriate me as well, like the loose ends and unanswered questions, regarding the troll and the mirror for instance. There was more to tell, perhaps we’ll see it in the deleted scenes of the DVD maybe. I also disliked the big LotR battle at the end, this didn’t seem to be that kind of movie. And that’s the problem, I don’t think the folks behind the scenes knew what kind of movie they wanted to make.

In the end, it’s visually stunning, but otherwise meh. Definitely worth seeing, but maybe more worth waiting for video release or OnDemand.

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X-Men First Class

After the fiasco that was the third X-Men film, appropriately called The Last Stand, I really wanted nothing to do with seeing another X-film. Even my seeing the Wolverine movie was at great protest even though I quite enjoyed parts of it. However, the teasers and previews for X-Men First Class were just too enticing, what with the concept of a period piece matched with a reboot of the series, as well as an exploration of the relationship between the young Xavier and Magneto. I was in, for better or for worse.  

The beginning is a bit disturbing, replaying the opening of the first X-Men flick with young Erik Lehnsherr being pulled from his parents at a Nazi concentration camp and his magnetic power beginning to manifest against a metal gate between them. Things become much worse after that, as Kevin Bacon playing the sinister Sebastian Shaw of the Hellfire Club, shows a bit of his background as a Nazi scientist who tortures the boy to gain his secrets.

In parallel, we see the pampered young Charles Xavier gain a new sister and mutant confidant in Raven Darkholme, later to be known as Mystique. It goes on like that, with Charles finding success (except it seems picking up women in bars) and Erik hunting down Nazi war criminals, until their paths cross in the real plot of the movie.

Between the Second World War and now (now being 1962) Sebastian Shaw has changed his Nazi name and formed (or joined, it’s not clear, but he is its leader) the Hellfire Club, and they plan to manipulate the US and Russia into a nuclear war that will destroy the human race and make everyone mutants – the next step in evolution. CIA agent (yeah, I know, it’s a bizarre departure from her role in the comics) Moira MacTaggert suspects this and recruits Xavier to help the government.

Soon, with Cerebro’s help, a preliminary X-Men team is formed – including Magneto, the Beast, Banshee, Darwin, Angel Salvatore, Havok and Mystique – and they go to war with the Hellfire Club. Look for a wonderful one-line cameo from Hugh Jackman as Wolverine during the recruitment sequence. The final battle between the teams has moments like the end of The Return of the King where you think it’s never going to end, but it never sinks to the lows of X-Men: The Last Stand.

There are terrific performances here. Kevin Bacon, a name I never would have considered when thinking of Sebastian Shaw, is perfectly evil and never goes over the top as he did in other such roles like in The River Wild or The Hollow Man. January Jones is also the perfect Emma Frost, and is nowhere near as wooden as she usually is in “Mad Men.” She looks the part, but frankly I was worried because I hate her work on the show so much. It is notable that she’s the only thing I dislike about “Mad Men.”

I liked this a lot, so much more than I ever would have suspected. If you told me I’d like an X-Men film, much less one about the X-Men vs. the Hellfire Club in the shadows of the Cuban Missile Crisis, I probably would have laughed at you. And I would have been wrong. Fans of the comics, fans of the movies, and you other folks too – you should check this out. First Class is the X-Men movie we have all been waiting for.

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Wolverine (and Gambit)

I saw X-Men Origins: Wolverine last night and I’m still not sure if I liked it or not. I saw it with two women, neither of whom had a deep comics background, and they both really liked it – so I’m thinking I might be rating the flick a bit harshly. Or maybe, as a heterosexual guy I just don’t find Hugh Jackman all that attractive.

I hate to be sexist here, but really, and the women out there know this is true – but we all know that any box office this movie gets has as much to do with Hugh Jackman with his shirt off as it does with comic book fanboys. I’d honestly judge the audience as half and half. As we waited in line to get into the theatre, two elderly women were leaving The Soloist and I overheard their debate about Wolverine… they were turned off by the superhero and action aspects but agreed to see it because of Hugh Jackman. Case closed.

As far as the story goes, it’s close to the comics but not quite. It’s sort of like if the movie version of “Gone with the Wind” had the South win the Civil War and Rhett and Scarlet live happily ever after. It’s still good, but that’s not how it happened, ya know? The effects are good, and the action is terrific. Things I had serious problems with are where Wolverine’s claws come out of his hands (on top, not from the knuckles) and the bizarre interpretation of Emma Frost. Soooo wrong. Ryan Reynolds as Deadpool (a role he’s been wanting to play for a looong time) is fun, as is Will I. Am as John Wraith and Kevin Durand as The Blob. On the other hand, Liev Schreiber’s Sabre Tooth is just over the top, way too much.
Speaking of sex appeal, Jackman’s spotlight is stolen whenever fan-favorite Gambit, played by Taylor Kitsch, is on the screen. The character had been scheduled to appear in both of the last two X-Men films but kept getting pushed out. That’s a good thing too. It gave him a better spotlight here. And I think Hugh Jackman should be watching his back. It was his sex appeal that got the ladies in the theater, but it was Taylor Kitsch they were all talking about on their way out.

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